Coming Soon: The Giant Steps Scratch Pad in All 12 Keys

My book The Giants Steps Scratch Pad is enjoying modest success. While it’s not flying off the shelves, musicians are buying it, and I find that gratifying because I haven’t done much to market it other than display it on this and a couple of other jazz websites, and run a few ads in Craigslist.

Available in separate editions for C, Bb, Eb, and bass cleff instruments, the book supplies 155 licks and patterns designed to help jazz instrumentalists master the Giant Steps cycle. To the best of my knowledge, there’s no other resource out there like it that helps musicians actually practice Coltrane changes. The closest I’ve seen has been for guitar players.

But enough about that. If you want to learn more about The Giant Steps Scratch Pad, visit my sales page. This post is to announce the upcoming release of a new edition of the Scratch Pad that covers all 12 keys.

I’ve had this edition in mind for a while. I finally got the project underway but have held back announcing it until I felt certain that I’d see it through to completion. Today, with just three keys left to go, I think it’s safe to say that this new, all-keys edition is gonna happen. I hope to wrap up the main grunt work within the next few days. I wish it was as easy as simply hitting the transposition button on MuseScore, but while transcription software is great, it doesn’t eliminate the need for hands-on editing. So I’ve been sifting through each key page by page, changing the range where necessary, correcting wrong notes, inserting and deleting accidentals, and so forth.

Once I’m finished, I’ll proofread the results to make doubly sure that the manuscript is glitch-free. Then I’ll assemble the whole lot and make it available as a PDF download. I will not offer it as a print edition through Lulu.com unless I get requests to do so. Judging from my sales of the present editions, people would much rather download the PDF and get the guts of the book instantly for cheaper rather than pay the shipping costs (even though the full-color cover looks sooooo sharp!). And I’m fine with that. Prepping a print edition is a lot of extra work; I have to charge more for it in order to make less than half the profit; and Lulu’s insistence on putting a single, slim book inside a cardboard box that costs nearly $4.00 to ship is just plain crazy, not to mention a sales-killer.

Anyway, stay tuned. It’ll still take a week or two, but The Giant Steps Scratch Pad for all 12 keys is on the way. I haven’t determined the price yet, but it’ll be reasonable, something that’ll let you still pay your utility bills while helping me to pay mine. I should add that this edition is written in treble clef. I may do a bass clef edition in all 12 keys as well–I’m not sure right now. One thing at a time.

The Fear of Cloning

The name of the tune is “Gunslinging Bird,” but the name originally given it by Charles Mingus was, “If Charlie Parker Were a Gunslinger, There’d Be a Whole Lot of Dead Copycats.” Included in the Mingus Dynasty album, the tune was Mingus’s way of recognizing the enormous impact of Parker on other saxophonists. Parker’s approach was so overwhelming that scores of horn players, alto saxophonists in particular, sought to copy it. Bird was the way to sound.

Mingus was making a point that cloneliness is not next to godliness. Still, learning by emulation is a longstanding hallmark of jazz–and, for that matter, of any discipline. Whether it’s a girl watching her mom bake cookies in the kitchen, an English major contemplating a Hemingway short story, or a trumpet player transcribing a Wynton Marsalis solo, every person learns by seeing–or hearing–and imitating how the masters do it.

Today, both in print and on the Internet, a huge array of transcribed solos testifies that the venerable tradition of emulating the jazz luminaries remains alive and well. Yet so, too, does a common objection voiced by novice musicians: “I don’t want to sound like another musician; I want to develop my own style.”

It’s an understandable concern, but is it a valid one? That depends, really, on the goals of the individual. Let’s put it this way: If you listen to a lot of Kenny Garrett, and if you take it upon yourself to transcribe a bunch of Kenny Garrett solos, and if you steep yourself in those Kenny Garrett solos, then chances are you will come out sounding an awful lot like Kenny Garrett.

Now, if that’s all you aspire to, then that’s where you’ll end up: as a Kenny Garrett clone. But if you desire to forge your own voice, then Kenny will simply become a part of your vocabulary, a vocabulary that includes other influences besides Kenny and increasingly reflects your personal explorations with melody, harmony, timbre, and nuance. You are an individual, after all, and the sheer force of your individuality will direct you toward your own sound and approach.

So don’t be afraid to go through the masters. Doing so is a part of how every jazz musician learns. It’s not the only part of the growth curve, but it is a foundational one: working the pre-existing language of jazz into your head and your hands so you can communicate meaningfully with your instrument. The point of copying Bird isn’t to play like Bird, but to move beyond Bird and play like yourself. And you will. If you want to, you will.

That’s all that need be said. You just need to trust the process–and, I might add, enjoy it. Don’t worry about arriving; just dig the journey, and recognize that your landscape is slowly changing with every step you take.

Practice hard, have fun, and keep at it!

If you enjoyed this article, click here to find lots more similar posts, including chops-building exercises, jazz theory, solo transcriptions, and video tutorials.

Francesca and Friends: Tricking the Pony and Seasoning the Grille

My friend Francesca Amari-Sajtar has been in Grand Rapids the past few days, and naturally we wound up playing some music. Thursday night at One Trick Pony in Grand Rapids, and Friday evening at Seasonal Grille in Hastings, the band was in great form and Francesca was her usual sparkling self. Two different places and two fun nights. Here are a few photos of the band at the Grille.

Gigs: One Trick Pony Tonight; Seasonal Grille Tomorrow

A quick reminder to my West Michigan friends that I’m playing with Francesca Amari and band tonight and tomorrow night.

Tonight’s gig is from 8:00 to 11:00 p.m. at One Trick Pony in downtown Grand Rapids. If you’re from around here, you know where it is.

Tomorrow’s gig runs from 6:00 to 9:00 p.m. at the Seasonal Grille in Hastings, right across from the courthouse square. Address is 152 West State Street.

Besides Francesca and me, the lineup consists of Dave DeVos on bass, Bobby Thompson on drums, Wright McCargar on keyboards tonight at the Pony, and Mark Kahny on keys tomorrow night at the Grille.

You can count on good food and a good time. Make it if you can.

Fall Meeting of the Michigan Storm Chasing Contingent

Last Thursday, October 27, the Michigan Storm Chasing Contingent convened at its favorite meeting place, the Walldorff Brewpub in Hastings. Present were L. B. LaForce, Ben Holcomb, Bill Oosterbaan, Tom Oosterbaan, Nick Nolte, and I, the unofficial recorder. The meeting was called to order, or at least something approaching order, and it was immediately moved that beer should be purchased. The motion was passed by five out of six, with one member abstaining. The recorder found himself in possession of a 24-ounce schooner of Cobain’s Double Dark IPA, which easily balanced out the abstention.

Truthfully, there is no official Michigan Storm Chasing Contingent. I made up the name. Membership dues have not been levied and cards have not been issued. The whole notion of a Michigan Storm Chasing Contingent is something of an oxymoron to begin with. Nevertheless, most of these guys have had a pretty impressive year, with plenty of miles logged and tornadoes observed. The sorriest mug in the lot was me, but I won’t go into that; 2011 is almost over now, and I’m done whining. The big thing is, Ben Holcomb was visiting from Oklahoma, and that seemed like a good reason for all of us to get together and hang out for the evening.

The Walldorff is becoming a tradition for us, and it’s not a bad one. The place has award-winning craft brew. The cuisine, made from scratch using local produce, meats, and dairy products, is also fabulous, but the beer is the main draw. Not that this is a hard-drinking bunch; they’re actually pretty conservative. But they do enjoy the Bee Sting Ale, one of the many superb craft brews turned out by Sam, the Dorff’s world-class brewmeister.

As for me, I opted for the Cobain IPA with its double-bitter blast of mega-hops and roast malt. It was the first beer I had ordered at the place since I joined its pub club a couple months ago, and I figured that it was time I finally took advantage of my member’s discount. I expected a nice price break. What I didn’t anticipate was the 24-ounce mug that the waitress set in front of me. It was big enough to generate its own lake breeze, and I could see surf breaking against the brim. Good grief. At 8.5 ABV, the Cobain is a potent brew, and all I wanted was a modest glass. I just can’t knock off such stuff with impunity anymore like I used to. Out of shape, out of practice, and getting older. Oh, well.

It was great to see all the guys, though we missed Kurt Hulst, who had to work. There’s nothing more interesting than storm chasers talking shop, at least as far as other chasers are concerned, and this year

afforded plenty of notes to compare. Ben, Bill, and Tom had been on the May 24 Chickasha tornado, a particularly violent beast that may be upgraded to EF-5. Seems that it pitched a Ford F-150 pickup truck 800 yards–nearly half a mile. It’s hard to fathom that kind of power.

But enough. It’s late, this recorder is tired, and it’s time I put this post to rest. Till next time, gents: L’chaim!

Another La Nina for Winter 2011–2012

Snowfalls that paralyzed entire regions. A record-breaking tornado season. An unrelenting summer heat dome that baked much of the nation for weeks on end, coupled with disastrous drought conditions in the southwest. That has been our weather year 2011 to date, courtesy of its La Nina, which commenced in June of 2010 and ended last April.

In another month, we can kiss the whole mess good-bye and good riddance. It’s not the kind of year a body wants to see repeated anytime soon. But with yet another La Nina winter shaping up, chances are that’s what we’ve got in store. In its typical terse language, NOAA’s Enso Cycle: Recent Evolution, Current Status and Predictions sums things up thus:

• La Niña conditions are present across the equatorial Pacific.
• Sea surface temperatures (SST) were at least -0.5°C below average across the central and eastern equatorial Pacific Ocean.
• Atmospheric circulation anomalies are consistent with La Niña.
• La Niña is expected to strengthen and continue through the Northern Hemisphere winter 2011-12.

.

The United States needs another La Nina right now the way a sick drunk needs another bottle of Boone’s Farm. We’re still reeling from the previous episode, and now here comes round two. While no one can predict with certainty how it’s going to play out, the generalities are these:

• The north-central CONUS and portions of the Great Lakes down through the Ohio Valley are likely to see colder and wetter conditions.

• The south and southwest can expect warmer and drier weather–not welcome news to those living in West Texas and other places that have already endured week after rainless week this summer.

Also, while you won’t find it stated in ENSO literature, statistically, tornado outbreaks east of the Mississippi have tended to occur during La Nina springs. Whether a correlation does in fact exist, circum 2011 certainly seems to corroborate the notion.

Let’s hope that this new player turns out to be La Nina Lite in terms of its impact. I can’t imagine that it will be as nasty as its predecessor, but anything is possible. We’re only getting started, and already the Northeast has gotten clobbered with a record-setting winter storm. The plus side is, parts of the drought-stricken West have received a rare and welcome snowfall. That’s good, and I hope they get more precipitation, lots more, be it snow or rain.

For those of you who pray, this new La Nina is something to enter in your prayer list and keep an eye on. This winter could be another bad one, and storm chasers may once again have their hands full next spring. Let’s hope that Dixie Alley experiences nothing like what it did this year. We’ll find out five or six months from now.

Book Review: Severe Storm Forecasting by Tim Vasquez

Beginning with his Weather Forecasting Handbook, which I purchased years ago at a College of DuPage severe weather conference, I’ve collected one-by-one nearly all of Tim Vasquez’s books on storm chasing and weather. The only exception is Tim’s most recent, 2011 publication, the Weather Forecasting and Analysis Handbook, and that’s next on my list.

The owner of Weather Graphics and the well-known storm chasing forum, Stormtrack, Tim is a widely acknowledged guru of storm chasing and operational forecasting, particularly in the severe weather arena. The man possesses more convective knowledge in his left pinkie than most of us do in our entire bodies, and in this fairly recent publication, he organizes information that is most relevant to chasers and severe weather junkies.

In Tim’s words, “Severe Storm Forecasting was a project started in 2007 to serve as the perfect companion for intermediate forecasters and a refresher for experienced forecasters. It maps the current state of severe thunderstorm forecasting from an operational framework rather than a research or academic perspective. Equations, physics, and lengthy citations have been kept to a bare minimum.” (From the preface.)

In other words, the book is intended to provide up-to-date, practical information that storm chasers can readily apply in forecasting and in the field. Since its release in 2010, I’ve been wanting to get my hands on this book. A while ago, I finally shelled out my $29.95 and purchased a copy, and I’ve spent the last several weeks chewing on it. It’s nutritious fare: thoughtfully organized, as current as is possible in a field shaped by rapid technological advances, and accessible to anyone who wants to apply him- or herself to developing severe weather forecasting skills.

Severe Storm Forecasting is divided into 10 sections as follows:

  • The Forecast Process
  • The Thunderstorm
  • Mesoscale Convective Systems
  • Tornadoes
  • Hail
  • Lightning
  • Stability & Shear
  • Radar
  • Satellite
  • Diagnosis
  • .
    An appendix contains additional information on the WSR-88D radar and the more commonly used diagnostic tools in severe weather forecasting, and also supplies blank, reproducible hodograph and skew-T/log-P charts.

    While the topics covered will be familiar to chasers who do their own forecasting, I’ve found plenty to broaden my scope, ranging from brand-new insights to discussions on topics with which I was only vaguely acquainted. For example, the section on QLCS tornadoes is the first time I’ve seen the subject given more than a casual nod. Here in Michigan, linear systems are far more common than isolated supercells, so it’s nice to encounter a book that spends a little time looking at their role as occasional tornado breeders.

    A strong asset of Severe Storm Forecasting is the way it aggregates the broad array of elements that are relevant to severe weather and then expands on them in one tidy package. Don’t get me wrong: this isn’t one-stop shopping. One book simply can’t cover everything in depth; pick any chapter and you can make a further study of its subject. But this book does much more than skim the surface. It is by no means a mere primer; it is a text that will equip you with a broad and substantial grasp of severe weather forecasting, and you shouldn’t conceive of it as a one-time read that you move through linearly and then “finish.” There’s too much content for a reader to absorb all in one pass, and much of it needs to be connected with field experience in order for it to gel. So look at Severe Storm Forecasting as a reference that you will process bit by bit. Once you’ve accomplished your initial read, you will return to it again and again.

    In the style of his other books, Tim has made ample use of sidebars to provide interesting asides that range from the historical to the technical. Just riffling through the pages, I find, for example, a call-out on page 75 that consists of material written in 1888 by Gustavus Hinrichs that sheds light on the origin of the word “derecho”; then a few pages later, on page 80, I read a smaller sidebar that discusses the term “swirl ratio”; and still further along, on page 95, I come across a fairly extensive personal communication from Paul Markowski on the contributing factors in warm versus cold RFDs.

    Three recommendations for improvement:

    1. 1. I’m surprised that a glossary was not included in a work of this nature. It is the one area in which I consider this book to be lacking, and I hope Tim will address the matter in his next edition.
    2. 2. An online supplement would add value. This could feature graphic, possibly interactive, examples of such topics as lifting and modifying forecast soundings, radar interpretation, and so forth. The supplement would be accessible only to purchasers using a code included in the back of the book. It could be used with other of Tim’s books as well, so one supplement could serve multiple purposes.
    3. 3. I have the sense that the editing was grassroots. The result is quite good, but speaking as someone with a background in publishing, I think the book could benefit from further proofreading or perhaps a light edit.

    With these things said, Severe Storm Forecasting is an eminently useful and well-done resource that belongs in a storm chaser’s library. If you’re a new chaser, I would recommend that you start with Storm Chasing Handbook, also by Tim; then purchase this book to expand your knowledge. Those with a bit more experience can jump right in. Regardless of your level of expertise, get this book. At some point, you’re either going to be glad you own it or else wish that you did.

    Purchasing Information

    • Severe Storm Forecasting by Tim Vasquez, 262 pages.
    • $29.95 plus shipping, available from Weather Graphics.

    NOTE: This is a non-paid, unsolicited review. I’ve written it as a service to my readers because I personally appreciate Tim’s book and feel that it provides a valuable and well-organized resource for storm chasers and severe weather buffs.

    I Would Be a Sinner: Rich Lataille Alto Sax Solo Transcription

    A couple years ago, while listening to WBLV (a wonderful West Michigan jazz radio station), I heard a tune by the band Roomful of Blues that put a smile on my face and set my insides to dancing. The title was “I Would Be a Sinner” from the CD Raisin’ a Ruckus, published in 2008 by Alligator Records. Predictably, I suppose, considering the name of the band, the tune was an F blues, and the alto sax solo by Rich Lataille was just perfect. I don’t know how else to describe it, and I’m not going to try too hard other than to say that Rich’s tone is beautiful, his technique is surgically clean, and his approach is passionate and smack on the money.

    Here are all three choruses, transcribed for the alto sax. (Click on the images to enlarge them.) It probably needs no saying, but I’ll say it anyway: You’d do

    well to pick up the CD, or at least download the tune on MP3. I’ve notated some of the important slurs and articulations, but I’ve by no means tried to capture all of them, and you’ll want to hear them. You’ll also want to check out the interplay between the alto and the bari sax in the second chorus, with the addition of other instruments in the third chorus. The counterpoint hearkens back to Dixieland bands in spirit, though the style is obviously different.

    And that’s all I need say, other than that this is a great tune, and I hope you’ll enjoy playing it and listening to it as much as I do!

    Gig Alert! November 4 with Francesca Amari at Seasonal Grill

    The Seasonal Grille in downtown Hastings, Michigan, is a great place to eat, and if you’re a musician, also a great place to play. I’ve done several gigs there over the past year, and from the start I’ve appreciated the owner, Justin Straube, and his crew as people who genuinely enjoy the music, and who treat musicians well. Perhaps that has something to do with a mutual respect among artists, because the fare that Justin serves up is just that: culinary art. I continue to be amazed that food as superb as what you’ll find at the Seasonal Grille comes at such an affordable price.

    But enough of my touting the Grille. Let me switch to talking up my friend Francesca Amari. I met her on a big band gig four or five years ago, and we’ve played together ever since as opportunity has presented itself. Francesca is more than a great vocalist and gifted national cabaret artist: she is also an engaging, well-loved performer who projects a wit and sweetness that are totally authentic. In a word, she shines. She loves her audience, her audience loves her, and as a bandmate, she’s just plain fun to work with.

    So you see, you have lots of incentive to come hear Francesca and the band, including moi, at the Seasonal Grille two weeks from now on Friday, November 4. We’ll be there with a full rhythm section consisting of Dave DeVos on bass, Bobby Thompson on drums, and Mark Kahny playing keyboards. This is a more ambitious date for the Grille than the piano–sax duos that I normally do there. I’m pleased that Justin was open to my suggestion to bring in Francesca, who will be visiting Grand Rapids that week. This event will be something more than background music for diners, so I hope you’ll come join us. If you enjoy live jazz and show tunes, I can guarantee you a great evening.

    Here are all the details in one compact call-out:

    Francesca Amari and Friends

    Place: The Seasonal Grille

    Date & Time: Friday, November 4, from 6:00–9:00 p.m.

    Phone: (269) 948-9222

    Address: 152 West State Street, Hastings, MI (right across from the courthouse square)

    The band will also be playing the previous evening, Thursday, November 3, at One Trick Pony in Grand Rapids. Downbeat for that gig is 8:00 p.m., and Wright McCargar will be filling the keyboard chair. That will be another fun night, so if you can’t make one, then make the other.

    See you in two weeks!

    Relocated: A Review of Ben Holcomb’s 2011 Storm Chasing DVD

    With his newly released second storm chasing DVD, Relocated, Ben Holcomb has done a fabulous job of capturing the action out west during 2011, a banner year for chasers. I just finished watching the DVD with Kurt Hulst. That makes my third time, and I’ve only had the video for a week.

    I much enjoyed Ben’s maiden voyage DVD, which shows highlights from his first three years of chasing. Relocated improves on that foundation. As its name implies, this DVD reflects Ben’s move from Lansing, Michigan, to Norman, Oklahoma, smack in the heart of Tornado Alley. It also demonstrates Ben’s development as a videographer and producer, as evidenced by the quality of both the content and the packaging. From laid back to intense to pure wow, the moods and dialog in Relocated cover a variety of situations a chaser is apt to experience; and the storms are always the star of the show, which is how it should be.

    While I’m on that last subject, one thing I appreciate about this video is its conservative use of background music. I enjoy a certain amount of music for spice, but not a lot. Mostly, I like to hear the environmental sounds of the chase–the crack of thunder, swoosh of the wind, and clatter of hail; the spontaneous comments and interactions of chasers; even the road noise and the sound of the car engine. I want to feel like I’m there, and this video does that for me.

    Anyone who knows Ben knows how passionate he is about chasing. He moved to Oklahoma to maximize his opportunities to chase tornadoes, and 2011 rewarded him with a bumper crop. The action starts on April 9 in Mapleton, Iowa, a day that drew a lot of chasers out for an early chase. This section ends with a neat synchronization of freeze frames with music. I won’t say more–you’ll have to see for yourself. I’ll just tell you that it’s clever and nicely executed.

    A couple weeks later, on April 24, things appear to have gotten a bit hairy for the Benster out in Baird, Texas. As he trains his camera on a distant lowering, a vortex spins up in the field next to him, and it becomes clear that circulation is establishing itself directly overhead. Call me a wuss, but that is the kind of situation that would make me pee like an elderly aunt in a beer tent, and it evidently inspired Ben to lean plenty on the accelerator, all the while continuing to shoot video. The result is some exciting footage shot at uncomfortably close range, and for me it’s the adrenaline spike of this DVD. Don’t try anything similar at home.

    The footage from the May 24 Oklahoma outbreak is outstanding. What more could a chaser possibly want? The Chickasha EF4 grows rapidly from a cone to a powerful stovepipe as it crosses the road and then moves past Ben’s position at a distance of perhaps three-quarters of a mile (just guessing here). The tornado continues to grow into a violent wedge with a collar cloud circulating around it like a monstrous merry-go-round, dropping lower and lower toward an immense dust plume that rises up to meet it. Remember I mentioned that this video packs wow-ness? Well, here is a prime example.

    Next, Ben captures a spectacularly beautiful white rope-out of the Shawnee tornado, which crosses the highway, then more-or-less anchors in a field and attenuates into nothingness as debris drifts out of the sky, sparkling in the sunlight. The camera probes high up the side of the disintegrating rope funnel, all the way up to its juncture with the cloud base. Very nice.

    The June 20 section, shot in Nebraska with J. R. Hehnly, is one I find a bit frustrating to watch because I missed the tornadoes myself by about an hour. Not Ben. He got great, ongoing footage of a cyclic supercell that kept popping out tubes one after the other. A high point, fairly early in this part of the DVD, is some fantastic multiple vortex action after the first tornado crosses the road in front of the vehicle and then intensifies. You see a gorgeous white cone with suction vortices pirouetting around its base, an elegant egg-beater. It’s my favorite scene in a DVD that’s full of great tornado videography, and I’m caught between admiring the storm’s beauty and wanting to bang my head against a wall. Aaagh! Sixty more miles…one lousy hour sooner…nutz. Bad for me, but good for Ben and J. R.

    That’s it for the tornadoes, but Ben has sweetened the deal with bonus footage of the last launch of the Atlantis space shuttle. Right, that has nothing to do with storm chasing, but it was obviously a standout event for Ben, as it would have been for anyone. So why not conclude this 75-minute DVD with a personal glimpse of a historic moment?

    Relocated is a thoroughly satisfying video that anyone with a jones for tornadoes and severe weather will enjoy. Be aware, though, that this is the real deal, a realistic and personal presentation of storm chasing as most chasers experience it rather than what reality TV has made it out to be. The camera is often hand-held by a guy who is either simultaneously driving or else trying to gain an optimal view from the passenger seat. That’s part of the package, and it makes for an honest and engaging production.

    Purchasing Information
    Purchase price for Relocated is $15.00 plus $2.00 shipping. For more information and to place your order, visit Ben’s site, where you can also buy his first video, My First Three Years, for the same price. Or save $2.00 when you purchase both videos together for just $28.00 plus shipping.

    If you’re looking for some great storm footage to while away the hours from now until spring, buy this video. And no, Ben didn’t pay me to say that or to write this review. I took it upon myself to do so because Ben is a good friend, a passionate chaser, and a guy who puts not only expertise but also a considerable amount of heart into what he does. Which is why Relocated rocks, and why it belongs in your video collection.