Black Friday Quickie Update

It’s the day after Thanksgiving, and weatherwise, all I can say about the storm system I wrote about a couple days ago is, eh. Looks like a yawn to me. Heck, it’s November. Not much more to comment about there.

I’m gazing out the window at a gorgeous afternoon here in Caledonia, and in a couple minutes, I’m going to step out to enjoy it. Looks like this will be my last opportunity for a while, maybe quite a while. Tomorrow the rain sets in, and Sunday the temperatures drop. Snow is entering the forecast for this coming week. But today at least is golden.

Ben Holcomb is in town, so around 5:30 I’m heading downtown to get with him, Bill, Tom, and whoever else of the Michigan Storm Chasers Contingent decides to show up at The Tavern on the Square. After that, the guys are going to the Griffins game, but I’ll be passing on that.

Musically, I’ve begun transcribing a Richie Cole solo on the Charlie Parker tune “Confirmation.” For some reason, lately I’ve gotten it into my head that I’m going to nail down this tune once and for all, definitively, and there’s no better way to facilitate the process than transcribing the solo of someone who knows it inside-out. Cole is a monster bebop alto player who burns through Bird changes using the full range of his horn, from low Bb up to an altissimo note that I have yet to identify, a note so high it sounds like a mosquito singing in falsetto.

So there you have it. While the rest of America is bashing its brains out at the Black Friday sales, I’ll be enjoying the sunshine and congratulating myself for staying as far away from the stores as possible. Cheerio!

Sonny Stitt “Au Privave” Solo Transcription for Alto Sax

Sonny Stitt. Just in case you forgot how bad he really was, there’s a CD out there titled…

Sonny Stitt: Just in Case You Forgot How Bad He Really Was.

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With an all-star lineup of guest musicians including fellow saxophonists Richie Cole and John Handy, the CD, published by 32 Jazz, is a Stitt tour de force featuring the American songbook and classic bebop.

Among the selections is the Parker tune “Au Privave.” Like Bird and virtually all of the other great boppers and jazz musicians before, during, and after him, Stitt was steeped in the blues. “Au Privave” features Stitt blowing several headlong, muscular choruses, demonstrating exactly what an alto player of his caliber is capable of doing with the old, familiar twelve-bar form.

I thought you might enjoy letting your fingers travel the same patterns as Sonny’s did on his “Au Privave” solo. So here for your enjoyment and edification is my transcription of the first three choruses. Please forgive the sizing disparity between the two sheet music copies. I haven’t yet gotten image reproduction down to a fine science. But it’s Sonny’s inventiveness that is the focus, and I trust that will survive even my mutilations.

Sonny Stitt solo on Au Privave

Sonny Stitt, Au Privave p. 2