The Return of the Trains: Sax Reflections from the Railroad Tracks

It’s good to see the trains again.

As a jazz saxophonist who loves to practice his horn in his car parked by a set of railroad tracks out in the countryside, I noticed last year that something was missing. Used to be, I could count on seeing the distant semaphore light turn green and watching as the white pinpoint of a headlamp miles down the tracks brightened, drawing closer until I could hear the rumble and then the roar of the locomotive and the clatter of freight cars rushing past. I enjoyed that experience at least once, and normally two or three times, during most practice sessions.

But as the bottom dropped out of the economy and Detroit’s auto industry languished, the giant spigots that sent the trains hurtling along the pipeline between Lansing and Grand Rapids closed to a trickle. Those hundred-car, three-locomotive strings I was so used to became, just like that, a thing of yesterday.

Until lately. It gives me much pleasure to say that the trains are returning.

I still don’t see them with the frequency I used to, but I am noticing that there are more of them, and they are growing longer. Two days ago, parked by the tracks in Alto, I paused in my practice to watch as a train boomed by in front of me…and kept on booming. It was one of those hundred-car affairs, just like in the good old days, which really aren’t old at all but certainly were enjoyable.

Now those days seem to be on the way back. It may be a modest return, but the spigots are reopening. It’s heartwarming to think, as I sit by my beloved tracks working out my saxophone chops, that I’m once again likely to hear the sound of another horn, far off in the distance and growing closer, and to feel the powerful, exhilarating, reassuring rhythm of a train rushing by.

Once There Were Trains

For many years, it has been my habit to practice my saxophone in my car. Living in an apartment and not wishing to bother my neighbors has forced me to find alternatives for my woodshedding, and my vehicle has served me well in that regard. In fact, I like it so well that if I ever do get around to buying a house, I will probably continue to practice in my car.

Since I love trains, my habit has been to park along a railroad track that stretches between Grand Rapids and Lansing. It has always been a fairly active route, and most days I’ve been able to count on seeing at least one train, and usually two or more, go by while I’m playing my horn.

Until recently. What has happened to the trains? Lately I haven’t seen a one. Really. Not in days. I just returned a while ago from one of my practice spots by the railroad crossing near Alto, and I didn’t get so much as a flicker on the semaphore lights.

This economy has hit a lot of folks pretty hard here in Michigan. I’ve got to believe that the collapse of the auto industry has had a dramatic impact on railroad transport. What I can say for sure is, the trains are no longer rolling along my favorite tracks the way they’ve done for so many years. I hope it’s just a temporary lull, and that railroad traffic will pick up again over time. Practice is still good, and I love being out in the countryside by the tracks, working my sax over and watching the sun set over the woods and the fields of alfalfa, corn, and soybean. But something’s missing. It just isn’t the same without the trains.

Of Sax Practice and Railroad Tracks

I just returned from a nice, two-hour saxophone practice session out by the railroad tracks.

The railroad tracks?

Oh, I guess I haven’t told you about my practice habits. They have as much to do with where I practice as what I practice.

Living in an apartment, I try to be considerate of my neighbors. I like to think that they’d enjoy my music, but realistically, there’s only so much that even the most ardent jazz lovers can take of listening to the same licks, patterns, and scales repeated ad nauseum, blaring down the hallway and through the walls. So for years, my practice room has been my car. My routine has consisted of driving to the outbacks of Kent County and parking at various locations along the CSX tracks between Kentwood and Lansing, where I practice my horn and watch for the trains to roll by.

I love trains. Obviously, I also love playing my sax. It’s nice to be able to combine those two interests in a productive way. Tonight, as I do so often, I parked at one of my favorite trackside spots near a small community called, appropriately, Alto. I didn’t see any trains, but I had a most productive practice hashing out some diminished and diminished/whole tone licks, and woodshedding the Charlie Parker tune “Ornithology” in several keys.

I always return feeling good about my playing after a session like tonight’s. The time goes so fast! And that’s as it should be.

The best way to make a living is to earn money doing things we’d pay money to do. Playing the sax is one of those things. I can’t say I make a living at it, but it certainly supplements my cash flow; it’s part of the picture of my livelihood. I’ve been at it a long time now, and most of that time I’ve been practicing in my car by the tracks–or, during the warm months, often outdoors. If I ever do buy a house and gain an honest-to-goodness practice room of my own, I think I will still maintain my railroad track sessions. I’d miss them far too much not to. Habits are hard to break, and there’s no reason to break a good one in the first place.