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	<title> &#187; sax players</title>
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		<title>Sax Practice: A Chromatic Motif on the Cycle of Dominants</title>
		<link>http://stormhorn.com/wp/2010/03/27/sax-practice-a-chromatic-motif-on-the-cycle-of-dominants/</link>
		<comments>http://stormhorn.com/wp/2010/03/27/sax-practice-a-chromatic-motif-on-the-cycle-of-dominants/#comments</comments>
		<pubDate>Sat, 27 Mar 2010 16:41:45 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[Jazz]]></category>
		<category><![CDATA[Jazz Improvisation and Technique]]></category>
		<category><![CDATA[Music]]></category>
		<category><![CDATA[Saxophone]]></category>
		<category><![CDATA[blues solos]]></category>
		<category><![CDATA[chromatic motif on the cycle of dominants]]></category>
		<category><![CDATA[circle of fifths]]></category>
		<category><![CDATA[cycle of fifths]]></category>
		<category><![CDATA[dominant seventh chords]]></category>
		<category><![CDATA[fluency at voice-leading and switching keys]]></category>
		<category><![CDATA[jazz improvisers]]></category>
		<category><![CDATA[root movements by fifth]]></category>
		<category><![CDATA[sax players]]></category>
		<category><![CDATA[sax practice]]></category>
		<category><![CDATA[V7 chords]]></category>

		<guid isPermaLink="false">http://stormhorn.com/wp/?p=3459</guid>
		<description><![CDATA[If you want to develop fluency at voice-leading and switching keys, cycle exercises are mandatory and the cycle of fifths is supreme. Taking dominant patterns and licks around the cycle of fifths is a longstanding habit of mine. As with a lot of musical disciplines, at first I delayed, I kicked, I resisted tackling this [...]]]></description>
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		<title>Shifting Meters: Energize Your Solos with Implied Polyrhythms</title>
		<link>http://stormhorn.com/wp/2010/03/09/shifting-meters-energize-your-solos-with-implied-polyrhythms/</link>
		<comments>http://stormhorn.com/wp/2010/03/09/shifting-meters-energize-your-solos-with-implied-polyrhythms/#comments</comments>
		<pubDate>Wed, 10 Mar 2010 01:56:17 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[Jazz]]></category>
		<category><![CDATA[Jazz Improvisation and Technique]]></category>
		<category><![CDATA[Saxophone]]></category>
		<category><![CDATA[energize your solos]]></category>
		<category><![CDATA[implied polyrhythms]]></category>
		<category><![CDATA[jazz improv]]></category>
		<category><![CDATA[jazz soloists]]></category>
		<category><![CDATA[playing the sax]]></category>
		<category><![CDATA[pretty cool syncopation]]></category>
		<category><![CDATA[sax players]]></category>
		<category><![CDATA[sequence of fourths]]></category>
		<category><![CDATA[shifting meters]]></category>
		<category><![CDATA[spice up your improvised solos with rhythmic energy]]></category>
		<category><![CDATA[translating one meter into another]]></category>
		<category><![CDATA[triplet arpeggios on the augmented scale]]></category>
		<category><![CDATA[triplets and eighth notes]]></category>

		<guid isPermaLink="false">http://stormhorn.com/wp/?p=3249</guid>
		<description><![CDATA[Okay, sax players and jazz soloists, I haven&#8217;t forgotten you! I&#8217;ve been quite focused on the weather recently, but I&#8217;ve also been practicing my horn pretty industriously, and, in the words of the old pop classic, you were always on my mind. It&#8217;s high time I wrote a musical post. This one ought to give [...]]]></description>
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		<title>Exploring the Lydian Flat Seven Sound (or, Ruminations on a Flatted Fifth)</title>
		<link>http://stormhorn.com/wp/2009/10/31/exploring-the-lydian-flat-seven-sound-or-ruminations-on-a-flatted-fifth/</link>
		<comments>http://stormhorn.com/wp/2009/10/31/exploring-the-lydian-flat-seven-sound-or-ruminations-on-a-flatted-fifth/#comments</comments>
		<pubDate>Sat, 31 Oct 2009 20:24:33 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[Jazz]]></category>
		<category><![CDATA[Jazz Improvisation and Technique]]></category>
		<category><![CDATA[Music]]></category>
		<category><![CDATA[Saxophone]]></category>
		<category><![CDATA[Basie tenor man Jimmy Forrest]]></category>
		<category><![CDATA[Black Forrest]]></category>
		<category><![CDATA[flat five]]></category>
		<category><![CDATA[jazz improvisation]]></category>
		<category><![CDATA[jazz instrumentalists]]></category>
		<category><![CDATA[jazz saxophonists]]></category>
		<category><![CDATA[jazz theory]]></category>
		<category><![CDATA[lydian dominant]]></category>
		<category><![CDATA[lydian flat seven]]></category>
		<category><![CDATA[lydian sound]]></category>
		<category><![CDATA[major triad couplets]]></category>
		<category><![CDATA[mixolydian sharp four]]></category>
		<category><![CDATA[raised fourth scale degree]]></category>
		<category><![CDATA[sax players]]></category>
		<category><![CDATA[saxophone playing]]></category>
		<category><![CDATA[scale choice for dominant seventh chords]]></category>
		<category><![CDATA[triad superimposition]]></category>

		<guid isPermaLink="false">http://stormhorn.com/wp/?p=1941</guid>
		<description><![CDATA[Hey, there, fellow jazz saxophonists and other jazz instrumentalists, I haven&#8217;t forgotten you! Even as I&#8217;ve been blogging about the big, late-October weather system that has been blowing through the Great Lakes, I&#8217;ve been contemplating my next post for sax players. I hope you&#8217;ll find that what follows was worth waiting for. A riff from [...]]]></description>
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		<slash:comments>1</slash:comments>
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		<title>How to Master Circular Breathing on the Saxophone</title>
		<link>http://stormhorn.com/wp/2009/09/10/how-to-master-circular-breathing-on-the-saxophone/</link>
		<comments>http://stormhorn.com/wp/2009/09/10/how-to-master-circular-breathing-on-the-saxophone/#comments</comments>
		<pubDate>Fri, 11 Sep 2009 04:48:30 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[Band]]></category>
		<category><![CDATA[Christian Music]]></category>
		<category><![CDATA[Jazz]]></category>
		<category><![CDATA[Jazz Improvisation and Technique]]></category>
		<category><![CDATA[Music]]></category>
		<category><![CDATA[Saxophone]]></category>
		<category><![CDATA[circular breathe]]></category>
		<category><![CDATA[circular breathing]]></category>
		<category><![CDATA[circular breathing on the saxophone]]></category>
		<category><![CDATA[Kenny G]]></category>
		<category><![CDATA[sax]]></category>
		<category><![CDATA[sax players]]></category>
		<category><![CDATA[saxophonist]]></category>
		<category><![CDATA[soprano saxophone]]></category>
		<category><![CDATA[technique]]></category>

		<guid isPermaLink="false">http://stormhorn.com/wp/?p=1432</guid>
		<description><![CDATA[It has been so many years since I first learned how to circular breathe that I rarely give the matter a thought anymore. It occurs to me, though, that to many sax players, circular breathing remains a technique shrouded in mystery. There is, after all, something about it that appears almost miraculous. Most saxophonists would [...]]]></description>
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