An Interview with Shane Adams, Part 1: Retrospectives and Perspectives on Storm Chasing Yesterday and Today

In recent years, due largely to the influence of Discovery Channel’s Storm Chasers series, storm chasing has exploded as an avocation. What began over fifty years ago with a handful of individuals roaming the American heartland in pursuit of nature’s most violent and beautiful storms has evolved into a hobby practiced by multitudes, shaped by the media, and facilitated by state-of-the-art technology.

Today, equipped with a laptop, a modem stick, and radar software, a beginning chaser has an excellent chance of seeing tornadoes right out of the starting gate. But it wasn’t always so. Once there was no GR3, no mobile data, no live streaming, not even any laptops—and nowhere nearly as many chasers as there are today.

New chasers conceive of storm chasing as it is, not as it was. That’s inevitable. People live in the present, not the past, and any of us can only board the train from the platform we’re standing on. Yet the past wasn’t all that long ago—that pre-tech era when the tools of the trade were few and the likelihood of busting far greater. Those of us who came up during those simpler times treasure the experience and carry a different perspective than those who cut their teeth on techno-chasing.

To scores of chasers who have been around the block a few times, Shane Adams needs no introduction. Shane has been a storm chaser since 1996. He’s well-known as a passionate and highly experienced chaser who lives, eats, and breathes storm chasing. With six storm chasing videos to his credit, Shane is the host of the weekly podcast The Debris Show; and, with his girlfriend and fellow chaser, Bridget Geaughan, he is the coauthor of the storm chasing blog Passion Twist.

Shane was good enough to do a written interview with me covering a broad range of topics of particular interest to storm chasers. The questions and responses range from the retrospective and occasionally philosophical to the practical.

Shane is an articulate, thoughtful, and passionate interviewee with much to share. Since the article is lengthy, I’ve broken it into two parts. In this first part, Shane talks about his personal development as a storm chaser; and, in the light of his own experiences, he reflects on the state of chasing today.

In part two, which I’ll release in another day or two, Shane talks about his personal approach to forecasting and chasing. He shares his unique account of chasing the tragic May 4, 2007, Greensburg, Kansas, supercell, and he looks back on the three most outstanding chases of his career.

Enough of my introduction. Here’s part one.

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Interview with Storm Chaser Shane Adams

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Question: Some background stuff to begin with. Talk a bit about your boyhood. You currently live in the Fort Worth, Texas, area. Have you lived in Tornado Alley all your life?

Shane: I was born in Oklahoma City and lived there until my parents divorced at age four. After the divorce, my mother and I moved to Healdton, Oklahoma, which is in the southern portion of the state. Growing up there for me was fun, because we lived in the same house for thirteen years, and I made many lasting friendships and knew the area well. We had a pasture that butted up to our neighborhood, and my friends and I would spend countless hours playing out there, back when kids actually played outside. That was pretty much my life pre-storms, although growing up in Oklahoma my entire life, I had been aware of storms as far back as I could remember.

Q: What event, or events, first served to flip the switch of your fascination with tornadoes?

S: As I mentioned, I had always known about thunderstorms. I can remember way back, first seeing this weird word they always used on television weather warnings: tornado. I knew about severe thunderstorms but had no clue what a tornado was. My mother tried to explain it to me, but her very limited knowledge and understanding, coupled with my young mind, just didn’t really paint the picture.

Then April 10, 1979, came along. A massive F4 tornado ripped through southern portions of Wichita Falls, Texas, just eighty miles southwest of Healdton. A few months later, one of the local television stations did a story on the tornado. I was in my room when suddenly my mother started yelling for me. I ran out into the living room, and she pointed to the television. I looked at the screen and saw a huge, black, boiling mass of cloud scraping along the ground below the most ominous sky I’d ever seen. “There,” she said. “That’s a tornado.”

I was hooked for life.

Q: It’s one thing to be intrigued by tornadoes; it’s another to actually chase them. When did you first start chasing, and what inspired you to do so? What was your first chase like for you?

S: I dabbled with chasing for years before I really started, but this was nothing more than glorified spotting. I would move from one edge of town to the other, but when the storms moved on, I never followed. I did this infrequently from 1988–1995.

On April 21, 1996, I went on my first true chase, where I actually drove out of town, over the road, to try and find a tornado. However, this too was a spur-of-the-moment thing, and I only had a cheap disposable camera and a cooler full of ice in case I found big hail. There was no plan, except that if I got into hail bigger than golfballs, I would back off, fearing a tornado I couldn’t see would be close behind.

I did get hail up to golfballs that day, saved a few in my cooler, and took a few snapshots I never developed. But this was nothing I would consider a real chase by my standards. To make it a real chase for me, there must be a video camera for documentation. Otherwise, it’s just a drive.

My first “official” chase was June 6, 1996. I was working a landscaping job with a friend of mine named Greg Clark. It started to get stormy early that afternoon, so we decided to knock off early. I said on a whim, “We should go chase these storms and try to find a tornado.” Greg not only liked the idea but suggested that we grab his mother’s video camera and tape the experience. It had never crossed my mind to actually videotape a tornado, but I was wild about the idea. (As it turned out, having the video camera that day was pivotal towards me becoming a chaser).

We grabbed the video camera, stopped by my place to look at a live update from one of the local television stations, and then took off towards a storm that was tornado-warned. There was no plan; we just called it as we went. All I knew at the time was, you want to be out of the rain, so we just drove right into the heart of the storm until the rain stopped. A lowering was to our south, so we turned east to pace it. We stopped, and I started shooting video. Literally seconds after I did, a small tornado formed out of nowhere, right in the spot I was pointing at, lasting less than a minute. It was pure dumb luck, but it was a critical moment for my chasing future.

Q: That first tornado obviously hooked you. What was your growth curve as a storm chaser like from that point?

S: I laughed out loud when I read this one. To put it simply, I was horrible. For years. I got by the first four or five years on sheer passion and tenacity. I didn’t know anything about the atmosphere or that I even needed to. Computer models were something I didn’t even know existed for the first year I chased. All I was armed with was an unrelenting, unrivaled passion to see tornadoes. There really was nothing else other than the minimal, basic structural and behavioral experiences I was slowly developing as I chased more and saw more.

As the years started going by, I started to recognize patterns and tendencies purely from what storms looked like or what the sky in general looked like. By my fifth season, I was pretty good at working a storm—meaning, how I handled it once I found it—even though I knew virtually nothing about finding storms. Basically, I learned how to chase storms way before I ever learned how to forecast them.

Q: Who were some of your key influences during those early years—people who helped you learn the ropes or who simply inspired you?

S: The first storm chaser I ever heard of was Warren Faidley. I received The Weather Channel’s Enemy Wind on VHS for Christmas in 1992 and wore the thing out. I had no clue there were people out there who actually chased storms seriously. But even more, I had no idea there were several people other than Faidley who had been doing it for years.

The first storm chaser I began to seriously follow and look up to was Jim Leonard. He was bigger than life to me. I was brand-new to chasing and just discovering the wonders of my storm chasing passion. Jim was the guy who, in my eyes, had done everything I wanted to do. His dedication to the art of chasing, and the fact that he’d started around the same age as I was and was still as dedicated well into his forties, was amazing to me. I idolized him, and I’m not the star-struck type. I met him briefly at a landspout seminar hosted by Al Pietrycha in Norman in 1997. I asked him a few questions about what was, at the time, my favorite intercept video from him: his June 8, 1995, Allison, Texas, wedge tornado. It was such a thrill to actually be standing next to my hero, although he had no clue who I was or that I worshiped him LOL.

Another chaser who, in my later formative years, really reached out to me was Gene Moore. He realized how ignorant I was but also saw my passion and dedication. While he could’ve easily ridiculed me, he instead took the time to talk to me about a few things he considered the basic, important essentials for storm forecasting. Things I still use to this day, every forecast, every chase.

Q: You came up in a time when technology and the media hadn’t yet shaped storm chasing the way they do today. What was chasing like for you in those days? What benefits do you think you gained from the minimalist, old-school approach that younger chasers today are missing?

S: The main difference between chasing now and chasing when I started is the laptop computer, but that’s over-simplfying things. Back in the day, we didn’t just not have computers, we didn’t have smart phones or iPods either. Today’s chasers never have to deal with long hours on the road the way chasers did years ago. Sure, twelve hours cooped up in a vehicle is still extreme, but it definitely softens the experience when you have constant entertainment at your fingertips, the way you would at home.

Chasers today don’t talk to each other, they chat. They stream. They surf. They listen to music. There will be a carload of chasers and each one will be in their own world, playing on a cell phone. Chasers today will never know what it’s like to spend twelve hours in a car when all you have for passing the time is conversation. And many times for me personally, I didn’t even have that, because many of my past partners were champion sleepers when there was nothing exciting going on. It takes a special kind of person to willfully strap themselves in for a ride that could last over twenty-four hours, with absolutely no guarantee of seeing anything—even less of a guarantee without constant streaming data 24/7 to lead you to the storm on a string—and absolutely nothing to pass the time. These techno-generation chasers will never experience that level of dedication, and quite frankly, if many of them were to, I doubt some would stayas dedicated.

Basically now, chasing is just people doing all the same things they would be doing at home otherwise, except there’s a drive involved and maybe a storm or tornado. The “grueling, long hours” which are so often brought up by chasers praising their allegiance to their craft are nothing more than what they do every day, except they have to stop to use the potty.

I’m very grateful I was able to endure the type of chasing I did for a good number of years. We would jump in a car and drive to Missouri or Illinois from Oklahoma on a whim, with nothing to guide us except NOAA radio. We were always broke, so hotels were an extremely rare treat at best, maybe once or twice a year. Normally we’d just drive in shifts, and do straight-through chases of twenty-four hours or more. And this was with no Internet, no Spotify, and no Angry Birds. Just a carload of guys who shared one common goal: to see a tornado.

One time in 2000, we left Norman at 1:00 a.m. and drove straight through to North Dakota only to miss all the tornadoes by forty-five minutes. We stayed the night in Fargo, then drove straight back the next day, missing even more tornadoes because we got there too late again. That was a 2000-mile, two-day trip for some thunder and lightning. We had several of those back in the day, when the only thing fueling us was the desire to simply see and videotape a tornado.

There are few of today’s new chasers who would ever willfully endure that type of experience. Kids today want everything on a plate, with a remote, a keystroke, or some other too-easy device designed for no other purpose than to make an already easy life that much easier. A lot of chasers like to toot their own horn (nice pun, eh?) about how dedicated, extreme, and hardcore they are. Doesn’t take much to drive 500 miles when you know you’ve got Internet the entire way and a nice, comfy hotel bed waiting for you that night. Try it with nothing but a NOAA radio and knowing that regardless of what happens, you’re not sleeping again until you get back home the following day. That’s hardcore.

But it’s a different world, and I have to accept that. I look around, and I really can’t relate to most newer chasers. They rely on electronics for their lifeblood, they care as much about making money as simply videotaping a tornado, and they’re all so busy trying to come up with the next big thing or gimmick. For me, at the end of the day, it’s about the storms and tornadoes, period. Streaming doesn’t matter, money doesn’t matter, and every other chaser out there doesn’t matter. All that matters is my video camera and that tornado in front of it. My day ends when the last tornado ends and the setting sun bleeds away. Their day is just beginning, hustling to contact brokers or potential customers with their day’s bounty. That’s fine for them, but chasing isn’t work for me. It can’t be, because I love it too much to ruin it by putting money at the top of the priority list. Everyone likes to deliver that famous line, “Hey, if I can get some money back that’s great,” but the reality is, once you taste money from chasing, it stops being about seeing storms and starts being about selling video. Because making $$$ from chasing is too much work for it not to be the top priority.

I’m happy fading back into obscurity, with my long resume filled with amazing catches the world doesn’t value because they haven’t been splashed all over the internet and television. I’m perfectly content to sit back and watch the flame wars, the ego battles, and of course, the constant brand/money wars. I watch this blur of an activity, as it is today, and smile inside, thinking back to how simple and innocent it was so many years ago. Even more simple and innocent years before my own career started. I’m proud to have come along when I did, to get a taste of the tail-end of a great era of storm chasing. There’s no doubt I’m the chaser I am now because of the way I learned, and that’s something I cherish. I haven’t seen the most or the best, been the closest, or lived through the worst, been the most famous or the most respected. I’m just doing my own thing the best way I know how, and will continue to trudge forward, ever-attempting to pen the next chapter in my life’s storm chasing adventure.

(Coming in Part Two: personal forecasting and chase approaches, the 2007 Greensburg storm, and top three career chases.)

January 31, 2012 by
Filed Under: Guest Posts and Interviews, Life, Nature, Storm Chasing, Tornadoes, Weather Tagged With: , , , , , , , , ,

How to Flutter Tongue on the Saxophone

Most days back when I was in elementary school, my friend Pete Rogers brought his submachine gun to school. It was a formidable weapon that Pete employed with withering effectiveness during the war games we boys played at recess, and it possessed the added advantage of instant disassembly into just two components which bore a striking resemblance to Pete’s right and left hands.

As the enemy approached us on the battlefield, Pete would make pistols out of both hands, jam the barrel of one pistol into the other hand behind the base of the thumb, and presto! Instant Tommy gun. “D-D-D-D-D-D-D-DOOOWWWWWW!” Pete would yell, doing a convincing imitation of a kid simulating automatic weapon fire. “D-D-D-D-D-D-D-D-DOOOOOWWWWWWWW!!!” And into the fray he’d charge, he and his handufactured submachine gun. Pete was impressive.

I envied him. Like the rest of the boys, I had to consign myself to plain old bolt-action–until one day, I figured out Pete’s secret for making his machine gun sound. The sound, after all, was the thing. There’s no point in having a machine gun if you can’t fire it. I discovered how.

By placing the tip of my tongue lightly but firmly against the roof of my mouth–not directly behind my teeth, but more toward the center of my palate–and then directing a steady stream of air against it, I could get my tongue to flutter, generating a rattling t-t-t-t-t-t-t-t-t-t sound. Mimicking Pete’s machine gun was then just a matter of adding my vocal chords to the mix.

Now that I was onto Pete’s secret, naturally I customized it to fit my taste. Pete’s sound was loud. I opted for a subtler approach–a Tommy gun with a silencer, if you will. A stealth machine gun. By fluttering my tongue right up against the top of my clenched teeth, and by not using my voice, I managed to produce the coolest, most convincingest machine gun fire you ever heard. It outclassed Pete’s prototype hands down. From then on, my lunch hours were littered with the bodies of scores of enemy soldiers who fell under the subtle but deadly chatter of my .50 caliber finger.

Years later in high school, long after my boyhood war games had ended, I discovered another use for my machine gun sound. By employing it while playing my saxophone, I was able to produce a wild, burry kind of effect. I didn’t realize that what I was doing had an actual name–flutter tonguing–or that R&B saxophonists such as Junior Walker incorporated it as part of their trademark sound. I thought of it as simply an interesting but useless curiosity.

Of course I was wrong. Flutter tonguing can be eminently useful depending on the kind of sound you’re after. I don’t use the technique often, but I can and do pull it out of my pocket occasionally, and so can you whenever you wish. Flutter tonguing is not hard to learn.

Here’s How to Flutter Tongue on the Saxophone

Actually, if you were paying attention, you already know how to flutter tongue. Re-read the fourth paragraph. It describes the basics. Give it a try. No saxophone–just make the machine gun sound (leaving out the vocal part). You want to use my buddy Pete’s approach, not my refinements. Your tongue needs to touch closer to the center of your palate rather than directly behind your teeth.

Once you’re able to produce the rolling, machine-gun-like effect I’m talking about, try it with your horn. Bear two things in in mind:

• You’ll probably need to take in less mouthpiece than you normally would.

• You should not let your tongue touch the reed. Flutter-tonguing isn’t really tonguing in the usual sense; it is not a form of articulation such as single-tonguing or double-tonguing. Rather, your tongue flutters rapidly against the roof of your mouth as you blow into the mouthpiece. If your tongue actually touches the reed, it will choke off the sound.

Flutter tonguing is easiest to use in the middle register of your horn. With practice, you can work your way higher. And with practice, you can also play reasonably in tune. I say this because flutter tonguing can flatten your pitch if you’re not careful. So while the basic effect isn’t particularly difficult to produce, getting it to a point of usefulness may take a bit of work. Overall, though, flutter tonguing is in my experience one of the more easily acquired effects. Compared to mastering double-tonguing or the altissimo register, it’s a cinch.

I may create a video clip of my own to demonstrate the flutter tonguing technique. Meanwhile, this one by Phil Baldino does a great job of letting you see and hear how it’s done.

January 20, 2012 by
Filed Under: Jazz, Jazz Improvisation and Technique, Music, Saxophone, Tutorials, Video Tagged With: , , , ,

Winter Storm in West Michigan

I don’t normally let so much time elapse between posts, but…

  • •  I’ve been hugely focused on an editing project; and
  • •  I sprained my ankle a few weeks ago, greatly curtailing my activities; plus
  • •  this has been an abnormally warm, largely snowless winter thus far; and so, adding everything together
  • •  I haven’t had much to write about.

winter-storm-1122012_924am
But that has changed with the arrival of this latest winter storm, which I am live-streaming on iMap even as I write. Here’s what it looks like on the radar as of around 9:20 a.m. (Click on the image to enlarge it.) A little farther down the page is a corresponding view from my balcony here in Caledonia, Michigan. Let’s put it this way: it’s not very pleasant outside.

The Grand Rapids weather office has this to say:

...WINTER WEATHER ADVISORY REMAINS IN EFFECT UNTIL 7 PM EST THIS
EVENING...

HAZARDOUS WEATHER...

 * SNOW WILL CONTINUE TO FALL ACROSS THE AREA INTO THIS MORNING
   BEFORE TAPERING OFF. SOME LOCAL POCKETS OF HEAVIER SNOW WILL BE
   POSSIBLE AT TIMES.

 * STORM TOTAL SNOW ACCUMULATIONS OF 3 TO 6 INCHES ARE EXPECTED
   THROUGH 7 PM FRIDAY EVENING...WITH LOCALLY HIGHER AMOUNTS
   POSSIBLE.

 * SOME WIND GUSTS OF UP TO 30 MPH WILL CAUSE SOME BLOWING AND
   DRIFTING SNOW LATER TODAY.

The updated aviation forecast includes this addendum:

AREAS IN THE WARNING WILL SEE 5 TO 8 INCHES WITH SOME AMOUNTS UP TO 10
INCHES POSSIBLE.

Latest station ob at GRR shows a temperature of 27 degrees. That’s not at all horrible for this time of year in Michigan. What we’re getting is actually standard fare. But that’s not to make

winter-storm-1122012
light of it. Conditions certainly aren’t balmy, and a 20-knot northwest wind doesn’t help. This is a great day to be inside. It’s times like now when the benefits of working at home become strikingly apparent. No scraping ice off the windshield of my car. No driving down icy roads. Just a manuscript to edit while catching glimpses of the birds swarming the feeder against a backdrop of windblown snow.

Life’s good things aren’t necessarily pricey. I’m content with a cuppa joe, a warm apartment, my work in front of me, and a pretty landscape outside the window with the snow piling up. From the looks of it, we’ve got around four inches right now. Bring on the rest of it. I’m not going anywhere.

January 13, 2012 by
Filed Under: Life, Michigan, Nature, Outdoors, Uncategorized, Weather, Weather Radar Tagged With: , , , , ,

Just in Time for the New Year: Real Winter Is Here at Last

With the arrival of the new year, Winter 2012 appears to finally be kicking into gear here in West Michigan. I’m ready for it. We got off light in December, with little in the way of snowfall and much in the way of unseasonably warm temperatures. On New Year’s Eve, temps scraped above 40 degrees. In that respect, this New Year has been very similar to the last one, though not quite as warm.

snow
The mercury started dropping yesterday afternoon as the wrap-around from a departing low ushered in colder air, and with it, the first significant snowfall of the season. Here’s what the L2 radar looked like at about 1:00 p.m. yesterday as the snow was getting started. Possible blizzard conditions were in the GRR forecast discussion at that point, but the winds never intensified to that level. Station obs currently show northwest surface winds up to 20 knots through West Michigan, and just up the road at the airport the temperature is 25 degrees. That sounds like winter to me.

first-snow
And the snow that is piled on top of my balustrade and covering the cars out in the parking lot looks like winter. Here’s a view of the bird feeding station out on my balcony to give you an idea of how much snow has stuck since yesterday. Looks to be about four inches. More may visit me yet here in Caledonia, but right now we appear to be situated between bands of the heavy lake effect stuff, with the most intense band streaming south-southeast from along the lakeshore by Muskegon and Grand Haven toward Kalamazoo and Centreville.

I see that a few storm chasers are out for a romp. Enjoy yourselves, lads. Me, I’m recovering from a sprained ankle and my car is in the shop, so I’m not going anywhere. Today is a day to ice my ankle, kick back with a big mug of Lapsang Souchong tea, watch the finches frolic at the feeder, work on an editing project, and let the icy winds blow.

Happy New Year, everyone!

January 2, 2012 by
Filed Under: Life, Michigan, Weather, Weather Radar Tagged With: , , , , , , , ,

Happy New Year from Stormhorn

A white-breasted nuthatch was at my bird feeder a few minutes ago searching hopefully for seed. Poor little thing! The seed stash has been low these past few days. Monday I sprained my left ankle while hiking in Yankee Springs, and I haven’t been up to replenishing the feeding station. In fact, my life has been largely reduced to sitting in the couch keeping my leg elevated and my ankle iced.

Lisa has been taking great care of me. Still, I like to do what I can for myself, so for three days I hobbled around gingerly, thinking that, c’mon, I hadn’t hurt myself all that badly. But I had, and I wasn’t doing my ankle any favors.

Yesterday I finally concluded that maybe crutches wouldn’t be a bad idea after all. I’ve never used them before, and these ones have taken some getting used to. I wish they came with training wheels. But I’m getting the hang of them, and taking the stress off my ankle is definitely helping. Maybe in a few days I won’t need the crutches anymore.

Anyway, I just refilled the finch sack with thistle seed and both feeding tubes with sunflower seed. A couple of chickadees have already discovered the fresh supply, and it won’t be long before the rest of the birds do as well. I think it’ll be a matter of only minutes before the finches arrive and my balcony will once again swarm with bird action.

What a wild and difficult ride this year has been! And now we’ve arrived at the last day of it. Poised on the brink of 2012, I look back and think, whew! No repeats, please. Nationally and globally, this has been a year of horrific natural disasters, economic turmoil, and unprecedented political upheaval. On a personal level, I have struggled financially as copywriting projects for a key client slowed down from what had been an abundance to a trickle and finally to nothing.

The tight finances massively hampered my ability to chase storms, and consequently I had to sit out some incredible events. Missing them was more than frustrating; it was painful, and it has taken a toll on my sense of identity as a storm chaser.

Thankfully, there have been good things to even out the bad. I published The Giant Steps Scratch Pad Complete, which duplicates the material in The Giant Steps Scratch Pad in all 12 keys. That has been a major accomplishment. I also began chasing locally for WOOD TV’s Storm Team 8, and my first chase for them resulted in a pretty solid coup during a damaging straight-line wind event down in Battle Creek. Also I got to experience Hurricane Irene down in South Carolina, and while I opted out of catching the eye at landfall, I saw enough both on the coast and inland to satisfy my curiosity.

Moreover, Lisa has been recovering nicely from a horribly painful frozen shoulder that she incurred at the beginning of the year. And while Mom’s knee replacement sidelined me from chasing what turned out to be a history-making super-outbreak of tornadoes down in Alabama on April 27, the result has been more than worthwhile; Mom’s knee is now pain-free and Mom can walk again.

As for my copywriting and editorial business, The CopyFox, other opportunities have been coming my way. I definitely miss the steady flow of business from my key client, but I much enjoy the new kinds of projects I’ve been getting from Bethany Christian Services and Baker Books. I’m currently in the middle of editing a book for Heart & Life Publishing, a new publishing service operated by my friend Kevin Miles. If there’s one bit of wisdom that I continue to prove through the years, it’s to step through open doors and embrace new opportunities to learn and grow in the talents God has given me. It’s important to know when to say no; but that being understood, there is a lot in life to say yes to.

I have no resolutions for the New Year. There are and will be goals big and small to reach for in their proper time, and I find that approach to be more realistic than making resolutions. I do hope, though, that I’ll get in a few successful chases this coming storm season to make up for the ones I’ve missed this year.

Still no snow, by the way, and it looks like that’s how it’ll stay through tonight. The 1723 UTC station obs show 38 degrees at GRR, and we’re forecasted to get up into the low 40s, so a green New Year is in store, just like last year. But it won’t stay that way for long; West Michigan’s first major winter storm is set to dump six to eight inches of snow on us tomorrow through Monday, and these warm temperatures will soon be a thing of the past. January is poised to swoop in with fangs bared.

So it’s a good thing I got those bird feeders filled back up. The finches still haven’t arrived. But the chickadees have been doing steady traffic, a couple of rosy-breasted nuthatches are making sporadic appearances, and the woodpeckers have been bellying up to the suet all along. The birds are taken care of. Now it’s my turn. It’s early afternoon and I’m still sitting here in my robe; time to shower up and get the rest of this day in gear.

Lord, thank you for this difficult but nevertheless gracious year. When disappointment and hardship hit, I find it easy to complain. But you are always there in the midst of my life, and I have no problem seeing your goodness when I seek your priorities over my personal wants. My part is to do my best, but you’re the one who calls the shots. Thanks for tonight’s gig with my good friend Ed. Thanks for my dear, dear woman, Lisa, and for my mom and siblings and friends. Thanks for the gifts of storm chasing and music, which not only make me come alive, but also shape me as a person. Thanks for the beautiful Michigan outdoors which I love so much–the wetlands, the wildflowers, the sandhill cranes ratcheting in the marshes, the rivers and streams and lakes filled with fish, the blonde sweep of dunes along the Lake Michigan shore, the forested, glacial hills at sundown. Thanks for the gift of my senses that lets me drink in all of these things, and for emotions that let me feel the wonder of it all. Thank you for the gift of life. Thank you for love. Thank you, precious Lord, for you.

I hope that a few of you will make it down to Fall Creek down in Hastings this evening to catch Ed and me. But whatever you wind up doing, have a fun and safe night. Happy New Year, one and all!

December 31, 2011 by
Filed Under: Life, Michigan Tagged With: , , , , , , , , , , , , , , ,

A Blessed and Merry Christmas from Stormhorn

In a world that has become bewilderingly complex, may the simplicity of faith in the person of Jesus be yours today and every day. I don’t think it’s any secret that Christmas is almost certainly not the actual calendar date of Jesus’s birth. What’s important about Christmas is, it reminds us that Jesus indeed was born at a specific point in time, at a certain hour on a certain day, really and truly. If eternal life were just a matter of sound moral teachings, he need not have bothered. But he came to provide something far more than one more model in the display case of spiritual teachers; he came to offer us himself as the object of our trust in matters far too vast for us to comprehend.

Look around you. Look inside you. Is it really so hard so hard to believe that what we need is not merely answers, but a Savior?

“For God loved the world with such unfathomable depth and passion that he gave the Son whom he himself sired–God, reproducing his very heart and character uniquely in human form, clothed with flesh, emotions, personality, a voice, appetites, and a name–so that whoever puts his or her trust in the Son may possess an entirely different quality of life: eternal life, today and forever.”–John 3:16, my rendering

A blessed and gracious Christmas to all my friends.

Politically incorrectly yours,

Bob

December 25, 2011 by
Filed Under: Christian Spirituality & Inspiration, Life, Opinion & Editorial Tagged With: , , , ,

New Year’s Eve at Fall Creek Restaurant

Hey, everyone, here’s a quick heads-up to let you know that I’ll be playing with my good friend Ed Englerth at the Fall Creek Restaurant in Hastings on New Year’s Eve.

Ed and I will be playing an eclectic assemblage of tunes in a low-key acoustic format, with Ed on guitar, me playing soprano and alto sax, and both of us doing a bit of singing. With other restaurants in the area featuring live bands in a festive spirit, the owner of Fall Creek wanted something laid-back that would allow people to converse. So that’s what we’ll be providing: music that is fun, enjoyable, but not obtrusive or melt-your-earwax loud.

Here are the details:

Ed Englerth and Bob Hartig
Saturday, December 31
8:30–11:30 p.m.
Fall Creek Restaurant
201 South Jefferson
Hastings, MI 49058
(269) 945-0100

December 18, 2011 by
Filed Under: Entertainment, Event, Music, Saxophone, Uncategorized Tagged With: , , , ,

The Noob: A Review of Adam Lucio’s New Storm Chasing DVD

June 17, 2010. If you were in Minnesota on that date, I need say no more. Regretfully, I was not there. But Adam Lucio was, and in his new DVD chronicling his chases from 2008 till today, Adam’s Minnesota chase–which rewarded him with some of the most visually stunning tornadoes of circum 2010–is just one in a list of potent tornado events captured on video.

No, it’s not the next best thing to being there in Minnesota–how could it be? What it is, is great footage of some spectacular storms, the kind of video that makes me wish like anything that I had been there and glad that Adam has done such a good job of showing me what I missed.

If for no other reason than the 2010 Minnesota outbreak, Adam’s DVD is a viewing windfall for storm chasers and weather junkies. However, June 17 is just one of a number of memorable chases that appear in The Noob. More recent footage from 2011 includes the dusty EF-3 Litchfield, Illinois, cone of April 19; a turbulent EF-4 wedge from the historic April 27 Super Outbreak; and the violent Oklahoma storms of May 24.

The Noob also whisks me down Memory Lane to May 22, 2010, in South Dakota, an unforgettable day for those of us who chased the northern plains. And heading back even further, Adam shares some visceral footage from 2008 of a large tornado crossing I-57 south of Chicago, his hometown.

At nearly two hours in length, Adam’s DVD covers a lot of material, and I’m not going to attempt a blow-by-blow analysis of it all. I’m just going to comment on a few highlights and let you discover the rest for yourself when you buy the DVD. Which you should do. You’ll congratulate yourself on your purchase every time you watch it.

I’ve already mentioned the Minnesota outbreak of June 17, 2010. This is the one section of the DVD where I took notes, because the storm was simply incredible. The video first shows an initial elephant trunk near Kiester. It’s followed by another much larger tornado, and from here the drama rapidly ramps up. I’ve heard some guys describe this date as their best chase ever, and I can see why: there’s a lot going on with both the tornadoes and the surrounding sky.

As the second, dark wedge does a multi-vortex dance on the other side of a distant woodlot, a new circulation rapidly develops in the foreground. There appears to be no handoff of energy from one circulation to the other at this point; for a while, presumably, two distinct, large tornadoes coexist in close proximity to each other. Eventually, however, we’re left with just one large, white cone surrounded by a huge, rapidly revolving collar cloud. The effect, already spectacular, becomes even moreso as the tornado moves toward Conger and then onward toward Albert Lea. It is a monstrous, long-track tornado that displays every shape and behavior in the book.

What at times captivated me as much as the tornado was the behavior of the clouds in the foreground. There’s at least one instance where you can see clear signs of anti-cyclonic rotation, both on a broader scale and in smaller swirls of cloud. It’s amazing to watch. And so is the horizontal vortex that passes overhead. The 1 km helicity near this storm had to have been just plain crazy.

Moving on, the Alabama footage is engaging not so much from a visual as a historical standpoint. Don’t misunderstand me, it’s good, entertaining viewing; it’s just nothing like the Minnesota section. What makes it remarkable is the date: April 27, the day of the 2011 Super Outbreak. Not since the infamous 1974 Super Outbreak have so many powerful tornadoes wrought such havoc in a single day. For that reason, this section of The Noob may be of historic interest in the future.

The May 22, 2011, South Dakota footage captures another spectacular, beautifully structured storm. What sets it apart, however, is the insanity of that a number of chasers experienced when the road they chose for an escape route dead-ended in a farmer’s wheat field. Adam was among them, along with his chase partners, Ben Holcomb and Danny Neal. With multiple tornadoes spinning up and advancing toward them, the chasers took the only evasive action they had left by bailing south into the field, where ponding eventually cut them off. “Game over,” as Adam put it. From that point, all they could do was hunker down and brace themselves until … well, you’ll just have to see for yourself what happened. Ben Holcomb captured the intensity of that part of the chase on camera, and Adam has included Ben’s video as part of the South Dakota section.

I might add, my buddies and I were in that same field just a stone’s throw from Adam’s vehicle, and I remember well how it was that day. But some of the footage here reveals things even I didn’t see, and viewing it makes me realize how truly blessed all of us were to have escaped without injury.

I could continue on, but you get the idea. The Noob is a great storm chasing DVD that delivers a huge amount of bang for your 14-and-99/100 bucks.

Adam is a passionate and capable chaser who takes every opportunity available to him to go where the storms will be. The title of his new DVD reflects to me both humor and humility, winsome qualities in any person.

The Noob is raw chasing. Adam clearly invested time and care in editing his material, and he offers a few nice editorial touches (such as Ben Holcomb’s embedded footage during part of the hair-raising South Dakota field escapade). For the most part, however, the DVD doesn’t get too fancy. In my book, that’s a plus. The occasional splashes of background music are conservatively used, not overdone, and hence a welcome addition rather than a subtraction from the focus of this video, which is tornadoes and the experience of chasing them.
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Critique

Is there room for improvement? Sure. Much of the video footage is hand-held, which makes for slightly to drastically shaky viewing. Of course, this is real-life chasing–not a professional film crew, just one guy with a camera coping with constantly changing conditions as he pursues the most violent and volatile weather phenomenon on the planet. Some of the storms were clearly moving fast, and Adam didn’t have time to park his vehicle, set up his tripod, toss out a lawn chair, and sip his favorite beverage, iced tea, while casually filming. I noticed that he made better use of his tripod with slower moving storms. In any event, I’m pretty sure he has already been considering how he might get more stable shots next season.

My second comment: There were times when I wanted to see a continuing view of a tornado’s interaction with the ground, not the sky. In the Minnesota footage, a large wedge barely misses two farms, appearing to barely graze behind them. Yet the camera drifts away from the drama on the ground–it had to have been terrifyingly dramatic for the people living at those farms–to the cloud base, back and forth. There’s enough ground footage to give a good feel for what’s happening; still, I want the focus to remain on the lower part of the funnel as it sweeps past past human habitations, so I can dwell on the story unfolding there at the surface.

With those two critiques out of the way, the only question left is, do I recommend this DVD?

Are you kidding? Absolutely! Yes. Buy it. Watch it once, watch it again, watch it multiple times. This is killer stuff.
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Purchasing Information

The Noob is 1 hour, 57 minutes long. Purchase price is $14.99 ($17.99 international). For more information and to place your order, visit Adam’s site.

December 15, 2011 by
Filed Under: Reviews, Storm Chasing, Tornadoes, Video, Weather Tagged With: , , , , , , , , , ,

My Father’s Horn: The Final Note

(Continued from part 4.)

Over thirty years have passed from the days of God’s Family Band until today. Dad’s horn has been a constant companion in that journey, though I have not always been constant with it. There were times when I set it aside for a season, and other times when I thought how much simpler life could be if I put it behind me forever. Yet every time I have set down the saxophone, I have returned to it. I have kept at it–because I must. It is more than a passion; it is a calling, integral to the way God has designed me.

There are many other stories besides the ones I have told in this brief series, more than I wish to share here. The long and short of it all is, Dad’s horn has shaped me both as a player and as a person.

Thus far, I have talked about the journey my father’s horn has taken me on. Now I would like to tell you a little about the horn itself. I own two other saxophones beside it: a Conn tenor that is even older than my alto and has long been in drastic disrepair, and a Yamaha soprano that I sometimes play. But the alto remains my voice, and I have always owned only the one, Dad’s. I’ve had no need for any other.

Not that I haven’t tried other horns. I’ve sampled a fair cross-section of altos over the years. But the one I learned to play on is the one I play today and the one on which I will someday play my last note, and then, I hope–though I have no children of my own–pass it on to someone else as a legacy, just as Dad passed it on to me.

Of all the saxophones I have played, my father’s horn sounds the most resonant, offers the greatest flexibility of sound, and blows the freest. It is an amazingly open horn. It will take as much air as I can supply and convert it into a sound that fills a room. Not that the Conn 6M is a miracle horn; it has its drawbacks. While I can get around reasonably well above high F, the altissimo is not as responsive as on other saxophones. Manufactured before the introduction of the high F# key, Dad’s sax does not feature uber-high notes as one of its strengths. Also, my repairman tells me that the rolled tone holes–a hallmark of the 6M–are beastly when it comes to getting pads to seat properly. When I have pads replaced, I usually need to visit the shop more than once to get the sax sealing tightly.

But once that job is accomplished, oh, man! Dad’s alto is a dream to play, and I fall in love with it all over again. It has a sound and a response like no other, and it has served me well for over four decades.

Dad was always the greatest fan of my playing. During the last three years of his life, he, like me, had an encounter with Jesus that changed him–not a little, but drastically. The anger that seemed to lurk below the surface disappeared, and while his feistiness remained, it was tempered with humility, even a sweetness, and above all, a peace I had never seen in him before. The ghosts that I think had haunted him from World War II seemed to lose their grip. There is a verse in the Bible that reads, “If anyone is in Christ, he is a new creation. Old things are passed away; behold, all things are become new.” (II Cor. 5:17) Whenever I read that verse, I think of Dad.

I was 28 years old when Dad passed away. That was nearly thirty years ago. Several years ago, I wrote a letter to my father. I thanked him for all he had done for me and for our family. I told him how, now that I was older and wise enough not to know as much as I did back in my twenties, I wished I could sit down with him and listen to him tell me about his life–how it was in the Great Depression, and in the War, killing and watching his friends be killed. I told him that he was my hero, and how glad I was, how very glad, for the peace he had found. The transformation that had begun in him when he first encountered the Lord was now complete. When next he and I would meet, Dad would no longer be a white-haired man crippled by a back injury, short-winded from a chronic heart condition and breathing from an oxgyen tank. I envisioned him striding toward me, grinning, his arms outstretched, his face that of a vibrant young man, his eyes filled with a spark that can only be found in one who has looked into the very face of Love and Life, and in its Presence found his home.

On Memorial Day, I took my letter to the small cemetery out in the countryside where Dad is buried. A tiny American flag fluttered by his marker beneath a tall fir tree. It is a beautiful little place, and Dad, who loved trees, would have been pleased with the location. I cleared away a few sprigs of grass that were encroaching on his modest gravestone, and I dusted off its surface. With a piece of Scotch tape, I attached my letter to Dad’s marker.

Then, standing up, I fulfilled one last, important part of the letter. “Thanks for the saxophone, Dad,” I had written. “It was your legacy to me, and I’ve brought it with me. Perhaps, just for a minute, the Lord will roll back eternity and let you get an earful of me playing it just for you.”

Taking the horn, setting its mouthpiece in my mouth, and wrapping my fingers around the golden, pearl-covered keys that I had first seen and admired when I was a little boy, I began to play. With his old Conn alto sax, I played for Dad the song I had performed on the day when I was baptized at Bethel–the song that over the years had become my theme song and was a fitting description of Dad’s own life.

Amazing grace! How sweet the sound that saved a wretch like me.
I once was lost, but now I’m found; was blind, but now I see.

A saxophone cannot verbalize those words, but it most certainly can communicate them. That day, I played them with all my heart.

Through many dangers, toils, and snares I have already come.
‘Twas grace that brought me safe this far, and grace shall lead me home.

The legacy of my father’s horn lives on. I love to play it, and while I am no Kenny Garrett, I continue to practice regularly, and thus to grow as a jazz musician. Today, I realize that Dad’s gift to me of his saxophone was ordained by my heavenly Father–by my father’s Father and mine. I am his son, his man, and his musician. And with gratitude, until a day known only to him when my last song shall end, by his grace, for his pleasure, and in honor of the Master Musician, I will continue to play my Father’s horn.

December 7, 2011 by
Filed Under: Band, Christian Music, Christian Spirituality & Inspiration, Jazz, Life, Music, Saxophone Tagged With: , , , , , , , , ,

My Father’s Horn, Part 4

(Continued from part 3.)

Writing this article has opened my eyes to just how immense a legacy my dad left me when he put his alto sax in my hands as a boy. I never intended to pen a lengthy, multi-part personal history, just a brief tribute to Dad and the shaping force his old Conn 6M has been for me. Now, four parts into “My Father’s Horn,” I realize that I could write a book and still not tell the full story. But writing a book was not, and is not, my intention. I see a need to condense, to say much in few words.

Yet I am not sure how to do that. Dad’s horn has been as pervasive an influence in my life as yeast in bread dough. It has been a source of tremendous satisfaction and great frustration; a creative outlet; an intellectual challenge and stimulus; a doorway of faith; a parable portraying truths about God’s kingdom and how He designs individuals; a song of joy, a wail of pain, a voice of my soul; a catalyst for insight, choices, and growth; a blessing to many listeners and, first and foremost, to the player; a gift, a discipline, and most certainly, a calling.

When I was 24 and playing in the Aquinas College Jazz Band, I got a call one evening from a guy named Rick Callier. Would I care to play in a musical that the Bethel Pentecostal Choir was presenting called “The Beautiful Story of Jesus”?

I learned that Rick’s cousin, Kimball Owens, had recommended me to Rick. Kimball was my buddy in the jazz band–a non-stop chatterbox, funny, super-likeable, a fine tenor sax player, and my friend. I knew nothing about either Rick or Bethel, but, while I wasn’t a Christian, I had grown up knowing about Jesus and was glad for an opportunity to offer my talent in His service for an evening.

That event was my introduction to Rick, to Bethel, and to a number of talented black gospel musicians and vocalists: David Jennings, Chico DeBarge, James Abney, Craig Tyson … the list goes on, too many to name. Even more important, playing for the Bethel musical ushered me into the beginning of my walk as a disciple of Jesus.*

Back in the 1980s, white churches in West Michigan didn’t have much use for the saxophone. Not so black churches. I knew nothing about the foibles of religious culture and cared even less about racial distinctions. All I knew was, I had fallen in with some people who loved Jesus, loved music, projected joy, and welcomed me and my horn wholeheartedly. And my heart was open. I had been seeking God for a long time, searching for meaning; searching for something bigger even than the music; searching for Life. And I found it. Or rather, I found Him–because throughout the years, He had already long been seeking me.

Thus it was that a few days after Christmas in December, 1980, I was baptized at Bethel Pentecostal Church. On that day, I had an encounter with God. It was, as best I can describe it, a sense of being overwhelmed by joy and praise. The experience was almost physical in nature and one I have never forgotten.

From there, I played often with the Bethel Pentecostal Choir. As a white kid from a German family, I was a salt grain in a pepper mill, but it didn’t matter. Love of the Lord and of music made ethnic differences something to be appreciated and enjoyed, and a source of insight.

At that time, I also joined the horn section of a gospel group called God’s Family Band. The band was co-led by Rick Callier and David Jennings, with Rick doing the arranging and David working with the vocalists. Both of these guys were incredibly talented. In partnership with a friend named Larry Rhodes, Rick also used the horns in studio sessions for other gospel artists, notably the Grammy-Award-winning group Commissioned. It was under Rick and Larry that I gained experience both as a horn section player and as a studio musician. I’ve never played for more exacting producers. They would do take after take, striving for perfection. Rick and Larry set a benchmark for excellence. Working with producers of their caliber was an eye-opening, rewarding, and hugely valuable experience.

All the while, I continued to study music at Aquinas College and play in the jazz band. My college education equipped me with the tools I needed to grow as a musician. To be honest, though, I wasted my first years in college, and I only really began to learn my horn after I got out of school. As a result, I’m mostly self-educated as a jazz saxophonist.

One influence from my college days to whom I will always feel a debt of gratitude was Mel Dalton. A wonderful Grand Rapids area tenor player, Mel was the closest thing I ever had to a musical mentor. For a brief but memorable semester or two, I use to get together with him on a weekly basis at his home. Mel didn’t exactly teach me how to play jazz; mostly what he did was spend time with me listening to Coltrane records, talking about music, playing with me through solo transcriptions, and encouraging me. Mel modeled what jazz musicianship was about. He was a beautiful player and a warm, wonderful human being, and I wish he was still here today.

At this point, I need to fast-forward. There’s a lot of story I could tell, but it wouldn’t serve my original intent in writing this article. It’s enough to say that my father’s horn has opened up doors of relationships, opportunities, and experiences.

That’s enough for now. I’ll save the rest for part 5, which I think will be the conclusion of “My Father’s Horn.”

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* I’m cautious about using the word “Christian” to describe myself. I am a Christian; however, these days the word has become a label freighted with meanings that have nothing to do with what it means to follow Jesus. The word “Christian” has become politicized. It has become a marketing niche. It has come to stand for a subculture that in some ways misrepresents what Jesus and Christianity are truly about. So I prefer to be thought of as simply a disciple of Jesus–a fallible man who seeks to know Him, love Him, and live in a way that reflects his Lordship in my heart.

December 3, 2011 by
Filed Under: Band, Christian Music, Christian Spirituality & Inspiration, Church Worship, Jazz, Life, Music, Saxophone Tagged With: , , , , , , , , , , , , , , , , , , , ,
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