Stormhorn Readers, Your Assistance Needed: Still Some Incorrect Images in Older Posts

In the beginning of this year, I changed Web hosts, and when I did so, I also shifted a bunch of files to my root directory. In the process, to put things simply, my image library got broken, and I had to do a lot of rewiring.

Things still aren’t perfect. While the blog is moving ahead, not all of my old posts that contain images have the right images. For instance, I just checked out an article I wrote that was supposed to include a Cannonball Adderley solo transcription of the tune “Hurricane Connie.” But instead of the transcription, I found two photos of pitcher plants.

Much as I love my pitcher plants and enjoy my photos of them, I don’t like them in that article. I’ve made the correction, and now in place of the pitcher plant images you’ll find the transcription for “Hurricane Connie.”

If you encounter similar mismatched images in a post, please let me know so I can fix the problem.

You can do so by either leaving me a comment or clicking on the contact tab in the menu bar. I’ll get your message either way and will be in your debt for helping me ensure that my older archives remain useful to you and other readers.

Thanks!

Bob

Autumn in Grand Ledge

I don’t normally post twice in the same day, but I thought I’d share this photo. I took it this last Saturday, October 8, on the island in Grand Ledge, Michigan. Autumn was at its peak, and this shot captures well the flamboyance of this past, spectacularly beautiful week. Click on the image to enlarge it, then lose yourself in the almost overwhelming collage of color.

One for Daddy-O: A Cannonball Adderley Solo Transcription

If you’re an alto saxophonist, at some point you’re going to have to go through Cannonball Adderley just as surely as you’ve got to deal with Charlie Parker. Cannon’s buttery tone, prodigious technique, and ability to consistently and flawlessly deliver solos of pristine inventiveness make him a foundation stone of jazz saxophone.

The transcription on this page showcases Cannon playing on “One for Daddy-O,” a Bb minor blues with a head written by his brother, trumpeter Nat Adderley. The feel is a cool, casual shuffle, with no one in any hurry to get

anywhere. Even as Cannon cooks with passion and dexterity for four bars in double-time, he somehow manages to convey a laid-back mood that makes it sound as if he’s lying in a hammock and will return to sipping his iced tea as soon as he’s finished.

“One for Daddy-O” is one of the tunes in the classic Adderley quintet album Something Else. When you give the CD a listen, check out the call-and-response between horns and piano in the head. Points of interest in Cannon’s solo include:
• Use of the G and D Phrygian dominant scales (mode five of the harmonic minor scale)–ex. bar 6, or the fourth bar into the first full 12-bar form; and bars 28 and 36, or the second and tenth bars of the third chorus.

• Rhythmic variety within an overall 16th-note double-time framework. There are places in this solo where you can hear Cannonball stretching the time like taffy, now speeding up, now slowing down, yet never failing to convey a sense of the underlying pulse. The only thing Cannon doesn’t do with time is lose it, even for an instant. It has been a challenge for me to try to capture in notation what he’s doing in some spots!

• Recurrent ideas–motifs, if you wish–that help to unify the solo. The walkdown to low Bb in bar 4 is a good example; you’ll find variations of it reiterated throughout the solo.

But enough of me talking. Time to get on to the solo. Click on the images on this page to enlarge them. And if you’d like to view more solo transcriptions as well as articles, video tutorials, and technical exercises, you’ll find them here.

I should add that I’m still not certain I’ve properly captured the rhythm of the very last two or three bars where Cannon winds things up. If it’s not spot-on, it’s close, and further listening will tell me whether I need to tweak that section or leave it be. Either way, I’ll remove this last paragraph once that final snippet is taken care of.  Everything else checks out. Have fun with it!

A Stormy Evening in Stanton

Last weekend my best male friend, Dewey (aka Duane, aka The Scurvy Rascal), and I headed up to a hunting camp in the backwoods of Kalkaska, Michigan, for a weekend retreat. It was a time of refreshing for both of us: a time of reconnecting and confirming our friendship after a season, for each of us, of being hammered on by life; a time of drinking good craft beer and Scotch whiskey, and eating steaks cooked over an open fire; a time of hunting, and shooting clays, and blasting away with assorted pistols, including my favorite, a model 1911 .45; and a time of prayer, and reading the Bible, and talking about our passion for God, our beloved women, and life in general. A good, good time.

I drove up to Dewey’s home in Stanton Thursday evening. My laptop came with me, but I had suspended my data account with Verizon, and for some reason I was unable to access Duane’s router. With storms in the forecast, naturally I wanted to know what the radar had to show. So Dewey pulled up KGRR on his laptop, and Bingo! A nice line was moving toward Stanton and looked to arrive within a half-hour.

What the heck. I hopped in my car and took off, intent on finding a picturesque sweep of open landscape where I could watch the storm move in. As you can tell from the images on this page, I found one.

The storm was not nearly as formidable as it looks. It provided a nice bit of wind and a brief downpour; mostly, though, it was beautiful and offered a treat for the eyes. The setting sun filtered in low behind the cloud base, shining its rose-colored light through a curtain of rain and illuminating the backsides of gray, steamy towers.

But why am I talking like this? Here, see for yourself. The photos are in sequence; click on them to enlarge them, and enjoy the view.

Video Tutorial #2: The Tritone Scale

A while back, I wrote a post on the tritone scale. For my second video tutorial, I thought I’d supplement that article with a brief audio-visual clip. Supplement is the operative word. Besides describing the theory of the tritone scale in somewhat greater detail and probably a bit more lucidly than the video, the writeup provides written examples for you to work with. But the video helps you hear the sound of the tritone scale, and in so doing, allows you to come at the scale from every angle.

People’s learning styles differ, so maybe this tutorial will be more your cup of tea. Regardless, if you haven’t read my written article, make sure to do so after you’ve watched the clip.

On a side note, the video was shot out at the Maher Audubon Sanctuary in rural southeastern Kent County, Michigan. I’m discovering a fondness for producing these tutorials in outdoor settings when I can. With winter closing in, my future productions will soon be relegated to the indoors; right now, though, nature is singing “Autumn Leaves,” and it has pleased me to capture a bit of her performance.

If you enjoy this tutorial, check out my Jazz Theory, Technique & Solo Transcriptions page. And with that said, enjoy the video.

An Absence of Hummingbirds

Gone, all gone. The hummingbirds that kept my balcony abuzz with aerial entertainment and me constantly replenishing their nectar supply have departed for the winter.

In my post last month on the hummers, I speculated whether they would depart in a matter of weeks or mere days. As it turns out, the latter proved true. Just a couple days later, I filled the feeder with fresh nectar and hung it out beneath the eaves outside my sliding glass door, but there were no takers. All day I waited for even a single bird to show. The weather had turned gray and damp, and I thought that maybe the little guys were hunkering down until the sun poked through. But nope, no hummers. Not that day, nor the next, nor the next.

Finally I took down the feeder. The act was my first acquiescence to the coming winter. More such concessions will follow, most of them unpleasant but a few with blithe compensations. The hummingbirds may be gone, but the chickadees and goldfinches have been showing up sporadically, making tentative inquiries into their trusty cold-season food source. It is about time for me to set up their feeding station and reassure them. The birds that overwinter in Caledonia, Michigan, have a friend in me and a haven out on my deck. For the price of a 25-pound sack of black oil sunflower seed and a few pounds of thistle seed, the sparrows, finches, chickadees, titmice, nuthatches, and other winged guests brighten the wintry days with birdsong and a flurry of feathery action–especially the finches, which show up in droves of as many as 15 and appear to have no shutoff valve for their appetites. Slap some suet out on the rail and the woodpeckers will be in constant supply as well.

Right now, though, it’s still early autumn. The winter birds and I haven’t quite connected yet, and I’m contemplating the absence of hummingbirds. This page contains a couple more photos I took of them last month that didn’t turn out too shabbily. They’re my tribute to those iridescent little winged rockets that filled my summer days with many a smile. Thank you, hummers! Have a great winter, wherever you are, and I look forward to seeing you again in the spring.

My July 27 Michigan Tornado Video, for What It’s Worth

Michigan is not Oklahoma. It is not even Illinois. If you’re a storm chaser who has any life experience with this state, as a few of you do besides me, you know exactly what I mean. Had Dorothy and Toto lived here instead of in Kansas, The Wonderful Wizard of Oz would never have been written. That or else author L. Frank Baum would have had to find a dfferent means of lofting his main character and her little dog somewhere over the rainbow.

Sure, Michigan gets its annual tally of tornadoes. It’s just that most of them are something less than what you’ll encounter west of the Mississippi or down south in Dixie Alley. That’s not a bad thing, given our population density. But it does require Michigan-based chasers to either travel long distances out of state or else languish from convective malnutrition.

You want to see a Michigan tornado? Okay, I’ll show you a Michigan tornado. But be forewarned, it’s not a pretty sight. It’s barely any kind of a sight at all. When I first spotted it, I wasn’t even certain it was a tornado, though after reviewing my HD clip and getting a couple of other reliable opinions, I’m now convinced. Good thing, too, because it’s all I’ve got to show for this year in terms of actually seeing a tornado. That’s pretty pathetic, considering the chase opportunities that circum 2011 has presented. But you can’t chase when your 85-year-old mother is having a knee replacement, as mine did on April 27, the day of the 2011 Super Outbreak; or when you just don’t have the money to go gallivanting freely across Tornado Alley, a reality that has badly limited me this year.

Given such circumstances, you grab what you can, where you can, when you can. July 27 was an example. Although a light risk tapped on the very westernmost edge of Michigan, my state was for the most part outlooked for nothing more than general thunderstorms. Severe weather wasn’t a concern. So imagine my surprise when I spotted distinct rotation on GR3 in a cell just to my southwest, heading ESE toward Hastings.

Grabbing my gear, I hopped in my car and headed east, setting up my laptop on the way. And what do you know! The radar didn’t lie. The storm had a large, well-defined wall cloud that I caught up with as I approached Hastings on State Road.

Since my video clip doesn’t show much in the way of structure, let me assure those of you who care about such things that this storm had good visual clues: impressive wall cloud, crisp updraft tower, and a warm RFD cascading off the back end. As I’ve already mentioned, storm motion was ESE, which corroborates my recollection of a northwest flow regime and explains why the rotation was more on the northwest part of the cell than the southwest. Also, as I recall, surface winds were from the SSW, though I can’t say how they were behaving ahead of the updraft area as I never managed to outpace the storm.

With all that said, here’s what happens in the video: Heading south behind the storm, I first spot the tornado out of my side window, which is covered with raindrops. Those somewhat obscure the funnel, but you can still make it out as a small, faint, whitish blotch connecting the cloud base to the treeline a little ways to the right of center. At this point I’m debating with myself and conclude that the feature is just scud. I park the car, zoom in on the storm and lose focus, then roll down the window and zoom back out. You’ll then see a small sapling mid-screen, and the tornado still barely visible to its right as a tiny strand of light gray condensation set against the darker background. It, translates almost imperceptibly to the right for a handful of seconds before vanishing. In my HD clip, I can make out something of an actual rope-out, but you can’t tell with YouTube.

Nevertheless, even though YouTube isn’t great for detail, I think you’ll see what I’m talking about overall. I promise you, it’s there; you just have to look closely. And use your imagination. And be highly suggestible. And believe in the Tooth Fairy. (I’ve also got some clips of Sasquatch and the Loch Ness monster that you may take an interest in, but those are for another time.)

The tornado doesn’t appear in the day’s storm reports, and I don’t believe the supercell that produced it ever got severe-warned. I think I was the only chaser on the darn thing, at least from my side of the state. I did report the wall cloud to GRR. I never bothered with the tornado because it was there and gone before I’d made up my mind what it was. It certainly was an anemic little puke, and I’m not sure whether to feel grateful that I scored at least one tube this year or to feel mortified about even claiming it. I almost felt sorry for the poor thing, and if I could have, I’d have taken it home and cared for it until it was healthy, and then released it under some nice, beefy updraft tower while strains of “Born Free” played in the background.

Go ahead and laugh, but I’m probably the only chaser in Michigan who got video of this tornado. Then again, that’s nothing to brag about, particularly in a year when so many chasers have captured videos of violent, mile-wide monsters. It’s just, like I said, all I’ve got to show. Yeah, I was there with my buddies right by the airport when the April 22 Saint Louis tornado hit, but none of us actually saw a funnel. I doubt anyone did after dark in all that rain. So July 27 is it for me, my sole visual record. Mine, all mine. Bob’s tornado. I’ve assigned it an F6 on the original Fujita scale, F6 being a hypothetical rating associated with “inconceivable damage.” That description fits perfectly, as this tornado was practically hypothetical, and it’s inconceivable to me that it could have damaged much of anything. Maybe snatched up an ill-fitting toupee, but that’s about it.

So there you have it: a genuine Michigan tornado. Now you know what storm chasing is like here in my state. It’s just another of the great perks that this supercell haven has to offer besides its economy.

I will say this: we do have fantastic craft beer.

So Much for Waterspouts

Waterspouts were in the marine forecast for Lake Michigan today. For that matter, they’re still there through tomorrow. But while people on the west side of the pond witnessed a few spouts, they didn’t materialize here on the Michigan shore.

With a closed upper low retrograding to the southwest and a persistent land breeze pushing convergence well offshore, out over the middle of the lake, any waterspouts that formed were far out of view from Michigan eyes. From the South Haven beach where Nick Nolte and I were hanging out, I could see a line of low towers pushing up over the waters 20 or 30 miles to west, moving ever-so-slowly to the northwest. The only Michiganians who might have seen a spout were boaters.

Sigh … I got up bright and early and arrived at the beach around 8:00 a.m., but the waterspouts eluded me. Nothing new there. I have yet to see a spout, but I live in hope.

The clouds over the lake were pretty, though, lit by the morning sun. I snapped a few photos just to show I was there, paying my waterspout dues. I figure that if I keep slipping tokens into the slot, pretty soon I’m bound to come up with a winner. Meanwhile, a few pics on a cool, moody September morning on the lakeshore aren’t a bad compensation prize.

Jazz Friday Night at the Seasonal Grille

Yikes–almost forget to mention, I’ll be playing tomorrow night (Friday, September 23) at the Seasonal Grille in downtown Hastings, Michigan. Come on out, drop a few dollars on dinner with your sweetheart, and take in a little live jazz. The Seasonal Grille is a fabulous place, and the food is not only outstanding in quality, but also just about absurdly affordable.

Paul Lesinkski will be joining me on keyboards. We’ve done a good number of piano-sax duos through the years; he’s a fantastic musician, a good friend, and someone I love playing with. You’ll like what you hear.

Here are the details:

The Seasonal Grille
150 West State Street
Hastings, MI
Time: 6:00–9:00 p.m.
Phone: (269) 948-9222

Hope you can make it!

Evening of the Gentians

Welcome to September Land. It’s not a location you can pinpoint on any map, but it exists just the same. It’s a place of being; a juncture of time and mood; a coming-of-age of the summer when the sun’s lengthening rays gild the late-day hills, clown-colored maples stipple the forests, and yellow hues infiltrate the long, green rows of corn. September Land is where the year goes to receive its golden crown of wisdom; and where, as the hazy, blue sky of early autumn stretches, glowing, over meadows filled with asters and birdsong, you and I arrive to contemplate with nostalgia the months that lie behind us, and to quietly adjust our souls for the ones to come.

Now is the season of the gentians. Here in mid-September, they dot the wetlands with pointilistic splashes of purest blue, as if God had strewn pieces of sky like confetti over the fens.

I love the deep purple asters, the burnished goldenrods, and the bright, butter-yellow wild snapdragons. I’ve been a sucker for wildflowers ever since I can remember. But of all the autumn flowers, I like the gentians best. A number of species inhabit my state of Michigan, but the fringed gentian is the one I see most often, and the one I fell in love with as a boy roaming through the wetlands of southern Kent County.

The fringed gentian opens only in the sun. On bright days, it quietly unfurls its cerulean gown, and, like a shy young woman unaware of her own breathtaking beauty, captures the eye and heart of every beholder.

Among the many who, over the years, have been smitten by the gentian was the 19th-century poet William Cullen Bryant. Like me, he sought for words that could pay adequate tribute to the gentian’s loveliness, and set them down in his jewel-like poem, “To the Fringed Gentian”:

Thou blossom bright with autumn dew,
And coloured with the heaven’s own blue,
That openest when the quiet light
Succeeds the keen and frosty night.

Thou comest not when violets lean
O’er wandering brooks and springs unseen,
Or columbines, in purple dressed,
Nod o’er the ground-bird’s hidden nest.

Thou waitest late and com’st alone,
When woods are bare and birds are flown,
And frosts and shortening days portend
The aged year is near his end.

Then doth thy sweet and quiet eye
Look through its fringes to the sky,
Blue—blue—as if that sky let fall
A flower from its cerulean wall.

I would that thus, when I shall see
The hour of death draw near to me,
Hope, blossoming within my heart,
May look to heaven as I depart.

Here in Caledonia, Michigan, the woods of September Land are not bare nor are the birds yet flown. As I write, the hummingbirds still flit about the feeder out on my balcony. But frost has already visited counties to the north, and in these shortening days I, like Bryant, sense that “the aged year is near his end.”

Yesterday, Lisa and I enjoyed a spontaneous picnic out at Gun Lake State Park. With Labor Day behind us, the crowds of summer were gone and we had the park to ourselves. We sat at a picnic table, eating and talking and watching a great blue heron patrol the shoreline a stone’s throw away. Then, after strolling a bit through the southern tip of the park’s peninsula, we hopped into the car and headed back toward Caledonia. However, I had one stop-off to make in Middleville: a small but diverse prairie fen on the south end of the town.

While Lis drowsed off in the car, I hiked down the trail into the fen with my camera to photograph fringed gentians. With the sun waning and occasionally disappearing behind tufts of cumulus, many of the gentians had closed. But a few flowers remained open. I set up my tripod next to a likely looking cluster and began snapping photos. This page contains a few of them. Click on the images to enlarge them.

“Consider the lilies of the field, how they grow,” said Jesus. “They don’t work themselves to a frazzle, nor do they weave clothes for the wearing. Yet I tell you that even Solomon in all his splendor was not arrayed like these humble wildflowers.” (Matthew 6:28–29, my rendering.)

I suspect that if gentians had been at his disposal, Jesus would have pointed to them as his object lesson of the grace God bestows on quiet, lowly hearts that look to him. In these times of great national and worldwide distress, may you and I, like the gentians, learn to turn our heads upward with trust and a willingness to let God determine for us what life is truly about–and in so doing, find a peace rooted in something, in Someone, far more steadfast than the changing seasons of this world.