Along the Long Lake Trail

This has been the quietest May I can recall weatherwise. The peak month that I and hundreds of other storm chasers have spent the better part of a year anticipating has turned out to be a dud. Maybe around the latter part of the month things will improve, but there’s nothing to look forward to for at least the next week.

If the weather isn’t going to offer anything chaseworthy, then the way it has been is exactly the way I want it to be: blue, crisp, and beautiful, warm but not hot, with the sun smiling down on a landscape that’s getting on with the business of spring.

A couple days ago, I took a walk down the Long Lake Trail just north of Gun Lake State Park in northern Barry County’s Yankee Springs Recreational Area. It had been a while since I had hiked the trail, and this time of year is perfect for the venture, so off I went. The first mile or so of the trail winds through hardwood forest, skirting a small bog and a tract of red pine, then sets you on a quarter-mile stretch of boardwalk through part of the swamp that surrounds Long Lake. It’s a lovely hike that offers plenty to see if you know your native plants and their habitats.

Here are a few of the highlights. The odd little plant to your right, which somewhat resembles miniature corncobs, is called squawroot (Orobanche americana). It is a common woodland plant, parasitic on oak trees. Click on the image to enlarge it.

The trail winds through some particularly pretty territory. The photo below gives you an idea. There are a number of other images at the bottom of this page to keep it company.

Ferns were in the process of unrolling their fronds. They never look more dramatic or more artistic than this time of year, when they’re in their “fiddlehead” stage.

Farther down the trail, where the boardwalk commences, marsh marigolds scattered Pointillistic fragments of butter-yellow across the swamp floor. Picking up on the golden theme, the first few flowers of small yellow ladyslipper orchids (Cypripedium calceolus var. parviflorum) peeked out shyly from among lush skunk cabbage leaves.

The swamp is full of poison sumac, a small tree with which I’ve had considerable experience recognizing and avoiding. It is related to the cashew and also, of course, to poison ivy. Eating poison ivy at age six was not one of my intellectual zeniths, and it’s not an experiment one should undertake casually. Long after the initial bitter burst of flavor has faded, the experience lingers in a way a body is not apt to forget. Word has it that poison sumac is even more virulent than poison ivy. That’s not something I care to put to the

test. Interestingly, the sap of its equally toxic cousin, the Japanese lacquer tree, is used as a varnish which produces some beautiful objets d’art, though how a body works with a medium like that is beyond me.

But enough of the swamp and its sumac. Stepping off the far end of the boardwalk and farther into the woods, I encountered an elegant young beech tree standing sentinel on a mossy bank.

I walked a bit farther, then turned back. The slanting sun rays were filtering long through the leaves, the temperature was cooling, and it was time for me to go practice my horn–which, by the way, I’ve been doing pretty consistently. But that’s material for another post. Right now, check out the rest of my photos in the gallery below.

April 3, 2012, Dallas Tornadoes and a 1974 Super Outbreak Retrospective

Now that all the excitement is over, here are a couple radar grabs from shortly after 3:00 p.m. EST (1903z) of two tornadic supercells moving across Dallas. Click on the images to enlarge them.

I was on the phone with my brother Brian at the time when I took the screenshots. He, my sister-in-law, Cheryl, and my nephew, Sam, live on the eastern side of Dallas. Worried about their safety, I gave Brian a call. It occurred to me that, once the storms had passed, Brian might enjoy seeing a couple of the radar shots that had prompted my concern.

The storms fired when moist, easterly surface winds collided with an old, eastward-moving outflow boundary. There’s plenty of lift and helicity in that combination, and with good instability and adequate upper-air support, supercells and tornadoes were the result. The event was extremely well-covered, as you’d expect when a major city is in the crosshairs in this age of live streaming and hi-def camcorders. Facebook was abuzz with chatter and images as the scenario unfolded.

But it’s all finished, and now we wait for official surveys to fill us in on the full scope of storm damage. From the videos and photos I’ve seen, some of the tornadoes were quite large, but for all that, it sounds like their impact was relatively minor. Of course, in the neighborhoods where homes got damaged or destroyed, it was calamitous, but considering what could have been, Dallas suffered a flesh wound, not a severed limb. So far I haven’t heard reports of any injuries or fatalities; let’s hope that continues to be the case.

One irony of this event is that it falls on a date that affords ample grounds for comparison. Thirty-eight years ago on April 3–4, the infamous 1974 Super Outbreak claimed 319 lives, a figure only recently surpassed by last year’s devastating April 27-28 Super Outbreak. One hundred forty-eight tornadoes raked a thirteen-state region in the East and South, and out of that number, six tornadoes were rated an F5 and twenty-four, an F4. Even the 2011 Southern Outbreak, violent, deadly, and prolific as it was, didn’t rival that statistic, although it certainly came very close.

Dallas today saw nothing like the disasters that unfolded back then in Xenia, Ohio; or Brandenberg and Louisville, Kentucky; or Monticello, Indiana; or Guin, Alabama. That’s a good thing. Such benchmarks are not the kind you ever want your own town to challenge, particularly if your town is as large and populous as Fort Worth or Dallas.

If you want to get a fascinating and gripping retrospective on one facet of the 1974 Super Outbreak, spend a little time listening to these recordings of the blow-by-blow radio reportage from WHAS as the Louisville tornado moved through the city.

Or for a really eerie experience, turn up the volume and listen to this MP3 of the Xenia, Ohio, tornado as it approached and ultimately destroyed the apartment of a Xenia resident, who wisely abandoned his cassette recorder to seek shelter in the basement.

And that’s enough of that. It’s time for me to pull away from the computer and go practice my saxophone.

Winter Storm in West Michigan

I don’t normally let so much time elapse between posts, but…

  • •  I’ve been hugely focused on an editing project; and
  • •  I sprained my ankle a few weeks ago, greatly curtailing my activities; plus
  • •  this has been an abnormally warm, largely snowless winter thus far; and so, adding everything together
  • •  I haven’t had much to write about.

But that has changed with the arrival of this latest winter storm, which I am live-streaming on iMap even as I write. Here’s what it looks like on the radar as of around 9:20 a.m. (Click on the image to enlarge it.) A little farther down the page is a corresponding view from my balcony here in Caledonia, Michigan. Let’s put it this way: it’s not very pleasant outside.

The Grand Rapids weather office has this to say:

...WINTER WEATHER ADVISORY REMAINS IN EFFECT UNTIL 7 PM EST THIS
EVENING...

HAZARDOUS WEATHER...

 * SNOW WILL CONTINUE TO FALL ACROSS THE AREA INTO THIS MORNING
   BEFORE TAPERING OFF. SOME LOCAL POCKETS OF HEAVIER SNOW WILL BE
   POSSIBLE AT TIMES.

 * STORM TOTAL SNOW ACCUMULATIONS OF 3 TO 6 INCHES ARE EXPECTED
   THROUGH 7 PM FRIDAY EVENING...WITH LOCALLY HIGHER AMOUNTS
   POSSIBLE.

 * SOME WIND GUSTS OF UP TO 30 MPH WILL CAUSE SOME BLOWING AND
   DRIFTING SNOW LATER TODAY.

The updated aviation forecast includes this addendum:

AREAS IN THE WARNING WILL SEE 5 TO 8 INCHES WITH SOME AMOUNTS UP TO 10
INCHES POSSIBLE.

Latest station ob at GRR shows a temperature of 27 degrees. That’s not at all horrible for this time of year in Michigan. What we’re getting is actually standard fare. But that’s not to make

light of it. Conditions certainly aren’t balmy, and a 20-knot northwest wind doesn’t help. This is a great day to be inside. It’s times like now when the benefits of working at home become strikingly apparent. No scraping ice off the windshield of my car. No driving down icy roads. Just a manuscript to edit while catching glimpses of the birds swarming the feeder against a backdrop of windblown snow.

Life’s good things aren’t necessarily pricey. I’m content with a cuppa joe, a warm apartment, my work in front of me, and a pretty landscape outside the window with the snow piling up. From the looks of it, we’ve got around four inches right now. Bring on the rest of it. I’m not going anywhere.

New Year’s Eve at Fall Creek Restaurant

Hey, everyone, here’s a quick heads-up to let you know that I’ll be playing with my good friend Ed Englerth at the Fall Creek Restaurant in Hastings on New Year’s Eve.

Ed and I will be playing an eclectic assemblage of tunes in a low-key acoustic format, with Ed on guitar, me playing soprano and alto sax, and both of us doing a bit of singing. With other restaurants in the area featuring live bands in a festive spirit, the owner of Fall Creek wanted something laid-back that would allow people to converse. So that’s what we’ll be providing: music that is fun, enjoyable, but not obtrusive or melt-your-earwax loud.

Here are the details:

Ed Englerth and Bob Hartig
Saturday, December 31
8:30–11:30 p.m.
Fall Creek Restaurant
201 South Jefferson
Hastings, MI 49058
(269) 945-0100

Coming Soon: The Giant Steps Scratch Pad in All 12 Keys

My book The Giants Steps Scratch Pad is enjoying modest success. While it’s not flying off the shelves, musicians are buying it, and I find that gratifying because I haven’t done much to market it other than display it on this and a couple of other jazz websites, and run a few ads in Craigslist.

Available in separate editions for C, Bb, Eb, and bass cleff instruments, the book supplies 155 licks and patterns designed to help jazz instrumentalists master the Giant Steps cycle. To the best of my knowledge, there’s no other resource out there like it that helps musicians actually practice Coltrane changes. The closest I’ve seen has been for guitar players.

But enough about that. If you want to learn more about The Giant Steps Scratch Pad, visit my sales page. This post is to announce the upcoming release of a new edition of the Scratch Pad that covers all 12 keys.

I’ve had this edition in mind for a while. I finally got the project underway but have held back announcing it until I felt certain that I’d see it through to completion. Today, with just three keys left to go, I think it’s safe to say that this new, all-keys edition is gonna happen. I hope to wrap up the main grunt work within the next few days. I wish it was as easy as simply hitting the transposition button on MuseScore, but while transcription software is great, it doesn’t eliminate the need for hands-on editing. So I’ve been sifting through each key page by page, changing the range where necessary, correcting wrong notes, inserting and deleting accidentals, and so forth.

Once I’m finished, I’ll proofread the results to make doubly sure that the manuscript is glitch-free. Then I’ll assemble the whole lot and make it available as a PDF download. I will not offer it as a print edition through Lulu.com unless I get requests to do so. Judging from my sales of the present editions, people would much rather download the PDF and get the guts of the book instantly for cheaper rather than pay the shipping costs (even though the full-color cover looks sooooo sharp!). And I’m fine with that. Prepping a print edition is a lot of extra work; I have to charge more for it in order to make less than half the profit; and Lulu’s insistence on putting a single, slim book inside a cardboard box that costs nearly $4.00 to ship is just plain crazy, not to mention a sales-killer.

Anyway, stay tuned. It’ll still take a week or two, but The Giant Steps Scratch Pad for all 12 keys is on the way. I haven’t determined the price yet, but it’ll be reasonable, something that’ll let you still pay your utility bills while helping me to pay mine. I should add that this edition is written in treble clef. I may do a bass clef edition in all 12 keys as well–I’m not sure right now. One thing at a time.

The Fear of Cloning

The name of the tune is “Gunslinging Bird,” but the name originally given it by Charles Mingus was, “If Charlie Parker Were a Gunslinger, There’d Be a Whole Lot of Dead Copycats.” Included in the Mingus Dynasty album, the tune was Mingus’s way of recognizing the enormous impact of Parker on other saxophonists. Parker’s approach was so overwhelming that scores of horn players, alto saxophonists in particular, sought to copy it. Bird was the way to sound.

Mingus was making a point that cloneliness is not next to godliness. Still, learning by emulation is a longstanding hallmark of jazz–and, for that matter, of any discipline. Whether it’s a girl watching her mom bake cookies in the kitchen, an English major contemplating a Hemingway short story, or a trumpet player transcribing a Wynton Marsalis solo, every person learns by seeing–or hearing–and imitating how the masters do it.

Today, both in print and on the Internet, a huge array of transcribed solos testifies that the venerable tradition of emulating the jazz luminaries remains alive and well. Yet so, too, does a common objection voiced by novice musicians: “I don’t want to sound like another musician; I want to develop my own style.”

It’s an understandable concern, but is it a valid one? That depends, really, on the goals of the individual. Let’s put it this way: If you listen to a lot of Kenny Garrett, and if you take it upon yourself to transcribe a bunch of Kenny Garrett solos, and if you steep yourself in those Kenny Garrett solos, then chances are you will come out sounding an awful lot like Kenny Garrett.

Now, if that’s all you aspire to, then that’s where you’ll end up: as a Kenny Garrett clone. But if you desire to forge your own voice, then Kenny will simply become a part of your vocabulary, a vocabulary that includes other influences besides Kenny and increasingly reflects your personal explorations with melody, harmony, timbre, and nuance. You are an individual, after all, and the sheer force of your individuality will direct you toward your own sound and approach.

So don’t be afraid to go through the masters. Doing so is a part of how every jazz musician learns. It’s not the only part of the growth curve, but it is a foundational one: working the pre-existing language of jazz into your head and your hands so you can communicate meaningfully with your instrument. The point of copying Bird isn’t to play like Bird, but to move beyond Bird and play like yourself. And you will. If you want to, you will.

That’s all that need be said. You just need to trust the process–and, I might add, enjoy it. Don’t worry about arriving; just dig the journey, and recognize that your landscape is slowly changing with every step you take.

Practice hard, have fun, and keep at it!

If you enjoyed this article, click here to find lots more similar posts, including chops-building exercises, jazz theory, solo transcriptions, and video tutorials.

Stormhorn Readers, Your Assistance Needed: Still Some Incorrect Images in Older Posts

In the beginning of this year, I changed Web hosts, and when I did so, I also shifted a bunch of files to my root directory. In the process, to put things simply, my image library got broken, and I had to do a lot of rewiring.

Things still aren’t perfect. While the blog is moving ahead, not all of my old posts that contain images have the right images. For instance, I just checked out an article I wrote that was supposed to include a Cannonball Adderley solo transcription of the tune “Hurricane Connie.” But instead of the transcription, I found two photos of pitcher plants.

Much as I love my pitcher plants and enjoy my photos of them, I don’t like them in that article. I’ve made the correction, and now in place of the pitcher plant images you’ll find the transcription for “Hurricane Connie.”

If you encounter similar mismatched images in a post, please let me know so I can fix the problem.

You can do so by either leaving me a comment or clicking on the contact tab in the menu bar. I’ll get your message either way and will be in your debt for helping me ensure that my older archives remain useful to you and other readers.

Thanks!

Bob

September 11: Ten Years Ago Today

Last year on this day, I wrote a post commemorating the horror and heroism that unfolded on September 11, 2001. I cannot improve on that article, and so I invite you to read it, and to remember what your own day was like 10 years ago. If you were old enough back then to grasp the magnitude of what happened, I am certain that you will never forget it. Like me, you will relive it every year until your power to remember is no more. My post written last year speaks for me again today with undiminished vigor, and will do so for years to come.

There is, however, one aspect of September 11, 2001, which that article did not consider. It is something I’ve found myself musing on lately, a phenomenon that is inevitable as generation follows generation. It has to do with our capacity to remember–not to merely observe a date on the calendar, but to recall how that day unfolded for us; what we were doing at the time; how we felt as we watched the Twin Towers burn and collapse, and as news poured in of another plane crashing into the Pentagon, and yet another plunging into a field in Pennsylvania.

While millions of us today can never forget those events, a growing number of Americans are incapable of remembering them with the same stark emotions. This seems incredible to those of us who were adults back then. Nevertheless, it is true: Ten years later, a generation is entering adulthood for whom the tragedy of that fiery morning is but a dim recollection from childhood; and a post-9/11 generation has been born, and is being born, which will contemplate this date from no more than a historic perspective, not with the grief, fear, and fury felt by those of us who witnessed militant Islam’s attack on our country firsthand.

It is that way for all of us. Each generation has its own indelible landmarks. Whatever lies outside those milestones necessarily produces a less visceral, secondhand frame of reference. Living memories belong to those who have lived them. Those who have not can only embrace–and must embrace–such defining events as part of our beloved country’s spiritual DNA, which the sheer force of being Americans compels us all to honor.

I am 55 years old. I was in second grade on November 22, 1963, when the mother superior at my Catholic school entered the room and informed us that President Kennedy had been assassinated. We children gasped–I remember that. But I don’t remember much more. I was only seven years old, too young to feel the pathos of that defining time in our nation, or to process its significance from an adult perspective.

My father fought in World War II. He was on the front lines at the Battle of the Bulge, killing men and watching his friends being killed. On August 6, 1945–his birthday–Dad was in a boat bound for Japan when the “Little Boy” bomb detonated over Hiroshima. That was, he said, the best birthday gift he had ever gotten. To those who maintain that the atomic bomb was an atrocity perpetrated by our country on thousands of innocent Japanese civilians, let me remind you that Japan was the one who first attacked us. And you weren’t on that boat with my dad, headed for what you were certain would be your death. You weren’t around back then.

But neither was I. Nor was I there to feel the joy of V-E Day on May 7, 1945; or to celebrate the Japanese surrender to America on V-J Day, September 2, 1945. No, I was not there. My father was, not I. The closest I could come to even remotely sharing those times with him was nearly 20 years later in the early 60s, as a boy sitting with Dad in our living room in Niles, Michigan, watching the ABC series Combat on our Zenith black-and-white TV.

Decades later, in 1998, I watched the intense motion picture Saving Private Ryan. I did so out of a desire to better understand my father and the war that had shaped him. The movie was powerful, wrenching, and helpful. But it was not the same thing as being there. My dad had been where I could never go.

Nor will my father ever be where I have been. Each generation ultimately hands off this nation and its history to the generations that follow. Those generations cannot experience what we have experienced. We can only hope they will learn from events which for them are historic, but which for us older Americans have been all too real–learn in a way that wisely balances hope-filled idealism which makes life worth living with a realism that recognizes evil for what it is, and stands against it.

Hitler is dead. Bin Laden is dead. But neo-Naziism lives on, and so does Al Qaeda. The enemy is always with us, on foreign shores and in our midst. Perhaps the worst damage he could inflict on us is that in fighting him, we should become like him. Let us therefore look to our own souls, and hold up a higher standard–an enduring nobility of character which only God can empower us to carry onward, torch-like, man by man and woman by woman, from one generation to the next.

In Christ,

Bob

The Smart Shopper’s Guide to Swan Meat, Revisited

Evidently a lot of you Stormhorn readers are swan meat junkies. I had no idea, but judging by the continuing traffic to an article I posted back in February, 2010, I don’t know what else to conclude.

I wrote The Smart Shopper’s Guide to Swan Meat as a tongue-in-cheek means of processing my sticker shock after discovering that 1) you can purchase swan for consumption online, and 2) it’ll cost you a heckuva lot–no, make that an unbelievable lot–of money.

I don’t know what first inspired me to investigate this question of swan meat availability and pricing. It’s not like I’ve harbored a longstanding craving for the stuff, and after doing the pricing research, my impulse to purchase swan meat has, if anything, declined to the point of being impossible to detect by the most powerful microscope.

So I’m fascinated by the fact that one-and-a-half years after I wrote it, my quirky post on swan meat continues to draw a small but steady stream of readers. The article has nothing whatever to do with either jazz saxophone or storm chasing, which are the foci of this blog. Yet it’s one of the more popular pieces of writing I’ve ever done.

Which is why I’m resubmitting it for your consumption–that is to say, your edification. How edified you’ll actually be after reading it is questionable, but you’ll at least be in a better position to determine whether that massive hankering you’ve been feeling for blackneck swan is feasible in the light of your food budget. In any event, here, in case you missed it three paragraphs back, is the link to the original article.

I should mention that the pricing I had mentioned for 1-800-STEAKS remains accurate. However, while the link to the Exotic Meat Market still works, I no longer see swan meat among their impressive list of offerings. Given their pricing compared to the competition, swan was clearly a loss leader that outlived its usefulness.

Now, if you’ve got a few extra bucks to spend and would like to treat yourself to something that’s a step up from swannish pauper’s fare, you might consider adding Kobe beef to this week’s shopping cart.

As for me, hamburger sounds fine.

Changes on the Way for Stormhorn.com!

A new look is coming to this blogsite in the near future. You may have already noticed one of its precursors in the movement of advertisements to the top of the sidebar. But more is on the way. My beautiful, geek-to-the-Nth-power lady friend, Lisa, is working on an update to my theme that will improve it both cosmetically and functionally.

This is just a heads-up. I don’t know precisely when Lis will have the new version of Stormhorn finished, and I’m not pushing her–this is her labor of love on my behalf, and she gets all the space she needs. But she has been beavering away in a spirit of excellence. I just got a look a little while ago at a new feature she has in mind for me, and I was extremely impressed. Good things are worth waiting for, but I don’t think the wait will be very long. So this is your heads-up: Look for a fresh wind to blow through Stormhorn.com sometime soon. I know you’re gonna like the results!