Some New Audio Clips for Your Listening Pleasure

Last Monday I got together with Ric Troll (guitar), Dave DeVos (bass), and Randy Marsh (drums), and we rehearsed a few of Ric’s original tunes in his studio, Tallmadge Mill. These guys are wonderful jazz musicians, and Ric is a composer of long standing. His music can be chewy stuff to work through, but this last session the tunes started to gel and we got some pretty nice grooves going.

Ric recorded the whole session, so I’m able to share some sample tracks with you. What you’ll hear are the tunes in rough, but there’s some very nice playing going on.

The New Hip is a basic 12-bar blues, but Ric’s head suggests a soloing approach different from your standard bebop. Attempting to free myself from cliches, I incorporated a more angular style.

The Urge is a fun tune with a high-energy A section and a swinging, cooler-sounding bridge that offers a lovely contrast.

Orcs has been the most challenging number, with it’s polymetric approach and shift to 7/4. It is coming together, though, and will be one heck of a tune once we’ve nailed down the form and the feel. Listen to Randy–the guy just tears it up on the set! Here’s a second take for all you double-dippers.

If you like what you hear, check out my Jazz Page for more sound samples as well as solo transcriptions, articles, and exercises of interest to improvising musicians.

Recording Session with Ric Troll and Dave DeVos

This afternoon was a great time in the studio with my friends Ric Troll and Dave DeVos. Ric’s recording studio, Tallmadge Mill, is a topnotch home studio. Some years ago, Ric and I used it to record Eyes on Mars, a CD of free jazz and experimental music featuring drums and saxophone. Now another project is on the griddle, this time with the very welcome addition of Dave on bass.

After warming up with “Big Foot,” a Charlie Parker blues, the three of us launched into a broad variety of original tunes, some with written heads and changes by Ric, and others that were simply concepts and musical games which maximized listening and empathic, responsive improvisation. What a privilege to make music with two such high-caliber musicians–guys who enjoy exploring far beyond the American Songbook, and who possess the imagination and technical finesse to turn such experimentation into a genuinely musical experience.

More recording lies in store. I’m not sure just how much, but I’ll keep you posted as things develop. At some point, I should also have a few audio clips to share with you, so stay tuned to this blog for updates.