When you think of original voices on the alto saxophone, Lee Konitz inevitably comes to mind. A student of blind pianist Lenny Tristano, Konitz unites a limpid tone with fluid technique and a unique, uncliched melodic conception.
I find interviews with jazz musicians fascinating, and in previous posts I”ve included links to clips featuring both the playing and the personal insights of Sonny Rollins, Bill Evans, and Michael Brecker. Now joining them is this video segment from the television show The Subject Is Jazz featuring a young Lee Konitz and tenor compatriot Warne Marsh playing the tune “Subconscious-Lee,” followed by a brief but interesting interview with Konitz.
I’m struck by Konitz”s early tone–clear, pretty, and creamy. His sound has evolved quite a bit since then, and possesses an unmistakable, instantly recognizable signature quality. Melodically, note Konitz”s use of sequence, and his ease of interpolating unusual, more angular ideas into his lines. The tune, and both Konitz”s and Marsh”s playing, showcase fabulous technique masked by a cool, intellectual approach. Standing in the hot shadow of the boppers, Konitz offered a thoughtful and engaging alternative.
