Okay, I Lied

I admit it: I”m guilty. After that last post, in which I made it plain that my mind was made up, I was going to stay put and not, nix, nada, no way chase storms, I went anyway. The RUC 13 prediction of usable CAPE working its way up into Indiana was eating at me–that, and too many past experiences of watching the action spread northeast of the weather watch areas. All it took was another phone call from Bill to tip me over the edge.

We hooked up in Nappanee, Indiana, then blasted south. The big storms fired up to the southwest, as expected, and are presently dropping tornadoes down in Tennessee and Mississippi, and presumably in Arkansas and Kentucky as well. But the daylight is long gone, and we”re heading for Louisville for the night. The storms will almost certainly catch up with us there sometime later tonight, and we could be in for a rough ride. My radar will be up and running, that much is certain.

So much for iron resolve in the face of a high risk day. Pffffttt! Ah, well…it”s better than staring at the radar screen in my apartment with fried-egg eyeballs, tearing my hair out by the handful and wishing I”d gone.

Plans now consist of the following:

1. Check into hotel

2. Go to a restaurant for a good steak and brew

3. Head back to the hotel, flip on GR2 and GR3, and watch the storms move in

That approach works for me.

First High Risk Day of 2008

Aaaaah, nuts! I HATE missing a storm chase–and on the first high risk day of the year, no less. Problem is, the setup is more iffy for the area I can get to down in southern Indiana.

My chase partner, Bill, has a business meeting in northern Indiana, and we had talked about connecting in Nappanee afterwards. The guy who is with him would have used my car to get back home, and Bill and I would have taken off from there and overnighted in Louisville, Kentucky. But the big action is forecast to be well off to the southwest, down in Arkansas and the Missouri boot heel. Nothing in the forecast models has made me think there”s much hope for Indiana, at least during the daylight hours. Sketchy possibilities at best, and I have business to attend to and an appointment this afternoon. So I told Bill I needed to decline.

But now comes the latest RUC 13 run, which moves 500 CAPE farther north through Illinois and Indiana, not all that terribly far south of Indianapolis. Plus, the WRF radar simulation for later today shows a line of storms extending all along through that area–and forecast storm motions suggest that any storms which form, while clipping along at a decent rate, will still be chaseable, not fifty-mile-an-hour space shuttles. Moreover, I bear in mind that so often, these big systems have tended to propagate farther to the northeast than the Storm Prediction Center anticipated. All this to say, I can picture myself sitting at my computer later in the day, watching as vigorous supercells light up the radar south of Indianapolis and wishing like crazy I had gone.

Sigh. Well, sometimes ya just have to make the hard calls. I have a copywriting business to attend to, and a website I”m trying to optimize. If Bill and I could get to the high risk area, then the choice would have been a no-brainer. Faced with a borderline scenario, though, and the likeliness that any real action for Indiana won”t ramp up till after dark, I need to attend to other priorities and content myself with chasing from the armchair later today.

I have a feeling, though, that I”m gonna be one frustrated camper around five o”clock.

The Rhythm Comedians

I miss the Rhythm Comedians! Over two years have elapsed since our little unit disbanded. The time had come; it happens that way for many creative group efforts involving musicians. We cohere for a while, then move on to other interests, or simply move apart. So it was with the Comedians. Yet, looking back, I feel grateful for the time I spent with leader, composer, and drummer Ric Troll, bassist Dave DeVos, violinist Pat Foley, and guitarist Jeff Boughner.

Jeff passed on not many months after the band broke up. His death came as a complete shock. I had seen him not long before, on New Years Eve at a gig in downtown Grand Rapids. He looked fine then. But a few weeks later, poof. Cancer. Gone. Unbelievable. One can get another guitarist, but not another Jeff. With his creative spark and gentle, congenial personality gone, the rest of us who comprised the Rhythm Comedians are left with some wonderful memories, and, thankfully, Ric”s backlog of Rhythm Comedians jazz originals on his jukebox at his Tallmadge Mill website.

For me, the zenith of my time with the Comedians was our April Fool concert at the Urban Institute for Contemporary Arts (UICA). With the extraordinary Kurt Ellenberger joining us on piano, I consider that event the height of our playing. The nice turn-out of friends, family, and area jazz lovers made the evening all the more memorable. But concert aside, it was the music, the creativity, and the cameraderie that made the Rhythm Comedians one of my most rewarding musical experiences.

To all you guys–Ric, Dave, Pat, and yes, to you, Jeff–thanks.

Thunder in Dixie Alley

What is with this winter? Two January warm-ups with severe weather, followed by two major winter storms–and now, another warm-up poised for Monday and Tuesday, with some potentially significant activity in the South, possibly reaching as far north as Illinois, Indiana, and Ohio. My, life is interesting, at least if you”re a weather freak.

Without looking at the latest numerical models, just talking off the top of my head as I remember my last, quick glance at things last night, it looks like a vigorous trough will be swinging into the southern Great Plains, drawing up fifties dewpoints into northern Illinois and Indiana, with even better moisture in the Dixie alley. Nice, southerly surface winds veering to the southwest with height, respectable 0-6k vertical shear–there”s a weather event shapin” up, folks. I”m not a seasoned forecaster, but I can make sense out of the GFS and the WRF. And I see that the Storm Prediction Center (SPC) is seeing the same thing. They”ve got a nice, large area scoped out for Tuesday in their convective outlooks.

Chase weather? Mmm…maybe. I don”t like that the SPC is calling for a squall line. Evidently we”re looking at another vigorous cold front, same as last week, with large-scale, linear forcing. I can”t see making a lengthy road-trip for that kind of scenario. Still, the shear is good, and with enough low-level helicity, any storms that pop up ahead of the line could prove interesting. Of course, with decent backing winds, the potential will also exist for embedded supercells in the squall line, but we get our share of those in Michigan. I don”t much care for them. They”re hard to chase, and I”m sure not going to waste gas on them unless they come knocking on my back door–say, in Indiana.

We”ll see. Right now, I”m really just rambling. I”ll have a better idea of what”s going to happen come Monday evening. Meanwhile, the snow lies on the ground, more of it than anyone ever expected this winter. And winter is far from over, at least if Punxatawney Phil is a reliable prognosticator. Today is Groundhog Day, and ol” Phil didn”t see his shadow, so…we”re looking at still more snow following this next round of severe weather.

I did mention that life is interesting when you”re a weather freak, didn’t I?

Coltrane, Giant Steps, and the Blues

“Giant Steps” by John Coltrane.

Sooner or later, a sax player has to deal with it–that most lopsided, knuckle-busting of all digitally oriented tunes.

It’s a tough nut to crack, but it’s also a very rewarding one. The tune has a beautiful, geometrical logic to it. Practicing patterns to it comes easy, but breaking away from the patterns and doing something truly inventive in an improvisation is a challenge. You’ve really earned your saxophone merit badge when you can get around comfortably in “Giant Steps.”

Around ten years ago, I steeped myself in “Giant Steps” for a lengthy period, to the exclusion of just about everything else. My focused practice paid off: I got to where I could negotiate the changes with a fair degree of fluency and creativity at over 300 on the metronome. Not a bad achievement–but I forgot how to play the blues. I kid you not! You’d think all that technical work would bleed over into the rest of my playing, and I”m sure there were ways it did. But when it came to sounding pretty on a basic bebop blues, my fingers just didn’t seem to remember the territory. It was weird.

I can still get around “Giant Steps” today if I need to, but I’m pretty rusty at it. However, my blues playing sounds much more convincing. It”s a trade-off. If I had all the hours of the day to practice, I’d practice all hours of the day. But in this busy life, I do what I can. We can’t all be Coltrane. For that matter, none of us can. I’m content to listen to him, admire him, learn from him…and enjoy playing my horn.

Made for Dancing

I love to watch people dance, and I get to do a lot of that on my monthly gig at Westwood at the Crossing. Over the past few months, Westwood has hosted weekly, Sunday evening dance lessons. Afterwards, the Westwood features live entertainment for the dance crowd. Once a month, it”s the Rhythm Section Jazz Band. On our night to howl, we get the dancers up and shakin” it to a hefty dose of big band swing and Latin music. That kind of material is eminently danceable: Basie, Ellington, the Dorsey brothers…it”s the stuff swing dance evolved out of. We have fun playing it, and the dancers have fun dancing to it.

Jazz covers a lot of territory, and much of it was created as dance music. I”ve spent considerable time on the side of the bandstand where music is made, and I”ve always enjoyed watching how people respond to the music out on the dance floor. Some folks just shuffle, and that”s fine. Others are truly fabulous dancers, and they are a real treat to watch.

Of course, not all jazz is good to dance to, nor is it intended to be. During my visit with my friend Kathy Bavaar in D.C. last December, we took in a jazz dinner at the Smithsonian. The featured band was an Afro-Cuban bop band. It was a world-class group made up of absolutely monstrous players, but I defy you to dance to their music. It”s too complex. The cross rhythms create all kinds of interest, but they seem to intentionally obscure the downbeat.

This is by no means an objection. I marvel at music of that caliber, music which is at once intricate, challenging, emotional, and beautiful. It has its own sense of swing–but most people”s feet won”t find it. There are exceptions, I”m sure, but they are likely to come in the form of very seasoned dancers who have steeped themselves in the complexities of Latin rhythms.

Some jazz is made for dancing. Some is made for listening. All of it is made for enjoyment and public consumption. Whatever your preference–whether madcap Dixieland, fast-paced bop, tender ballads, or floating fusion–if it puts a smile on your face, it has done its job.

Tornadoes: A Global Warming Litmus Test?

This January has unquestionably been the strangest one I can remember, and I”ve experienced fifty-one of them. The month opened with a bang, with a tornado outbreak on the seventh. That was followed by a period of blizzards and bitter cold. Come tomorrow, another round of mid-forties temps and thunderstorms will be staring us in the hairy eyeball, with yet another blast of mid-teens Arctic air chasing hard on its heels. What a thermal roller-coaster!

Global warming, you say? Well, could be. But the problem with making such a quick assumption is, it ignores the fact that climate is simply a broad-scale averaging of anomalies. Extremes in the weather are, in a sense, the norm, and the uncommon isn”t all that unusual.

The twentieth century closed with the highest tornadic wind speeds ever recorded, clocked at over 300 miles per hour in the nightmare that rolled through Oklahoma City on May 3, 1999. And that tornado was just one in a devastating central Okalahoma outbreak.

n”Well, there you go,” you say. “More storms and stronger storms. Global warming.”

Not so fast, hoss.

The worst recorded tornado outbreak in modern history–the notorious Super Outbreak of April 3-4, 1974–was twenty-five years prior, long before global warming had been invented. With 148 tornadoes affecting thirteen states, and with an unmatched six tornadoes receiving an F5 rating, that event far outstrips the 1999 Oklahoma outbreak.

Okay, right–that”s still relatively recent history. Let”s go back considerably farther. On March 18, 1925, the Great Tri-State Tornado claimed 695 lives during its three-and-a-half-hour, 219-mile blitzkrieg across Missouri, Illinois, and Indiana. In terms of fatalities, longevity, and path length, as well as size, intensity, and forward speed, the Tri-State was a phenomenon among phenomena.

But can you draw inferences from such a storm regarding climate change? No more, I think, than you can from a 100-year flood. Such things simply happen.

Am I suggesting that global warming isn”t a real and present concern? Of course not; I think it”s pretty well established that we”ve got a problem on our hands. What I am saying is, a lot of factors go into creating weather events of any kind. Moreover, we are far more aware of whatever weather is occurring at any given time and location today than we were thirty years ago. Our warning technology has vastly improved. And our population has grown, meaning there are simply a whole lot more people around to notice the weather and feel its impact. The fact that your house got washed away by a storm surge doesn”t necessarily mean hurricanes have gotten worse; it means you built your house in a vulnerable location, just as multiplied thousands of people have been doing these past few decades, and the inevitable finally caught up with you.

I”m all for making balanced connections between storms and global temperature increases. But I”m not much of a fan for drawing snap, simplistic conclusions. Weather extremes of one sort or another occur just about every year. They”re not all that unusual. They”re just extremes. They were happening long before the polar ice cap went into meltdown. They”ll continue to happen. They are what they are–something to consider as parts of a much bigger picture. The picture is indeed an alarming one, but an alarmist perspective on isolated events neither explains nor solves anything.

Taking Time to Listen

Silence.

Space, a place to listen.

In all the programming that goes into what we call a church service, particularly in “praise and worship,” taking time to still ourselves enough to hear and respond to the Holy Spirit seems to be the one thing we haven”t fit into the schedule. Probably that”s because God”s voice–the real thing, not the spiritualized weirdnesses that often masquerade as it–is the one thing we can”t manufacture, and therefore, can”t program in.

But it”s also the one thing people, both Christians and those exploring Christianity, long for above all else. Not evangelical sing-alongs, no matter how talented the musicians. Not great preaching, no matter how gifted the preacher or relevant the message. These things are fine, but they can”t touch the heart”s deepest hunger. Only God can do that. Everything else is just a tool.

Tools are good when used right. But tools can be noisy–sometimes too noisy. We can become so fixated on our tools that we forget they”re just a means to an end. They can drown out the voice of the One we seek to encounter.

When I read through the book of 1 Corinthians, chapters twelve through fourteen, I”m struck by one thing: when those early believers came together, they expected God to show up as well. And they made room for him to have his way. While Paul was writing to correct some of the problems which arose from the human part of that equation, let”s not lose track of what those problems signify. The Holy Spirit is real. The question isn”t whether he”ll talk to us; it”s whether we”ll listen.

Are we willing to submit our carefully planned, thoughtfully timed worship order to God? What would happen if we started thinking of silence and listening as an integral part of our worship experience? What if we were to risk taking our corporate worship beyond just singing, clapping, and raising our hands–which in themselves can get pretty rote and mechanical–to points of encounter where we learn to “be still, and know that [the Lord is] God”?

Listening.

Learning to hear, truly hear, the voice and the heart of another person.

It”s one of the most relational things we can possibly do. It is critically important in our relationship with God. He himself is a great listener, but he has things to say as well. Giving him a little room to do so could transform our experience of what church is about. It could also move and refresh the hearts of non-Christians, as they encounter a gathering of believers that is neither mere religious entertainment on the one hand, nor a spiritual freak show on the other, but a setting of genuine communion, where people listen for and respond to the voice of Jesus with genuineness, gentleness, self-discernment, sobriety, humility, and love.

The Problem with Phil

Phil Woods–a problem? Who could have any problem at all with Phil?

I can, and here it is: the guy is too good!

If I didn’t know better, I’d swear he was blowing choruses on Donna Lee while still in his diapers. Of course, Woods paid some serious dues to play as beautifully as he does, but he seems to have been playing that way awfully early in the game. Here”s a black-and-white video clip of Phil from back in 1968.

He would have been…um, let’s see, born in 1931…okay, well, one can certainly be playing a lot of horn at age thirty-seven. I guess that much is obvious. And in Phil’s case, he evidently was playing outstandingly at least fourteen years earlier. His extensive discography goes back to 1954, two years before I was born. Phil had to have been darned good even then for a record company to pick him up at the tender age of twenty-three.

I guess that’s why he’s Phil Woods. Why he’s a jazz icon. Because he was a killer player back then and remains so today. He had the fire in him at an early age, he took it and ran with it, and he’s been running ever since.

And playing beautifully.

You got a problem with that?

Good Beer, Revisited

I never did make it to the Fletcher Street Brewery after my gig in Alpena last December. Not that I didn’t want to, not that I didn’t try, but I’m here to tell you that life has its ironies.

A few other band members seemed reasonably enthused about hitting the brewpub once we had packed up the equipment, so we wound up with a bit of an entourage cruising the streets of Alpena. Finding Fletcher Street Brewery was not much of a problem, but I had forgotten one small detail: the place doesn’t serve food.

No food!

What’s wit dat?

How can you serve beer without offering something in the way of edibles to take the edge off an appetite, not to mention off the alcohol?

Now, this lack of food didn”t bother me to the extent that I was prepared to give up on my prospects of a fine IPA. But everyone else was hungry. So off we went to a restaurant down the block for a meal, all ten or twelve of us.

The place we wound up at majored in high-decibel background noise and your usual American pilsners. Frankly, I would rather drink lizard pee than Miller’s, but at least Sam Adams was available in a bottle, and that”s what everyone ordered.

Everyone, that is, except me. Nothing against Sam Adams, mind you–it”s decent enough beer–but I was saving myself, you see. Fortified by visions of that mug of IPA at Fletcher’s, I wasn’t about to sacrifice either my stomach space or my sobriety on lesser brews. So I suffered beerlessly through my hamburger. It was hard. But my mind was focused on a higher cause.

An hour later, we headed back to our vehicles, spun down the side streets, and pulled into Fletcher’s parking lot.

The lot was empty.

Fletcher Street Brewery had closed five minutes before our arrival.

And that, my friend, is why my lip trembles and there is a tear in my eye as I write these words. If ever a man wanted a good beer that night, I was that man. If ever a man deserved a good beer that night, it was I. And yet, out of all our little coterie, I was the one–the only one–who didn”t get a beer. Not even a lousy Sam Adams. Still, tonight, nearly two months later, just thinking of this is causing me to relive the trauma.

Thankfully, I”ve got just the cure for the pain. There’s a sweet, fat growler of Hopnoxious IPA from the Walldorff sitting in the fridge. There’s a good, solid glass beer mug in my cupboard. As for the rest, well…you know the drill.