A Fun Friday Gig at Saint Cecilia Music Society

It’s nights like last night that remind me how much I LOVE to play the saxophone! There’s nothing like a small combo of good players to bring out the best in me. Hopefully I help bring out the best in them, too, but in any case, the guys Friday evening brought me into my Zone.

The gig belonged to drummer Brad Dawson, and the event was his sister’s wedding reception. Brad is a superb all-around musician whom I had a chance to play with briefly before he moved to California well over ten years ago. He was a 17-year-old kid back then, but already he was playing a whole lot of drums and immersing himself deeply in jazz. He’s been back in town for while now, and tonight we finally got a chance to make some decent music together.

As for the rest of the musicians, Bob Van Stee played piano and Matt Herradia laid the bass foundation. Joining me on the front line was a flugelhorn/trumpet player whose name, I regret to say, escapes me. I wish I had his card, because he played very nicely. I  liked his use of space, particularly because my own approach tends to be an aggressive, hard bop style. It’s a pleasure when another player’s concept provides enough contrast from my own that it makes me think and gives me ideas.

The setting was the second floor ballroom in the Saint Cecilia Music Society building in downtown Grand Rapids. It’s a wonderful place for company parties and wedding receptions, and with two Steinway grand pianos on its stage, you’d think it would also be a great room to play in. But the acoustics are such that the sound seems to evaporate immediately after it leaves the musicians’ instruments. I had to really listen in order to hear Bob on the piano, and Matt’s bass came across as an indistinct thumping, though he was only six or seven feet behind me.

For all that, it was a very enjoyable evening playing straight-ahead jazz. Other than Brad, the musicians are guys I haven’t played with before, though I’ve known about Bob VanStee for years. I love that kind of situation. There’s something about jazz that connects people who previously were strangers. You can tell when a person has paid his or her dues, and you sense an unspoken camaraderie, a mutual appreciation. You hear different ideas, new ways of doing things, and you learn from them.

And of course, getting paid is always nice!

A Fun Gig at the Boatwerks

One of the things I enjoy most is playing jazz with friends whose musicianship I respect and whose company I enjoy. Interpersonal dynamics make such a difference. The format does too. My preferred habitat is the small combo, which offers a maximum amount of spontaneity and creative interplay, and allows me to stretch out as a sax soloist.

All of what I’ve just described was the setting today out on the patio at the Boatwerks in Holland, Michigan. The musicians were Paul Sherwood on drums, Wright McCargar on keyboards, and Dave DeVos on bass–guys I’ve played with quite a bit over the past few years and whose abilities I trust.

This gig was my introduction to the Boatwerks, and it was a delightful one. The Boatwerks is situated on the south side of the channel that connects Lake Macatawa to Lake Michigan, across from Holland State Park. It is a lovely setting and today’s audience was an appreciative one. The only improvement I could have asked for would have been to dial down the temperature and dewpoints by about 10 degrees. Unfortunately the weather doesn’t take requests, and me being a sweaty kinda guy, my face quickly began perspiring like a sprinkler system. Kiss any images of being a cool jazz musicianly type good-bye!

That was just a minor detraction, though. This was the kind of gig I love to do: three hours in a beautiful location outdoors on the waterfront on a pleasant summer afternoon. I had really been looking forward  to it, and I was pleased with how my chops rose to the occasion. They’ve been feeling great lately. The practice I’ve been doing in the keys of F# and Eb seems to be paying dividends all across the board.

Between Paul and me, we did a few vocal numbers as well as instrumentals. I love to sing, and while it has taken me time to muster up the confidence to do so, it turns out that I’ve got a pretty decent voice. It was nice to be able to sing “Days of Wine and Roses” and “My Funny Valentine” and then follow up the lyrics with a sax solo.

The Boatwerks is a great place and I hope we’ll get an opportunity to play there again soon.