Cool-Weather Wall Clouds

So there I was, driving down I-96 toward my mother and sister’s house in Grand Rapids this afternoon, when I saw what at first glance looked like a wall cloud. It looked like one at second glance, too, and third, hanging off of a cumulus tower in the distance.

Severe weather wasn’t in the outlook today, and in fact, the afternoon was coolish and not particularly moist, with spotty showers but no thunder or lightning. I was unaware of any reason to be on the lookout for abnormal weather, though the extent of the vertical development in the cumulus clouds coupled with their nicely sheared look would have been a tip-off under more propitious circumstances.

Anyway, I was intrigued by the cloud formation, but not quite prepared to call it anything more than a lowering at that point. It was falling apart over Grand Rapids by the time I turned north onto the East Beltline. But the show was far from over. Another large towering cumulus several miles to my northwest was exhibiting an even larger, blocky lowering which wasn’t showing any signs of dissipating.

That did it. It was time to get close enough to this thing to see just exactly what it was. This was a simple matter. The cloud was drifting quite slowly, and intercepting it involved nothing more elaborate than continuing north up the Beltline past 7 Mile Road, then pulling into a small turn-in, where I had an unobstructed view from maybe half a mile away.

The cloud was indeed a wall cloud. I could see a weak updraft dragging scud up into it, and even a hint of an RFD. More important, the cloud was circulating–very slowly, to be sure, but unmistakably. As it moved closer, I even observed a small, anticyclonic vortex spinning almost directly overhead. There was obviously enough shear and helicity in the atmosphere to create some interest, and I had a nice front-row seat. Just wish I’d had my camera with me, but as I said, I wasn’t expecting anything weatherwise today that would have made me think to grab it.

What I was seeing struck me as more fascinating than threatening, but I decided to call KGRR and report it anyway, just for the record. The met who took my information said he wasn’t surprised. He told me that the office had already received several reports of waterspouts out on Lake Michigan, plus other reports of funnel clouds. Sounded like a cold air funnel outbreak.

My buddy Kurt Hulst called later to tell me that he, too, had seen a wall cloud over Caledonia from where he lives in Kentwood. If I’d been home, it would have been a front door delivery, but of course I wasn’t. Seems to me, though, that Kurt said he got some photos. I hope so, because I’d like to see what I missed.

Days like today just go to show that the weather does what it wants, when it wants. Maybe the local WFO will offer an analysis of today’s conditions. That would be cool.

Lesson learned: take my camera with me wherever I go.

Harlem.org: Jazz History at the Click of a Mouse

Last week, my lady Lisa sent me a link to a very cool website called harlem.org, which invites viewers to “explore jazz history through one photograph.”

Now, the photo in question, taken by Esquire camera man Art Kane, is one I had seen before, and is in fact quite famous. Featuring a veritable who’s who of jazz history, all gathered together on the steps and sidewalk outside an apartment in Harlem, the picture is utterly remarkable. Count Basie, Lester Young, Coleman Hawkins, Dizzie Gillespie, Marian McPartland, Milt Hinton, Mary Lou Williams, Thelonius Monk, Sonny Rollins, Maxine Sullivan, Stuff Smith, Oscar Pettiford…all there, along with many others, fifty-seven in all. The patriarchs and the young lions, side by side.

Still more amazing, however, is how harlem.org has utilized this photo to give you quick, biographical insights into everyone who appears in it. Just mouse over the photo to a general area of interest, click, and that section of the photo is enlarged. Now mouse one by one over the musicians in the enlargement and their names appear in a pop-up balloon. And here’s where it gets good: when you click on a particular musician, a larger window pops up containing a photo and information about him or her.

What I’ve described is just a thumbnail sketch of what the site has to offer. If you’re at all interested in the history of jazz, this website is a must. It’s worth visiting just to see the photo alone, but I promise you, you’ll find much more of value besides.

Playing Drums: Bet You Didn’t Know It Was This Easy

I’m visiting with my youngest brother, Brian, and his family in Dallas. Brian and I are the musical bookends among our siblings, Brian having earned his music degree at North Texas State University and gone on to make his living as a professional drummer. I haven’t yet shown him the following link. I’m sure he’ll feel stunned to know how easy playing the drums really is. Yes, stunned is no doubt the word. You don’t even need drums, not today in this age of quality technology. All you need is the miraculous keyboard featured in this video. If you’re playing rock and roll, just make sure to play the bass drum on da firs’ beat and on da turd beat.

Heaven help me and all other horn men if the guy in the video ever turns his eyes toward the saxophone. We’ll all be out of a job.

VORTEX 2 in Northwest Missouri

After years of planning and digging for research dollars, VORTEX 2 finally hit the pavement this spring, only to be met with a severe weather famine. It had to have been heartbreaking for the team, watching that merciless, unending ridge stretch from day to day and week to week, knowing that the clock was ticking on their window for gathering data.

Thankfully, tornadic storms hit the Plains before the window closed, and the team got what they needed. I wish it had gone as well for me. My tally for this season has been one tornado. But I did at least get the compensation of catching some nice storms with cool structure, including the June 7 supercell in northwest Missouri that every chaser in the country seemed to be after–including, of course, the VORTEX 2 armada.

Just for kicks, here is a shot of one of the DOW trucks–the new one with the square radar rig. I believe I took this shot south of Forest City. The DOW is parked to the left in the photo, and I’m looking at it head-on. Viewed from that angle, the radar unit looks like the front end of a tractor trailer.

One of the DOW (Doppler On Wheels) trucks collecting data.

One of the DOW (Doppler On Wheels) trucks collecting data.

Sure does bring back memories. I hope I’ll get a chance to make a few more before the chase year closes. Prime storm season is over, but it’s still a long time yet before the snows fly.

Waking Up in Dallas

Morning. I’m still in bed, and from the next room, sounds of family are drifting through the door. I’m in Dallas with my sister Diane, visiting with my brother Brian, sister-in-law Cheryl, and little nephew Samuel. Since the last time I saw him, Sam has transitioned from babyhood to little-boyhood. He has acquired a vocabulary, a white baseball cap that it’s very important to wear (backwards or sideways, as is the custome), and a very cool train set that we played with last night.

My lady Lisa is holding down the fort back in Grand Rapids, where the weather is providing a much cooler contrast to the upper-90s heat that’s on the menu for this week here in north Texas. Chasing storms is of course out of the question. I’ve family to visit, a bit of work to do, and in any case, there are no storms. Summer has hit and the atmosphere is capped as tightly as an oil drum. On Stormtrack, chasers are bidding the 2009 chase season adieu. I note that the SPC has outlooked days 5-6, but they’re not using the kind of language that gets me very excited.

I’m keeping this short. I can hear the sound of forks clicking on breakfast plates. It’s time to shower up and get myself going.

Sax on the Beach

Looking north along the Lake Michigan coast at sunset.

Looking north along the Lake Michigan coast at sunset.

Sax anywhere is great, but sax on the beach is fantastic.

Take a Squeegee to your naughty mind. I’m talking about playing the saxophone, thank you, and about one of the places where I particularly enjoy playing it. There’s something very special about heading out to the lakeshore and practicing my saxophone accompanied by the sound of the waves and the cry of the seagulls.

If you follow the jazz side of this blog, then you know that I love to play my horn outdoors. My practice habits are fairly eccentric in that regard. Many years of apartment dwelling, which include neighbors whom I haven”t wished to disturb, have taught me that my woodshed is wherever I choose to make it. The state parks. The cow pasture at the edge of town. Most often my own car, parked by the railroad tracks out in the countryside.

But there’s no place quite like the shores of Lake Michigan.

It’s been a long time since I’ve taken my horn out there, but yesterday provided a reminder of what I’ve been missing. Regretfully, I didn’t have my saxophone with me, but I did have my sweetheart and best friend, Lisa. From our little outing in Muskegon State Park, I thought I’d share a few images with you of…

sailboats out on the waters…

sailboats1

…the north boardwalk along the Muskegon channel…

muskegonboardwalk

…dune grass silhoutted by the setting sun…

marramsilhouette

As for the great sand dunes that are one of the hallmarks of this beautiful state, I’ve already given you a glimpse of them up at the top of the page, but the really imposing dunes lie in the northern and southern ends of the Lower Peninsula. Perhaps in another post I’ll include some shots of Sleeping Bear, Warren Dunes, P. J. Hoffmaster Park, and Nordhouse dunes–vast tracts of sand, marram grass, and wooded dunes that reflect the wild beauty of the Michigan outdoors. It is a wide open sublimity that speaks to something deep inside me, and that has colored the music I play for many years.

One of these days soon, I will visit the lakeshore again–this time with my saxophone, to serenade the gulls, the waves, the far-stretching sands, and the setting sun.

The Loudest Sax Player Ever

My friend and fellow musician Dave DeVos once told me, “You are the loudest sax player I’ve ever known.”

His words weren’t a compliment, just a statement of fact tinged with a slight mix of incredulity and annoyance. I’m a very loud sax player, much louder than I realize. As the old cliche says, I don’t know my own strength.

Of course I can play softly, but soft is not my default mode. Part of that is attributable to my horn, which is an old Conn 6M “Ladyface” that is very good at translating the air I move through it into immense volume levels. Another part is due to my mouthpiece, a Jody Jazz classic #8. But I think the main reason I’m a loud player is directly linked to the guy behind the horn. I just seem to have a knack for massive sound output.

I wasn’t always a loud player. I entered my freshman year in college a quiet young saxophonist. My sound at the time was styled after Tom Strang, a local alto man who owned a jazz bar in Ada called the Foxhead Inn. Tom had a smooth, mellow sound, very pleasing to the ears. He was not a loud sax player.

As an early influence, Tom’s tone pointed me toward a somewhat Desmondesque approach, not exactly the kind of robust Cannonball sound that could melt the wax in a listener’s ears at 100 feet. It was more a kind of foofy-foof-foof tone–subdued and, I thought, pleasantly sophisticated.

It was this mellow, sedate sound that I brought with me to the student big band at Aquinas College, where I sat under the august directorship of jazz professor Bruce Early. I was assigned to the first alto chair, and my lack of experience was such that I felt eminently qualified to fill the position. Clearly word of my abilities on the sax had preceded me, and Bruce had simply placed me where he knew I belonged. First chair. It was inevitable.

I’ll never forget my first awakening to the possibility that maybe I wasn’t all that and a supersized order of fries. The band was playing through some tune I’ve long since forgotten, and in the middle of the chart there was space for an alto solo. Cool. A chance for me to show my stuff, give Bruce a taste of my chops. I launched into the solo. Foofy-foof-foof, I played, subtly, while the rhythm section whanged away.

Bruce stared at me. “Play louder,” he said.

Ah. Louder. Okay then. Foof-foof-foofy-foof! I declared, in a volume that could almost be heard from ten feet away.

Bruce’s stare became a glare. “Louder!” he barked.

My gosh, what did this guy want? Here I was, foofing as loudly as ever I had foofed, and Bruce was calling for more.

I returned his glare with a desperate glance.

Foof? I played. Foofy-foof!

I was trying, but I quickly trended toward the softer, cocktail lounge volume that I was used to.

That did it for Bruce. “BLOW!!!!” he yelled. “For crying out loud, BLOOOWWWWW!!!!!!”

Some of the more seasoned musicians snickered, and my face went red as a beet. Hell’s bells. Fine, if it was volume Bruce wanted, I’d give him volume. And I did. I had a lot to learn about embouchure and tone production, but at that point I instinctively dipped into the raw essentials, filled my lungs with air, and blew my ever-loving cheeks off.

From that time on, while Bruce yelled at me for any number of things, my volume level wasn’t among them. He never again complained that I was playing too softly. Nor has anyone else, for that matter. Not ever. I’ve played with highly amplified blues bands and church worship teams and outblown them without using a microphone. I’ve been asked plenty of times to turn it down a bit, please. But no one has ever come to me and said, “Could you play louder? I can barely hear you.”

Just ask Dave. He’ll be glad to tell you, as soon as his ears stop ringing.

June 19 Central Illinois and Indiana Storm Chase

Approaching our storm from the north near Normal, Illinois.

Approaching the storm of the day south of Normal, Illinois.

After Iowa’s blue-sky bust on June 18, yesterday provided some welcome and much-needed activity. Between illness and May’s ridge of steel, my chase expeditions this year have been limited. The Edina, Missouri, tornado of May 13 has been my only tornado to date for 2009. Yesterday did nothing to improve that statistic, but it did offer a vigorous, classic supercell with some great structure that ensured my 1,650-mile, two-day chase with my buddy Bill Oosterbaan wasn’t a complete washout.

For that matter, storms did finally fire in eastern Iowa, and while Bill and I were too late to catch the big mutha that slammed Prairie du Chien (Ben Holcomb, if you happen to read this, great job on tracking that beast into the hills and jungles of Wisconsin!), we did manage to latch onto the one that followed in its footsteps. But I’m no fan of night time chasing and neither is Bill, and knowing the kind of topography that lay to our east once we crossed the river, we dropped our chase at Prairie du Chien and found ourselves a hotel.

After a decent breakfast yesterday morning, we were on the road by noon and headed south. The SPC showed a moderate risk for a large area extending from Iowa and Missouri east across the corn belt and Great Lakes. With a continuation of yesterday’s huge CAPE and good bulk shear, a widespread severe weather outbreak seemed like a sure bet. However, veering surface winds and unidirectional flow seemed to put the kibosh on chances for tornadoes in all but a few areas to the east, where helicities improved, particularly around 21Z.

As we approached Davenport, Iowa, heading south, we could see towers muscling up along an east-west boundary that transected Illinois south of the I-80 corridor. Catching I-80 east, we could see new cells firing up farther to the south on GR3. With a Kankakee target in the back of our minds, we decided to drop toward Normal on I-39.

By the time we drew near the town, the northernmost storm was showing rotation on the radar. The tower was just to our west, and as we proceeded down the highway, the updraft base came into view, dominated by a well-developed wall cloud.

Wall cloud on northernmost storm.

Wall cloud on northernmost storm.

We headed for an intercept, tracking with the storm until it began to degrade. Meanwhile, another cell to the south was strengthening and beginning to exhibit distinct rotation on SRV, so with the storm we were on mushing out, we abandoned it in favor of the second, rapidly intensifying supercell.

One heckuva hail shaft or what?

One heckuva hail shaft or what?

This bad boy had an impressive hail shaft, if hail is what we were actually seeing. Maybe it was just plain old rain with a bit of hail mixed in. The reason I wonder is because of the paucity of hail reports. We got tapped a bit as we closed in, but mostly we just encountered buckets of rain. Whatever the case, the updraft tower with the sunlit precip column was a beautiful sight.

Second storm showing hail shaft and updraft tower.

Second storm showing sunlit precip core and updraft tower.

After working our way south of the storm’s rear flank, we proceeded east and finally gained some good, clear views of the business end. Tracking with it from near Urbana through Homer, Fairmount, and Westville toward the Indiana border, we were in a good position to enjoy the structure as the storm went through several cycles.

Rotating wall cloud.

Rotating wall cloud.

Just east of Homer, the wall cloud tightened and I could see rapidly circulating cloud tags descending toward the ground. We pulled over to watch. The rotation wasn’t far away–maybe a quarter of a mile–and it appeared to be moving toward us. This was strange as we were southwest of the wall cloud, but you can’t argue with a developing tornado. With the updraft approaching to within a couple hundred yards of us, Bill seemed intent on analyzing why the storm was acting so peculiarly, while I favored beating a hasty retreat and working out the behavioral aspects of storm circulation from a somewhat greater distance. Storm chasing sure has its interesting moments.

No tornado materialized, the storm headed east, and we continued on with it. I noticed a couple of tornado reports from around Fairmount and Westville, but while I suppose it’s possible that there was a brief spinup or two, Bill and I never saw an actual tornado. We did witness a few times when the wall cloud began to torque  pretty intensely, and I sure wouldn’t have wanted to be directly below it.

The whitish wall cloud is half a mile from us and rotating vigorously.

The whitish wall cloud is half a mile from us and rotating vigorously.

Possibly a funnel cloud at this point.

Possibly a funnel cloud at this point.

But from the time we first intercepted it to the point where it finally began to fizzle 120 miles later west of Crawfordsville, Indiana, the storm was outflow-dominant. Never once did we enounter surface inflow, though above ground level, I’m sure inflow was strong. In Bill’s words, the circulation kept reaching toward the ground, looking for something to grab onto, but it never could manage to root and produce a tornado. If we’d had backing winds…if the helicities had been there…I’m sure the storm would have been a potent tornado breeder. It never got its act together in that regard, but I doubt the communities in its path felt terribly disappointed, and from my perspective, the storm provided an interesting chase with some very nice moments.

Last gasp: wall cloud at US 41 west of Crawfordsville, Indiana, shortly before the storm began to collapse.

Last gasp: wall cloud at US 41 west of Crawfordsville, Indiana, shortly before the storm began to collapse.

For sheer structure, the “Danville supercell” was interesting and photogenic, with some nice RFD slots wrapping in, and, toward the end of the storm’s career, with a classic, stack-of-plates mesocyclone that was as nice as anything I’ve ever seen. (Sorry, no photos–the ones I have didn’t turn out well.)

One downside to this chase–and it is a big one–is that somewhere between Homer and US 41, I lost my camcorder. It wasn’t a pricey camcorder; it was a used Sony that I bought from my friend and fellow storm chaser Kurt Hulst. But it has done me good service over the past year, and I hate to think that it is presently sitting out there by the side of some Illinois backroad. What’s even worse is, my video of this chase is in it.

The drive back to Grand Rapids was a long one. I arrived at my apartment around 2:30 a.m. and collapsed. The chase was fun and I think I needed it, but it’s good to be back home with the love of my life, Lisa, whose bright eyes and beautiful smile warm my heart wherever I travel.

Grover Washington Jr. Playing “Winelight”

Before there was cool jazz, there was Grover Washington. If you ever want to find out just how much you can pull out of a pentatonic scale in a one-chord jam, Grover is the guy to listen to.

That simplicity was the reason I felt lukewarm toward him back in my coming-up days when I was cutting my teeth on bebop. Charlie Parker was my man back then. Grover was pabulum. Not that I could play like him, but I felt confident that I could easily reproduce what he was doing if I wanted to.

Evidently I had a lot more ability back in college when I was just learning my horn than I have today.  Then again, there’s the possibility that I was just plain dumb. Listening to Grover today reminds me that music doesn’t have to be harmonically dense and lightning-paced in order to be both challenging and good. Grover Washington had a beautiful sound, fabulous chops, and a distinctive,  personal approach–and what he could do with a simple groove is by no means simple.

Just check out this video of a 1981 performance in Philadelphia and you’ll see what I mean. Here is Grover Washington Jr. playing “Winelight” on the alto sax. I think you’ll agree it’s a sublime rendition.

What a Blast! Playing Sax with Francesca at the Grand Rapids Festival

What fun it was to play with Francesca Amari this afternoon at the 2009 Grand Rapids Festival of the Arts! And how nice to finally NOT get rained and hailed out. High clouds moved in, thickened and threatened and lenta somewhat somber feeling, but never produced so much as a solitary raindrop.

We played at the main stage by the massive, bright orange Alexander Calder stabile, “La Grande Vitesse,” which is the massive and graceful icon of Grand Rapids. Our 45-minute set included tunes from Francesca’s DVD Better Days, plus jazz standards such as “Fly Me to the Moon” and my own feature tune, “My Funny Valentine.” Our bass player, Dave DeVos, had another gig at the festival and was much missed. But Wright McCargar did a stellar job filling in the bottom end, a job no keyboard player relishes because of the limitations it imposes, but which serves when there’s no bassist.

I was pleased to see my mother and sister, Diane,  out there in the audience. It’s such a blessing to have their support.

So…now the festival is behind me, and I’m preparing myself to head for Nebraska in pursuit of storms. Looks like fellow Michigan storm chaser Mike Kovalchick will be joining me. We’ve got a long drive ahead of us. Sometime tomorrow, we’ll hook up Bill, Tom, Kurt, and a friend of Bill’s. The last time I chased was May 13. I am ready and raring, and I hope the weather roars. The SPC shows a 30 percent area in tomorrow’s outlook, mostly in Iowa.  The 18Z NAM suggests a more western play, but maybe that’ll change.

Right now, storms look like they may have initiated northwest of Des Moines, but what I’m seeing doesn’t look like much–yet. I’m about ready to reboot GR3 and take another look. The guys drove all night to make the play today. I hope they score big. But I have an idea that tomorrow is going to be the main act. And then there’s Monday. I’ll be really curious to see whether the Great Lakes gets the kind of weather the NAM has been suggesting.