C Edition of “The Giant Steps Scratch Pad” Is Now Available

I’m pleased to announce that “The Giant Steps Scratch Pad, C Edition” is now published and available for purchase on Lulu.com. If you play the flute, piano, guitar, or any other concert pitch instrument and want a practice companion to help you master Coltrane changes, then this collection of 155 licks and patterns is for you!

Besides the new C edition, “The Giant Steps Scratch Pad” is also available in Bb and Eb editions. A bass clef edition is next in line. I’m not sure what kind of editing it will require, since the shift is to a different clef rather than a different key. I’m hoping that the process will be a simple one and I’ll be able to release the bass clef edition soon.

If you want to learn more details on what the book has to offer, read the initial release notice for the Eb edition. The description applies to all the editions, which are identical except for the keys in which the musical material is written.

At the risk of sounding immodest, I’m not aware of any other resource, either in print or online, that offers such extensive practice material for the Giant Steps cycle. You can find plenty of information on the theory of Coltrane changes, but it has been a different story when it comes to a hands-on, made-to-be-played book that jazz musicians can take with them to the woodshed. “The Giant Steps Scratch Pad” fills that gap. If you want to solo confidently and creatively over the challenging, lopsided changes of “Giant Steps,” then pick the edition that’s right for you and order your copy today!

A Fun Friday Gig at Saint Cecilia Music Society

It’s nights like last night that remind me how much I LOVE to play the saxophone! There’s nothing like a small combo of good players to bring out the best in me. Hopefully I help bring out the best in them, too, but in any case, the guys Friday evening brought me into my Zone.

The gig belonged to drummer Brad Dawson, and the event was his sister’s wedding reception. Brad is a superb all-around musician whom I had a chance to play with briefly before he moved to California well over ten years ago. He was a 17-year-old kid back then, but already he was playing a whole lot of drums and immersing himself deeply in jazz. He’s been back in town for while now, and tonight we finally got a chance to make some decent music together.

As for the rest of the musicians, Bob Van Stee played piano and Matt Herradia laid the bass foundation. Joining me on the front line was a flugelhorn/trumpet player whose name, I regret to say, escapes me. I wish I had his card, because he played very nicely. I  liked his use of space, particularly because my own approach tends to be an aggressive, hard bop style. It’s a pleasure when another player’s concept provides enough contrast from my own that it makes me think and gives me ideas.

The setting was the second floor ballroom in the Saint Cecilia Music Society building in downtown Grand Rapids. It’s a wonderful place for company parties and wedding receptions, and with two Steinway grand pianos on its stage, you’d think it would also be a great room to play in. But the acoustics are such that the sound seems to evaporate immediately after it leaves the musicians’ instruments. I had to really listen in order to hear Bob on the piano, and Matt’s bass came across as an indistinct thumping, though he was only six or seven feet behind me.

For all that, it was a very enjoyable evening playing straight-ahead jazz. Other than Brad, the musicians are guys I haven’t played with before, though I’ve known about Bob VanStee for years. I love that kind of situation. There’s something about jazz that connects people who previously were strangers. You can tell when a person has paid his or her dues, and you sense an unspoken camaraderie, a mutual appreciation. You hear different ideas, new ways of doing things, and you learn from them.

And of course, getting paid is always nice!

Update on “The Giant Steps Scratch Pad”

“If something’s worth doing, then it’s worth doing right.”

Hear, hear! I agree with that old axiom. But doing something right often takes longer than we expected when we first got our project underway. In the case of “The Giant Steps Scratch Pad”–my book of licks and patterns for Coltrane changes–it has been taking considerably longer. So I thought I’d share another update for those of you who are interested. Here’s the status of the project and my plans for it:

* After many a headache and blind alley, the music and text files for the Eb edition are now merged into a single document and the interior of the book is ready to go.

* Registration for copyright has been filed at the U. S. Copyright Office.

* Rather than use one of the templates at Lulu.com, I’ve decided to have the cover professionally done by a friend of mine who specializes in graphic design for book and CD covers. I meet with him next week. This should be the last big task (knock on wood).

* Once the cover is completed, the Eb edition will be ready for publication through Lulu.com. At that point, I’ll just need to set up a store account and make the book available.

* Bb, C, and bass clef editions will follow once the Eb edition is published. So tenor sax, trumpet, piano, flute, trombone, and bass players, never fear! I’ve definitely got you on the radar. It just makes sense, from my standpoint, to publish the material as I initially wrote it first, so I can at least get alto sax player like me underway.

That’s it for now. When there’s more to tell, I’ll let you know, so stay dialed in.

“Clair from the Moon” by Joseph Raciti

I received a link to a video clip along with the following email today from a musician named Joseph Raciti:

I had a sneaking suspicion that this little short might interest you and the readers of your blog for its jazzy spin on Debussy’s “Clair De Lune” and the windy conditions the main character is in.

I checked out Joseph’s clip, and I agree with him. Joe has put together a jewel-like little piece of creativity with some very cool jazz piano playing.  Naturally, I got curious about Joseph’s blog overall. I was not disappointed. It’s clearly the product of an artistic mind–well-written, colorful, and studded with other video vignettes similar in spirit to the one he’s shared here.

Update: Joe’s blog evidently has been taken down since I wrote this post. Unfortunate. I’m removing him from my blogroll, but I wish him well on his further creative ventures.