Here are a couple of patterns I like to practice from time to time to limber up my ability to interpolate chromatic lines with common tones. The third exercise is one that I just thought of, and since I’ll be incorporating it into my saxophone practice sessions from now on, I thought I’d drop it into your lap as well. Click on the image to enlarge it.

The repeat signs don’t mean repeat just once; they mean repeat ad infinitum until the pattern is laying easily under your fingers. Then bump it up or down a half step and practice it in the new key. Repeat this process until you own the pattern in all twelve keys throughout the full range of your instrument.

While each pattern begins by outlining an A minor triad, it implies other harmonies as the chromatic line descends or ascends while the remaining tones remain static. I’ll leave it to you to figure out different practical applications.

You’ll find plenty more patterns, exercises, solo transcriptions, and articles of interest to jazz musicians on my jazz page.

Excuse me while I depart from the normal storm-, jazz-, and saxophone-related material on Stormhorn.com long enough to let off some steam. Sorry, but I’ve had it up to here with email spam, and I feel a profound need to vent if not outright vomit.

I have deleted, I have blocked, I have blacklisted, I have steadily added keywords to my spam filter, and still the unwanted sales messages pour in daily, relentlessly. They are tasteless. They are offensive. They are irritating as hell. And, at least where I’m concerned, they are worse than ineffective–that is, unless the goal of the unscrupulous marketers who send them is to infuriate me. In that, they’re succeeding. As for getting me to buy their products, never in a million years are they going to see a solitary farthing from me for their…

* Cheap Swiss Watches. Hey there, Spammer, why not just stand on a street corner in a rain coat with big interior pockets filled with your trashy fake Rolexes and hawk them to passers-by? That’s the time-honored way.

* Sex Products. Pardon my bluntness, Spammer, but you’re a lot more concerned about the size of my penis than I am, and if I felt otherwise, I wouldn’t come to you for help.  As for “sex pills,” what kind of vast quantities do you think I consume? Judging by the volume of email you send me daily, a dump truck ought to be pulling up to my place once a week and restocking my supply of your cheap Viagra through a coal chute. But if you want the truth, I’m not using your products at all, and I never will.

So stop calling me “User Bob” in your subject lines, because I’m not a user. And while you’re at it, “Friend Bob” doesn’t work with me either. I know you think that using my name and calling me “friend” is the Marketing Magic Button, but here’s a tip: Disingenuousness is never good marketing. I’m not your friend and you’re not my friend. You’re a sleazy, greedy, unprincipled, disrespectful purveyor of sham products that you’re marketing illegally, and if I knew of a way to shut you down, I’d do it in a heartbeat.

* College Degrees and Diplomas. Let me get this straight: I “deserve” a master’s or doctor’s degree and you’re the folks who are going to help me get one in just 6 weeks. Gosh, what a great idea. I’ll consider your offer of a cheap and easy graduate education once you learn how to write and spell on at least a 3rd-grade level.

* Cheap Software. Guess what? I can find my own cheap, not to mention free, software online without your help. I don’t need your cheap software. I don’t trust your cheap software. I don’t want your cheap software. And I’m not going to buy your cheap software. Take your cheap software and stick it in dark, sunless posterior accommodations.

I suppose it goes without saying (though I’m going to say it anyway) that I delete all such messages without opening them as soon as I see them. What amazes me is the sheer audacity of the folks who send them. We’re talking about an entire spam marketing industry that is premised on violating people’s communication boundaries, an industry that is all about peppering their unwilling database with an endless supply of unwanted sales messages. It’s the good old shotgun approach: If you shoot enough pellets, a few are bound to find their mark, and hang whoever else they hit.

The approach must work; otherwise, such an industry wouldn’t exist. But of course, spamming is illegal, and I marvel at the willful dehumanization that lies behind it. Spam filters are the modern counterpart of a “No Solicitors” sign to a vacuum cleaner salesman. In developing technology that enables them to slide over, under, and around those filters, spammers are saying, in effect, “Nuts to your sign, nuts to your closed door, and nuts to you. I’m coming in anyway!”

A Hoover salesman who tried to sneak in through a side window would deserve to have a shotgun stuffed in his face. Unfortunately, no virtual shotgun presently exists that can inspire spammers with a sudden ethical awakening.

Wouldn’t it be nice, though, if one did? Wouldn’t it be extraordinarily cool if someone would develop a spam filter that not only deleted the most sophisticated forms of spam, but that could also, at the user’s discretion, trace its way back to the sender and wipe out their entire database? Just a thought.

Hmmm…

Hey, there, Scouts, if one of you is looking for a project for your Hacking Merit Badge, have I got a fantastic idea for you!

I haven’t seen a storm like last night’s storm in Michigan in a long, long time. Man, what a beauty!

Non-stop lightning, much of it appearing to be positive strokes that lasted for seconds at a time, along with a veritable feast of anvil crawlers, made for a photographic smorgasbord. Plus, the storm structure–as much of it as I could make out at night, illuminated by the incessant lightning–was truly impressive. If only the storm had arrived an hour earlier, when there was enough light to really see the thing!

I had just finished doing a couple of interviews down in Dunlap, Indiana, for the book I’m writing on the 1965 Palm Sunday Tornadoes. My meetings required me to forgo chasing a supercell that moved through the Battle Creek area as the warm front lifted northward, and I was curious to find out what had happened with it. Pulling into a parking lot, I fired up my computer, opened GR3, and gaped. A line of supercells was advancing across Lake Michigan from Wisconsin. The first one in the line looked great–SRV showed definite rotation–and, headed on an ESE trajectory, the storm was poised to make landfall around Saugatuck. Winds there were almost straight easterly, and they were beautifully backed across most of lower Michigan. Hmmm…what did the VAD wind profile look like at Grand Rapids? Dang, sweet! How the heck did that kind of setup wind up in Michigan?

The storms weren’t moving terribly fast, around 25 knots. Could I make it in time? I was bloody well going to try. There was no denying the rush of adrenaline now galvanizing me, thrusting me into chase mode. I hit US 20 and headed west past South Bend, where the highway merged into US 31 north.

I still had a good 40 miles to go by the time I connected with I-196 near Benton Harbor. I wasn’t sure whether I’d catch the storm by the time it made landfall. Maybe I’d be better off playing more to the east. But I decided to take my chances, and that turned out to be the right move. I couldn’t have timed it better.

As I approached M-89, the eastern part of the storm had made landfall, but the radar showed the rotation still out over Lake Michigan. It wouldn’t be there for long, though, and, having shifted its trajectory south of Douglas, it was now heading straight at me.

Bingo! This was exactly what I’d been hoping for. Leaving the Interstate, I headed east along M-89 and found a nice, open field a mile down the road, just west of 66th Street, 4 miles south of Douglas and 4 miles west of Fennville. Then, turning my car around to face the incoming storm, I parked and grabbed my camera out of the back seat.

The lightning in this beast requires superlatives to describe it. There seemed to be a never-ending supply of high-voltage CGs, delivered with the unbridled, over-the-top enthusiasm of a 4th of July fireworks finale and accompanied by the incessant grumbling of thunder. There were times, as the lightning cells moved past me and surrounded me, when I felt like I was sitting inside an immense flashbulb–a flashbulb that kept firing again, and again, and again. Oh, man, what an extravaganza of pure, searing power and beauty! I’ve done my best to capture it, but my skills as a lightning photographer fall far short of what this storm had to offer. Now, my buddy Kurt Hulst, he’s Da Man when it comes to getting fantastic lightning shots, and I know he got some last night. Me, I seem to have a problem getting a good, crisp focus at night, but I try.

By and by, the flickerings began to illuminate a cloud feature I’d been looking for: a hint of a beavertail off to my northwest. It’s location confirmed what the radar was telling me: the storm’s mesocyclone was moving straight at me. I was in a perfect location–and all this time, standing out in the field near my car, I had yet to feel so much as a drop of rain.

The mosquitoes were thick and nasty, and I was getting eaten alive, but viewing at my position was excellent. Farther east, I’d be getting into thick woods, and since the storm wasn’t exactly rocketing along, I stayed put until the meso got too close for me to be able to distinguish its features. Then I moseyed east a few miles.

I parked again for a few minutes at 63rd Street and noted that what had begun as a stubby beavertail had rapidly grown into an enormous inflow stinger. To my northwest, I could see what appeared to be a large, low wall cloud–hard to determine exactly what it was or what it was doing at night, but it looked convincing enough that I called it in to KGRR.

I tracked just ahead of this storm all the way to Plainwell. M-89 proved to be a perfect route, angling southeast along roughly the same path that the storm was taking. On the outskirts of Allegan, I stopped long enough to grab a few radar images. On this page, you can see a nice vault on the base reflectivity, and pronounced rotation on the storm relative velocity. (The circle just southeast of the town center marks my location. Ignore the marker with my name farther to the southwest on SRV; it’s old, an archive from when I dropped off of Spotter Network.)

A little farther down the road, I pulled aside again where a large, open stretch afforded good viewing. The mesocyclone was clearly visible, with a formidable-looking flange on the north side, nice striations, and an impressive inflow band circling in overhead. I hung out at that location until the lightning drew too close for comfort, then hopped back into my car and continued east.

At Plainwell, I dropped south on US 131 past the Kalamazoo exit, caught M-43 west for a mile or so, then parked in a parking lot and let the storm’s southernmost edge blow past me. The storm was still tornado-warned, but the radar indicated that it was weakening–cloud tops lower, VIL not as robust. North of me, just on the other side of M-43, a sheet of rain cascaded out of the wind-blown darkness into the luminous orange domain of the street lamps. Within half a minute, it was upon me, and for a short while, I sat and enjoyed the blast of downdraft and deluge. The rain that I had managed to elude all night had finally caught up with me.

Finally, as the storm bowed out on its journey eastward, I drove back to US 131 and headed for home. I stopped again for a while at the Martin exit, long enough to see what would become of another supercell that was moving inland from the Lake. It, too, quickly bowed out, but, in keeping with the tone of the day, it lit the after-midnight sky with a bombardment of lightning.

It was good to finally pull into my parking lot, climb the stairs to my apartment, and step inside. It had been one heck of a day, and I was ready to call it a good one and hit the sack.

As nasty a storm as it was, why didn’t the Allegan County supercell drop tornadoes? The storm earlier in the afternoon had produced at least one tornado near the Battle Creek airport; why not this one too? After all, it and its compatriots had peppered Wisconsin with tornadoes prior to crossing the Lake and heading for West Michigan. All I can surmise is, CAPE was an issue. Winds certainly appeared favorable for tornadoes, and F5 mesoanalysis indicated 1 km helicities ranging from 150-250 across the area as late as 1:00 a.m. The RUC model sounding for KGRR maybe overdoes helicity, but it’s interesting to see what it says about instability. All I can think is that daytime CAPE–whatever it may have been; I never took the time to find out–petered out after sundown, and the shear alone wasn’t enough to spin up tornadoes. That’s my guess as a non-meteorologist, and I’m ready to get other insights and opinions from more knowledgeable heads than mine.

Whatever the case, last night’s was one heckuva storm, and the kind of chase I don’t get to enjoy too often in Michigan. It was nice to finally get such a great opportunity.

Even as my book “The Giant Steps Scratch Pad” nears completion–it now awaits only the cover, which is being designed by a graphic designer friend of mine–my other, more ambitious project is also moving along. That would be my book on the 1965 Palm Sunday Tornadoes.

With important (to me, at least) information in my hands and a key interview now completed, the latest delay has been purely my own making. But it’s about to end. This afternoon I head down to Elkhart, Indiana, to interview my first two tornado survivors, one a retired police officer and the other an emergency worker who helped with rescue operations at the Midway Trailer Court.

This is exactly the boot in the butt I need to get myself going on the next phase of the book: firsthand accounts of tornado survivors. In the months to come, I anticipate making trips to northern Indiana and southeast Michigan, not to mention places in my hometown area of Grand Rapids, in order to get people’s stories straight from the sources.

If anyone reading this post was directly involved in the tornadoes (that is, you got hit by one of the tornadoes or otherwise witnessed a tornado in action) or knows of someone who was whom you think I might want to interview, please leave a comment on this post or else contact me.

Also, if you know of photographs of the actual storms that aren’t already in common circulation, I’d be keenly interested in seeing them. I’m not talking about damage photos, nor am I talking about photos such as the twin funnels hitting Midway that are accessible online. Rather, I’m thinking of old, long-forgotten photographs that might be sitting in your dresser drawer that you or your Uncle Pete snapped with the old Brownie camera. That kind of picture.

This next part will take time to complete, but it should be easier overall than the first part, particularly the second chapter. More updates will follow when I have news that’s worth sharing.

Win a few, lose a few, the saying goes. Maybe so, but when it comes to chasing storms in Michigan, sometimes the losses seem just flat-out absurd.

Take this last Sunday, for instance. Kurt Hulst and I traveled over a hundred miles in order to intercept a storm down by Plainwell and track with it through the jungles of Allegan and Barry Counties, searching for a decent location for viewing. Meanwhile, a cell blew up just to our north and put down a tornado just four miles southwest of my apartment in Caledonia. If that isn’t a swift kick in the pratt with the steel-toed boot of irony, I don’t know what is.

True, it was a weak tornado; and true, it was probably rain-wrapped and hard to see; and true, it lasted only a minute or so, and catching it would have been pure serendipity. But still…just four freeking miles away… In the words of the inimitable Charlie Brown, “AAAUUUGGHHHHH!!!”

Sunday wasn’t the first time this kind of thing has happened to me, either. A few years ago, I was heading back north through Indiana, homeward bound from a futile chase, when my buddy Bill Oosterbaan called to inform me that a tornado had just passed through Caledonia. If I had been home, I could have stepped outside my sliding door and watched it blow through a couple blocks to my east. But no, that would have been too simple. I had to go gallivanting all over the countryside in search of what, in my absence, was delivered gift-wrapped to my backyard.

Chase storms for a while and you’ll find yourself collecting flukes, ironies, hindsights, and head-banging experiences like some people collect porcelain animals. It just goes with the territory, particularly if you live in the Great Lakes, where picking a chase target is nine times out of ten just an educated crapshoot.

Well, what the heck–at least Kurt and I saw a fairly impressive wall cloud east of Plainwell, out near West Gilkey Lake. We were too far away to confirm rotation, but the cloud was morphing rapidly, displaying obvious rapid motion. For a minute I thought it might even be putting down a tornado, but at our distance, we couldn’t make out enough details to know one way or the other. I called in a report to KGRR, then watched the storm fizzle and die shortly after.

Here one second, gone the next–that’s how it goes here in Michigan, supercell heaven of the Midwest.

Last November I posted an article on double tonguing on the saxophone, a technique I was just beginning to incorporate as a regular part of my practice sessions. Eight months have elapsed since then. I’d like to say that I’ve mastered double tonguing, but I’d be lying. I have, however, kept at it, and the gains, if slow, have nevertheless been significant.

This is a HARD technique to master! At least, it has been difficult for me. Maybe it has come easily to other saxophonists, but not to this one. By comparison, when I took up circular breathing years ago, I was quite comfortable with it within a few months. But double tonguing…well, the best thing I can do is to keep on keeping on with it, and to strive to apply it increasingly in my playing.

I have in fact gotten to the point where I’ve finally begun to use double tonguing when I’m playing out. It’s not a steady feature of my sax solos, just something that I experiment with.

But it’s in my practice sessions that I’ve been pushing myself, working on scales and licks using double tonguing. Does it sound polished? No. But it’s coming together, and at times it even sounds reasonably convincing.

As is true of any other musical challenge, repetition and perseverance are undoubtedly the key to mastering this technique. It’s a discipline, trying to get my tonguing to not only coincide with my fingerings, but also to make the results sound halfway musical rather than clunky. I seem to be able to handle about ten minutes of double tongue work, after which I move on. My patience is probably integrally tied to my tongue and embouchure’s endurance, and my philosophy is, work it and then leave it be.

At the time of this post, I’m capable of executing sixteenth notes at a tempo of around 135-140 mm. Not gracefully, to be sure, and not on the turn of a dime. I have to work into it. But that’s better than where I started.

Why am I even writing about this? Well, I’m not aware of anyone else who has actually chronicled their efforts to master this technique. If you’re working on it and it’s coming easily for you, then bully for you! But if you’re one who, like me, is finding double tonguing to be a real challenge to bring to a point of usefulness, then you might find it reassuring to know that you’re not the only one.  You might also take courage in hearing that improvements, while slow, do come.

Amid the fast flow of notes that so often characterizes a jazz solo, it’s good to add a little punctuation. Your listeners need it and so do you–a pause here, an accent there, something to break things up for the sake of creative interest. I probably should devote an entire article to the concept of space. In this post, however, I want to talk for a second about a more subtle form of musical punctuation: repeat notes.

I don’t know whether I’m using an actual technical term, but “repeat notes” is the handle I’m hanging on the concept I’m about to describe. It’s as simple a technique as you can imagine: you simply repeat a note in the midst of your flow of ideas. You may repeat it just once. You may repeat it several times for dramatic effect. You may choose to ghost the note or use an alternate fingering for effect. The point is, you’re momentarily bringing the jumble of tones to rest on a single pitch, and you’re working that pitch, spotlighting it, whether for a microsecond or for several bars.

Like many musical concepts, this one is easier to illustrate than to explain. So click on the image and take a look at the exercise I’ve included. It’ll give you a start on repeat notes. From there, the possibilities are limited only by your imagination.

By the way, the note heads with X’s are ghost notes. For whatever reason–probably because we’re talking about punctuating solos–it seemed appropriate to include a few of them in this exercise along with the repeat notes.

Look at this skew-T and hodograph and tell me they’re not to die for. They’re the 00Z NAM for tomorrow, 21Z, at Rochester, Minnesota. Click on the images to enlarge them. (Apologies for the weird pulldown menu obscuring parts of the images. I don’t know why that happened.)

Unfortunately, I can’t afford to chase tomorrow, but I have a hunch that those who do will be rewarded for their efforts. This particular sounding is just a sampler. I’m not sure what to think about that surface-based CAPE. It’s over 6,000 J/kg. If that even comes near to verifying, the western Great Lakes could be in for a convective blitzkrieg. The 1 km EHI is 5.9 and the 4 km VGP is .968.  Lifted index at -12.6–can that be right? I guess I kind of suspect readings like that–the instability seems just plain absurd.

Wish I could make it out there. Good luck to those who do, and stay safe. For a summer setup, this thing looks insane. I will be watching the radar tomorrow evening, that’s for sure.

You are reading what will likely prove to be the shortest post I’ve ever written on this blog. There’s no need for me to write a lot. I’m just going to redirect you to Neal Battaglia’s Sax Station website, where I came across a terrific YouTube video by Kirk Whalum. If you’re looking for some new practice ideas with which to challenge yourself and improve your saxophone technique, you have got to check this out!

One of the things I enjoy most is playing jazz with friends whose musicianship I respect and whose company I enjoy. Interpersonal dynamics make such a difference. The format does too. My preferred habitat is the small combo, which offers a maximum amount of spontaneity and creative interplay, and allows me to stretch out as a sax soloist.

All of what I’ve just described was the setting today out on the patio at the Boatwerks in Holland, Michigan. The musicians were Paul Sherwood on drums, Wright McCargar on keyboards, and Dave DeVos on bass–guys I’ve played with quite a bit over the past few years and whose abilities I trust.

This gig was my introduction to the Boatwerks, and it was a delightful one. The Boatwerks is situated on the south side of the channel that connects Lake Macatawa to Lake Michigan, across from Holland State Park. It is a lovely setting and today’s audience was an appreciative one. The only improvement I could have asked for would have been to dial down the temperature and dewpoints by about 10 degrees. Unfortunately the weather doesn’t take requests, and me being a sweaty kinda guy, my face quickly began perspiring like a sprinkler system. Kiss any images of being a cool jazz musicianly type good-bye!

That was just a minor detraction, though. This was the kind of gig I love to do: three hours in a beautiful location outdoors on the waterfront on a pleasant summer afternoon. I had really been looking forward  to it, and I was pleased with how my chops rose to the occasion. They’ve been feeling great lately. The practice I’ve been doing in the keys of F# and Eb seems to be paying dividends all across the board.

Between Paul and me, we did a few vocal numbers as well as instrumentals. I love to sing, and while it has taken me time to muster up the confidence to do so, it turns out that I’ve got a pretty decent voice. It was nice to be able to sing “Days of Wine and Roses” and “My Funny Valentine” and then follow up the lyrics with a sax solo.

The Boatwerks is a great place and I hope we’ll get an opportunity to play there again soon.