Life — Page 5

Winter Arrives in Michigan

Today is the first day of meteorological winter. Since my post on this date last year explains why, from a weatherly perspective, winter begins on December 1 instead of December 22, there’s no need for me to re-pave that same road here.

However, the weather today is quite different from what it was a year ago. Back then, we were getting a pretty good dusting of lake effect snow, and I included a radar capture in that day’s post to show what we could expect for the next four months. In contrast, today has dawned clear-skied, and this bright sun streaming through the sliding glass door directly onto my face is forcing me to squint with my left eye and prompting me to fetch my broad-brimmed Tilley hat directly after I dot this sentence.

There, hat installed. Much better. Now, what was I saying? Oh, yeah … unlike last year’s snowy opener here in West Michigan, this winter is stepping in with a smile. But that signifieth nothing. Two days ago, on November 29, the state got its first taste of accumulation in a belt that slanted, roughly, from Coldwater up toward Saginaw.

Here in my little town, what was initially forecast to be at least an inch of snow turned out to be just an errant flake or two. The payload didn’t miss us by much, though; just a few miles to the east, the snow came down. Last night, driving home from a practice session with my sax in Clarksville, I noticed that the fields were covered. The satellite photo to your left shows what the actual accumulation looks like from above. (Thanks to my friend Mike Kovalchick for initially posting this image in Facebook.)

Cold temperatures are becoming the norm. From here on, the forties will be a high, and anything in the fifties, a gift. We’re in that transition zone between rain and snow, with snow becoming the dominant form of precipitation. More of it is in the forecast for this week, and I don’t doubt that by the time the winter solstice arrives on December 22, meteorological winter will already have settled in with a smug grin on its face.

Today, though, the sun is shining, and while this isn’t exactly T-shirt weather, I’ll take it. Time to sign off and get the rest of the day rolling.

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PS You might also enjoy reading my explanation of the meteorological seasons in “Winter Comes Knocking,” posted yesterday in my new blog, Fox’s World.

December 1, 2011 by Robert Hartig

Filed Under: Life, Michigan, Weather Tagged With: first day of winter, first snowfall, lake effect snow, meteorological winter, snowfall in Michigan, winter solstice, winter weather

My Father’s Horn, Part 3

(Continued from part 2.)

For a couple of years after I graduated from high school, I cast about with no certain direction. I worked a series of odds-and-ends jobs, none with any promise, and lived alternately with my parents, in a tiny shotgun house in Eastown, and in a former chicken coop converted into a rental home out in the countryside of Cascade. (Don’t knock it till you’ve tried it! The place was really nice for that time in my life.)

The one constant in my life was music. But in those days, I had largely set aside my horn in favor of my acoustic guitar, which I had taught myself to play. I was hugely into Jethro Tull and wanted nothing more than to be another Ian Anderson. So I was doing my best to develop as a singer/songwriter.

It was the sax, though, that opened the door to some key musical friendships. In those days, I was hanging with my buddies Perry Werchowsky and Scott Smith. It was these guys who in different ways spurred me on to learn more about what I was doing.

The three of us used to get together frequently at Perry’s house and jam, with Perry playing piano, Scott on the guitar, and, of course, me on the alto sax. Perry was studying with veteran jazz keyboardist Eddie Russ, and Scott had begun to take music classes at Grand Rapids Junior College. Scott was constantly talking about the latest musical concepts he was learning in music theory class. Triads, inversions, augmented chords, secondary dominants, cadences … all fascinating to hear about, and frankly, I was starting to feel a bit jealous. I wanted to know about that stuff!

When I told my parents that I thought I might like to study music, they leaped at my mere mention of the idea. A whirlwind of college visits, applications, and financial aid forms ensued, and when the dust finally settled, I found myself sitting in the afternoon jazz band at Aquinas College under the directorship of Dr. Bruce Early.

Bruce put me in the lead alto chair, but he made it plain to me that the arrangement was only temporary. Someone else would be playing first chair, and once that person arrived in a week or two, I would be demoted.

“Right,” I thought. “Just wait till you hear what I can do!” Rehearsals got underway, me playing with all the gusto and confidence that comes from either great talent or monumental ignorance. From the impression Bruce was doing of being utterly unimpressed, I knew I was secretly blowing him away. He just wasn’t letting on.

Then one afternoon as I was assembling my horn for rehearsal, into the room walked another saxophonist named Dan Bryska. I had heard Dan play before; he had sat in on a few Formal Aires gigs in months past. I felt a bit nervous. Here was my replacement, apparently, and I knew he was good.

Dan put together his horn and began to warm up with a series of bebop licks. In fifteen seconds, the guy blew lines through his sax that I had never dreamed of. And like that, my cocky attitude evaporated. Geeze, Dan wasn’t just better than me, he was a lot better. There weren’t even grounds for comparison.

Until now I had been a small fish in a smaller pond, and I had made the mistake of believing the people who told me what a great player I was. Now here was the truth, staring me in the face. I was a novice, so green that I didn’t even know how badly I sucked. But Dan had just given me a clue. It was a humbling experience, but it was good for me. It suggested that if I wanted to become anywhere near as good a player as Dan and some of the other guys in the band, I was going to have to work at it.

In other words, practice. What a novel concept!

But practice what? I wasn’t sure. I had begun to take jazz improvisation lessons with Bruce Early, but my ears just couldn’t wrap themselves around the complexities of even the simplest jazz harmony. A ninth slapped on top of a minor seventh chord didn’t sound pretty to me; it sounded wrong.

I forget how I stumbled upon Jerry Coker’s renowned book Patterns for Jazz, but I’ll never forget the impact it had on me. By then I was two years into music school, and I was slowly developing, but I think I was mostly just a source of frustration for my saxophone instructor. Then along came Coker’s book. I took it to school with me, hit a practice room, and began to work on a pattern that consisted of major triads ascending and descending chromatically.

“Hmmm,” I thought, “I wonder if I can memorize this.” I took up the challenge, persevered at it, and succeeded. And light began to dawn for me. I could do this stuff! If I practiced, I could become good. Maybe even really good.

I was hammering away on my triads one afternoon when the door to my practice room suddenly flung open and my sax instructor, Fred Bunch, rushed in. “YES!” he yelled. “That’s it! That’s it! Keep doing it!!!”

The man had a wild look in his eyes, and I had left my pepper spray at home. But I felt more inspired than nervous. After all those years of misfiring, it looked like I was finally on the right track.

(To be continued.)

November 28, 2011 by Robert Hartig

Filed Under: Band, Christian Music, Jazz, Life, Music, Saxophone Tagged With: alto sax, Aquinas College jazz band, Bruce Early, Dan Bryska, Fred Bunch, jazz stories, jazz studies, Jethro Tull, learning how to improvise jazz, music school, music theory, my father's horn, Perry Werchowsky, Saxophone

My Father’s Horn, Part 2

(Continued from part 1.)

During my eighth-grade year, my father’s horn opened the doors to a formative experience in my life. It began when a fellow junior high school classmate, Steve Afendoulis, asked me if I would like to play in a band he was forming. Steve being a drummer, I thought he was talking about a rock band.

Now, I have to be honest: Much as I enjoyed playing the saxophone, rock music was in its psychedelic heyday, and what I really aspired to be was the next Jimi Hendrix. The only hitch was that I didn’t play guitar. Still, while I’d never heard of Dave Sanborn, I thought that maybe I could carve my niche as a rock saxophonist. I’d be cool, and “cool” was a quality I lacked and desperately wished to cultivate. So I told Steve to count me in.

Thus it was that I wound up playing lead alto in a 17-piece dance band called the Formal Aires. It was not exactly Woodstock material. Tommy Dorsey, Duke Ellington, Count Basie, Louis Armstrong … good heavens! I was playing my parents’ music! Whatever image it might project for me, “cool” didn’t figure in.

I hadn’t a clue what an amazing experience I had walked into. What I did know was that, cool or not, I really enjoyed the weekly rehearsals with my 16 other junior high and high school bandmates. They came from several schools around the Grand Rapids area, and even as our athletic teams clashed, we harmonized.

Steve’s dad, Gus Afendoulis, served as the band’s manager. He owned a tuxedo rental and dry cleaning shop on Michigan Street in Grand Rapids and also wrote a weekly column on bridge for the Grand Rapids Press. Being well-connected, Gus managed to secure frequent weekend and holiday gigs for the band at top country clubs, wedding receptions, and social and community events throughout West Michigan. I’m quite sure it was Gus who purchased our music library for us. Owning his own tux shop, he saw to it that we were properly outfitted in formal attire. He secured a couple of music directors who worked with us during weekly rehearsals, helping us to properly interpret the music and develop our sound. Above all, Gus loved us kids. He was a sweetheart of a guy who made it all happen for us and did so in such a low-key way that his immense significance never dawned on me till years later.

I mentioned that the band had two music directors. These men, Sid Stellema and Ted Carino, were the guiding forces for the band. Ted, an alto saxophonist with prior big band experience, was there every week, walking us through the charts, rehearsing us, encouraging us, shaping our sound. Ted was the person who first made me aware that not all mouthpieces are created equal. I had been playing the stock mouthpiece that came with dad’s horn. With its small tip opening, it was not designed to move a lot of air, and it gave me a feeble, overly dark sound with little volume or projection. It was by no means a lead alto mouthpiece.

One night, Ted pulled me aside and handed me a box containing a brand-new Brillhart mouthpiece. I put it on my horn and experienced an epiphany. This piece was so much louder! And its brighter tone gave me the edge I needed for the first alto chair.

Sid Stellema also helped rehearse the band. His involvement wasn’t as extensive as Ted’s, but his experience as an arranger provided us with invaluable input. Sid also guided me in writing my first–and only–successful big band chart: an arrangement of “Auld Lang Syne.” In those days I knew nothing of music theory, and my inner ear was informed by rock harmonies rather than jazz. Thanks to Sid’s coaching, though, I came up with an acceptable arrangement of the Guy Lombardo classic, which the band played every New Year’s Eve henceforth and eventually passed down, along with the rest of its book, to its successor, the Stardusters.

The Formal Aires was a profoundly important part of my musical learning curve. Through it all, my father and mother faithfully drove me to the weekly rehearsals. The saxophone that Dad was unable to play now rested in the hands of his oldest son, and Dad could hear both it and me coming to life, doing what we were created to do.

I played in the Formal Aires, and afterward the Stardusters, all the way through high school and even into my early college days. I think the Formal Aires must have played at every country club in West Michigan, and not just once, but frequently. We had the New Year’s Eve gig locked in every year at the Cascade Country Club. The band was a great way for us kids to make a bit of money playing music–and above all, we had fun! To Steve, to Gus, to Ted, to Sid, and to all my old bandmates: Thanks. I’ve never forgotten.

The Formal Aires and the Stardusters steeped me in the classic swing band literature and gave me the confidence I needed as a lead alto player. Too much confidence, really. I was naive as to how much I had yet to learn …

(To be continued.)

November 19, 2011 by Robert Hartig

Filed Under: Band, Christian Music, Jazz, Life, Music, Saxophone Tagged With: big band, dance band, Formal Aires, Gus Afendoulis, jazz musicians, jazz saxophonist, learning the saxophone, learning to play jazz, Sid Stellema, Stardusters, Steve Afendoulis, stories of jazz musicians, swing band, Ted Carino

My Father’s Horn: A Grown Son Reflects on a Priceless Musical Legacy

Most of my music posts share technical exercises or theoretical information. This post is different. I want to share with you something very personal. It is the story of the saxophone that I play: my beloved Conn 6M Ladyface.

When I was a small boy living with my family in Niles, Michigan, my dad kept his alto sax in its original black case up against the wall by his bed. He had bought the horn back when he was a young man, and was learning to play it until service in WWII interrupted his musical aspirations and a bout of tuberculosis finished them off entirely. He met my mother in the TB sanatorium, where she worked as a nurse. Dates followed, letters, a ring, marriage, and then me.

My parents moved from Chicago to Niles when I was a year old. The sax sat quietly in its case, all but forgotten. Once in a great while, though, Dad would take that case and open it up, and it was on one such occasion that I got my first glimpse of the horn. There it lay, cradled in the case’s rich, purple velvet lining: a shining complexity of rods, springs, pearl buttons, pads, and palm keys, all neatly arranged on that deeply golden, sensuously curving body. It was beautiful, fascinating, and to me, impossibly complicated. How could anybody take something so bewilderingly engineered and make music with it?

Ever after that first glimpse of my father’s horn, I wanted to see more of it. From its aureate luster, to the resonant sound of its bell pads thumping against the tone holes, to its mysterious, brittle reeds, that saxophone captivated me. I was far too young to play it, but it was already beginning to play me.

In the summer after my sixth grade year, my family–which had grown to include my brothers Pat, Terry, and Brian, and my sister, Diane–moved to Grand Rapids. Junior high school loomed on the horizon. No longer would I be attending a private Catholic school; the Forest Hills public school system awaited me in the fall, including its band program.

Band? I was going to be in band?

Yes, that was the plan. In September, when I climbed aboard the school bus for the first day of school, that black case containing my father’s horn was in my hands. Private lessons with my band director, Richard Streng, commenced soon after. And I took to my dad’s alto sax as naturally as if I had been born for it–which, of course, was the case.

The first note I learned to play was A. The second was D. After that came G, and then, I think, C; after that, I don’t recall the order. What I do remember is stopping between each note and carefully inspecting my fingers to make sure they were positioned properly. It seems amazing that the fluidity with which I get around on my instrument today got its start with such painstaking deliberateness. But I didn’t mind. I was learning to play music, learning to play my dad’s saxophone, and I was absolutely thrilled. I could do this! No one needed to tell me to practice; I couldn’t wait to get in my daily time on the sax.

Mr. Streng seemed to enjoy my private lessons with him as much as I did. He recognized in me a genuine desire to excel. I came to my lessons prepared and ready to play, so he consistently had something he could work with. I still remember his baritone voice after every lesson: “Bob, as always, it has been a pleasure.”

From Mr. Streng, I learned a life lesson every bit as important as those first music lessons, and that was the power of praise. Never underestimate what a good word can accomplish in a person’s heart. A child’s heart, a young adult’s heart, a heart of many years’ experience … it doesn’t matter. Praise empowers; praise instills vision; praise nurtures an inner voice that says, “Yes, I can!”

(To be continued)

November 17, 2011 by Robert Hartig

Filed Under: Christian Music, Christian Spirituality & Inspiration, Jazz, Life, Music, Relationships, Saxophone Tagged With: a father's legacy, Bob Hartig, jazz education, jazz musician, junior high band, learning the saxophone, learning to play music, musical legacy, my father's horn, Saxophone

Fall Meeting of the Michigan Storm Chasing Contingent

Last Thursday, October 27, the Michigan Storm Chasing Contingent convened at its favorite meeting place, the Walldorff Brewpub in Hastings. Present were L. B. LaForce, Ben Holcomb, Bill Oosterbaan, Tom Oosterbaan, Nick Nolte, and I, the unofficial recorder. The meeting was called to order, or at least something approaching order, and it was immediately moved that beer should be purchased. The motion was passed by five out of six, with one member abstaining. The recorder found himself in possession of a 24-ounce schooner of Cobain’s Double Dark IPA, which easily balanced out the abstention.

Truthfully, there is no official Michigan Storm Chasing Contingent. I made up the name. Membership dues have not been levied and cards have not been issued. The whole notion of a Michigan Storm Chasing Contingent is something of an oxymoron to begin with. Nevertheless, most of these guys have had a pretty impressive year, with plenty of miles logged and tornadoes observed. The sorriest mug in the lot was me, but I won’t go into that; 2011 is almost over now, and I’m done whining. The big thing is, Ben Holcomb was visiting from Oklahoma, and that seemed like a good reason for all of us to get together and hang out for the evening.

The Walldorff is becoming a tradition for us, and it’s not a bad one. The place has award-winning craft brew. The cuisine, made from scratch using local produce, meats, and dairy products, is also fabulous, but the beer is the main draw. Not that this is a hard-drinking bunch; they’re actually pretty conservative. But they do enjoy the Bee Sting Ale, one of the many superb craft brews turned out by Sam, the Dorff’s world-class brewmeister.

As for me, I opted for the Cobain IPA with its double-bitter blast of mega-hops and roast malt. It was the first beer I had ordered at the place since I joined its pub club a couple months ago, and I figured that it was time I finally took advantage of my member’s discount. I expected a nice price break. What I didn’t anticipate was the 24-ounce mug that the waitress set in front of me. It was big enough to generate its own lake breeze, and I could see surf breaking against the brim. Good grief. At 8.5 ABV, the Cobain is a potent brew, and all I wanted was a modest glass. I just can’t knock off such stuff with impunity anymore like I used to. Out of shape, out of practice, and getting older. Oh, well.

It was great to see all the guys, though we missed Kurt Hulst, who had to work. There’s nothing more interesting than storm chasers talking shop, at least as far as other chasers are concerned, and this year

afforded plenty of notes to compare. Ben, Bill, and Tom had been on the May 24 Chickasha tornado, a particularly violent beast that may be upgraded to EF-5. Seems that it pitched a Ford F-150 pickup truck 800 yards–nearly half a mile. It’s hard to fathom that kind of power.

But enough. It’s late, this recorder is tired, and it’s time I put this post to rest. Till next time, gents: L’chaim!

November 3, 2011 by Robert Hartig

Filed Under: Life, Michigan, Relationships, Storm Chasing, Tornadoes Tagged With: beer, craft brew, Hastings Michigan, Michigan storm chasers, Storm Chasing, Walldorff brewpub

Another La Nina for Winter 2011–2012

Snowfalls that paralyzed entire regions. A record-breaking tornado season. An unrelenting summer heat dome that baked much of the nation for weeks on end, coupled with disastrous drought conditions in the southwest. That has been our weather year 2011 to date, courtesy of its La Nina, which commenced in June of 2010 and ended last April.

In another month, we can kiss the whole mess good-bye and good riddance. It’s not the kind of year a body wants to see repeated anytime soon. But with yet another La Nina winter shaping up, chances are that’s what we’ve got in store. In its typical terse language, NOAA’s Enso Cycle: Recent Evolution, Current Status and Predictions sums things up thus:

• La Niña conditions are present across the equatorial Pacific.

• Sea surface temperatures (SST) were at least -0.5°C below average across the central and eastern equatorial Pacific Ocean.

• Atmospheric circulation anomalies are consistent with La Niña.

• La Niña is expected to strengthen and continue through the Northern Hemisphere winter 2011-12.

The United States needs another La Nina right now the way a sick drunk needs another bottle of Boone’s Farm. We’re still reeling from the previous episode, and now here comes round two. While no one can predict with certainty how it’s going to play out, the generalities are these:

• The north-central CONUS and portions of the Great Lakes down through the Ohio Valley are likely to see colder and wetter conditions.

• The south and southwest can expect warmer and drier weather–not welcome news to those living in West Texas and other places that have already endured week after rainless week this summer.

Also, while you won’t find it stated in ENSO literature, statistically, tornado outbreaks east of the Mississippi have tended to occur during La Nina springs. Whether a correlation does in fact exist, circum 2011 certainly seems to corroborate the notion.

Let’s hope that this new player turns out to be La Nina Lite in terms of its impact. I can’t imagine that it will be as nasty as its predecessor, but anything is possible. We’re only getting started, and already the Northeast has gotten clobbered with a record-setting winter storm. The plus side is, parts of the drought-stricken West have received a rare and welcome snowfall. That’s good, and I hope they get more precipitation, lots more, be it snow or rain.

For those of you who pray, this new La Nina is something to enter in your prayer list and keep an eye on. This winter could be another bad one, and storm chasers may once again have their hands full next spring. Let’s hope that Dixie Alley experiences nothing like what it did this year. We’ll find out five or six months from now.

October 31, 2011 by Robert Hartig

Filed Under: Life, Michigan, Nature, Weather Tagged With: bad winter, ENSO, La Nina, NOAA, record-breaking weather, summer heat dome, tornado outbreaks, weather records, western drought

Autumn in Grand Ledge

I don’t normally post twice in the same day, but I thought I’d share this photo. I took it this last Saturday, October 8, on the island in Grand Ledge, Michigan. Autumn was at its peak, and this shot captures well the flamboyance of this past, spectacularly beautiful week. Click on the image to enlarge it, then lose yourself in the almost overwhelming collage of color.

October 12, 2011 by Robert Hartig

Filed Under: Life, Michigan, Nature, Outdoors, Photography Tagged With: autumn in Michigan, fall color, Grand Ledge, Michigan outdoors, nature photography, outdoor photography

A Stormy Evening in Stanton

Last weekend my best male friend, Dewey (aka Duane, aka The Scurvy Rascal), and I headed up to a hunting camp in the backwoods of Kalkaska, Michigan, for a weekend retreat. It was a time of refreshing for both of us: a time of reconnecting and confirming our friendship after a season, for each of us, of being hammered on by life; a time of drinking good craft beer and Scotch whiskey, and eating steaks cooked over an open fire; a time of hunting, and shooting clays, and blasting away with assorted pistols, including my favorite, a model 1911 .45; and a time of prayer, and reading the Bible, and talking about our passion for God, our beloved women, and life in general. A good, good time.

I drove up to Dewey’s home in Stanton Thursday evening. My laptop came with me, but I had suspended my data account with Verizon, and for some reason I was unable to access Duane’s router. With storms in the forecast, naturally I wanted to know what the radar had to show. So Dewey pulled up KGRR on his laptop, and Bingo! A nice line was moving toward Stanton and looked to arrive within a half-hour.

What the heck. I hopped in my car and took off, intent on finding a picturesque sweep of open landscape where I could watch the storm move in. As you can tell from the images on this page, I found one.

The storm was not nearly as formidable as it looks. It provided a nice bit of wind and a brief downpour; mostly, though, it was beautiful and offered a treat for the eyes. The setting sun filtered in low behind the cloud base, shining its rose-colored light through a curtain of rain and illuminating the backsides of gray, steamy towers.

But why am I talking like this? Here, see for yourself. The photos are in sequence; click on them to enlarge them, and enjoy the view.

[Show as slideshow]

October 9, 2011 by Robert Hartig

Filed Under: Life, Michigan, Nature, Outdoors, Photography, Storm Chasing, Weather Tagged With: gust front, Stanton Michigan, storm photography, thunderstorms, weather photos

An Absence of Hummingbirds

Gone, all gone. The hummingbirds that kept my balcony abuzz with aerial entertainment and me constantly replenishing their nectar supply have departed for the winter.

In my post last month on the hummers, I speculated whether they would depart in a matter of weeks or mere days. As it turns out, the latter proved true. Just a couple days later, I filled the feeder with fresh nectar and hung it out beneath the eaves outside my sliding glass door, but there were no takers. All day I waited for even a single bird to show. The weather had turned gray and damp, and I thought that maybe the little guys were hunkering down until the sun poked through. But nope, no hummers. Not that day, nor the next, nor the next.

Finally I took down the feeder. The act was my first acquiescence to the coming winter. More such concessions will follow, most of them unpleasant but a few with blithe compensations. The hummingbirds may be gone, but the chickadees and goldfinches have been showing up sporadically, making tentative inquiries into their trusty cold-season food source. It is about time for me to set up their feeding station and reassure them. The birds that overwinter in Caledonia, Michigan, have a friend in me and a haven out on my deck. For the price of a 25-pound sack of black oil sunflower seed and a few pounds of thistle seed, the sparrows, finches, chickadees, titmice, nuthatches, and other winged guests brighten the wintry days with birdsong and a flurry of feathery action–especially the finches, which show up in droves of as many as 15 and appear to have no shutoff valve for their appetites. Slap some suet out on the rail and the woodpeckers will be in constant supply as well.

Right now, though, it’s still early autumn. The winter birds and I haven’t quite connected yet, and I’m contemplating the absence of hummingbirds. This page contains a couple more photos I took of them last month that didn’t turn out too shabbily. They’re my tribute to those iridescent little winged rockets that filled my summer days with many a smile. Thank you, hummers! Have a great winter, wherever you are, and I look forward to seeing you again in the spring.

October 5, 2011 by Robert Hartig

Filed Under: Life, Michigan, Nature, Outdoors, Photography Tagged With: bird feeder, bird photography, hummingbird feeder, hummingbird photos, hummingbirds, Michigan birds, wild birds, wildlife photography

Evening of the Gentians

Welcome to September Land. It’s not a location you can pinpoint on any map, but it exists just the same. It’s a place of being; a juncture of time and mood; a coming-of-age of the summer when the sun’s lengthening rays gild the late-day hills, clown-colored maples stipple the forests, and yellow hues infiltrate the long, green rows of corn. September Land is where the year goes to receive its golden crown of wisdom; and where, as the hazy, blue sky of early autumn stretches, glowing, over meadows filled with asters and birdsong, you and I arrive to contemplate with nostalgia the months that lie behind us, and to quietly adjust our souls for the ones to come.

Now is the season of the gentians. Here in mid-September, they dot the wetlands with pointilistic splashes of purest blue, as if God had strewn pieces of sky like confetti over the fens.

I love the deep purple asters, the burnished goldenrods, and the bright, butter-yellow wild snapdragons. I’ve been a sucker for wildflowers ever since I can remember. But of all the autumn flowers, I like the gentians best. A number of species inhabit my state of Michigan, but the fringed gentian is the one I see most often, and the one I fell in love with as a boy roaming through the wetlands of southern Kent County.

The fringed gentian opens only in the sun. On bright days, it quietly unfurls its cerulean gown, and, like a shy young woman unaware of her own breathtaking beauty, captures the eye and heart of every beholder.

Among the many who, over the years, have been smitten by the gentian was the 19th-century poet William Cullen Bryant. Like me, he sought for words that could pay adequate tribute to the gentian’s loveliness, and set them down in his jewel-like poem, “To the Fringed Gentian”:

Thou blossom bright with autumn dew,
And coloured with the heaven’s own blue,
That openest when the quiet light
Succeeds the keen and frosty night.

Thou comest not when violets lean
O’er wandering brooks and springs unseen,
Or columbines, in purple dressed,
Nod o’er the ground-bird’s hidden nest.

Thou waitest late and com’st alone,
When woods are bare and birds are flown,
And frosts and shortening days portend
The aged year is near his end.

Then doth thy sweet and quiet eye
Look through its fringes to the sky,
Blue—blue—as if that sky let fall
A flower from its cerulean wall.

I would that thus, when I shall see
The hour of death draw near to me,
Hope, blossoming within my heart,
May look to heaven as I depart.

Here in Caledonia, Michigan, the woods of September Land are not bare nor are the birds yet flown. As I write, the hummingbirds still flit about the feeder out on my balcony. But frost has already visited counties to the north, and in these shortening days I, like Bryant, sense that “the aged year is near his end.”

Yesterday, Lisa and I enjoyed a spontaneous picnic out at Gun Lake State Park. With Labor Day behind us, the crowds of summer were gone and we had the park to ourselves. We sat at a picnic table, eating and talking and watching a great blue heron patrol the shoreline a stone’s throw away. Then, after strolling a bit through the southern tip of the park’s peninsula, we hopped into the car and headed back toward Caledonia. However, I had one stop-off to make in Middleville: a small but diverse prairie fen on the south end of the town.

While Lis drowsed off in the car, I hiked down the trail into the fen with my camera to photograph fringed gentians. With the sun waning and occasionally disappearing behind tufts of cumulus, many of the gentians had closed. But a few flowers remained open. I set up my tripod next to a likely looking cluster and began snapping photos. This page contains a few of them. Click on the images to enlarge them.

“Consider the lilies of the field, how they grow,” said Jesus. “They don’t work themselves to a frazzle, nor do they weave clothes for the wearing. Yet I tell you that even Solomon in all his splendor was not arrayed like these humble wildflowers.” (Matthew 6:28–29, my rendering.)

I suspect that if gentians had been at his disposal, Jesus would have pointed to them as his object lesson of the grace God bestows on quiet, lowly hearts that look to him. In these times of great national and worldwide distress, may you and I, like the gentians, learn to turn our heads upward with trust and a willingness to let God determine for us what life is truly about–and in so doing, find a peace rooted in something, in Someone, far more steadfast than the changing seasons of this world.

September 21, 2011 by Robert Hartig

Filed Under: Christian Spirituality & Inspiration, Life, Michigan, Nature, Outdoors, Photography Tagged With: autumn in the Great Lakes, autumn wildflowers, fall wildflowers, fringed gentian, gentiana crinita, gentiana procera, Gun Lake State Park, Michigan outdoors, Michigan wetlands, Michigan wildflowers, Middleville Fen, Middleville Michigan, native plants, prairie fen, wildflower photographs