One for Daddy-O: A Cannonball Adderley Solo Transcription

If you're an alto saxophonist, at some point you're going to have to go through Cannonball Adderley just as surely as you've got to deal with Charlie Parker. Cannon's buttery tone, prodigious technique, and ability to consistently and flawlessly deliver solos of pristine inventiveness make him a foundation stone of jazz saxophone.

The transcription on this page showcases Cannon playing on "One for Daddy-O," a Bb minor blues with a head written by his brother, trumpeter Nat Adderley. The feel is a cool, casual shuffle, with no one in any hurry to get anywhere. Even as Cannon cooks with passion and dexterity for four bars in double-time, he somehow manages to convey a laid-back mood that makes it sound as if he's lying in a hammock and will return to sipping his iced tea as soon as he's finished.

"One for Daddy-O" is one of the tunes in the classic Adderley quintet album Something Else. When you give the CD a listen, check out the call-and-response between horns and piano in the head. Points of interest in Cannon's solo include: • Use of the G and D Phrygian dominant scales (mode five of the harmonic minor scale)--ex. bar 6, or the fourth bar into the first full 12-bar form; and bars 28 and 36, or the second and tenth bars of the third chorus.

• Rhythmic variety within an overall 16th-note double-time framework. There are places in this solo where you can hear Cannonball stretching the time like taffy, now speeding up, now slowing down, yet never failing to convey a sense of the underlying pulse. The only thing Cannon doesn't do with time is lose it, even for an instant. It has been a challenge for me to try to capture in notation what he's doing in some spots!

• Recurrent ideas--motifs, if you wish--that help to unify the solo. The walkdown to low Bb in bar 4 is a good example; you'll find variations of it reiterated throughout the solo.

But enough of me talking. Time to get on to the solo. Click on the images on this page to enlarge them. And if you'd like to view more solo transcriptions as well as articles, video tutorials, and technical exercises, you'll find them here.

I should add that I'm still not certain I've properly captured the rhythm of the very last two or three bars where Cannon winds things up. If it's not spot-on, it's close, and further listening will tell me whether I need to tweak that section or leave it be. Either way, I'll remove this last paragraph once that final snippet is taken care of.  Everything else checks out. Have fun with it!

Saxopedia: Introducing a New Saxophone Website

A few days ago I received a note from Italian saxophonist Gianfranco Balena informing me of his new website, Saxopedia. Having checked it out, I'm taking a moment to recommend that you do the same if you're a saxophonist--or, for that matter, if you're a jazz instrumentalist of any denomination. Saxopedia is clearly a labor of love on the part of Mr. Balena, and it looks to be a site that will be regularly updated. Of particular interest is the index of jazz solos. Featuring links to over 1,000 free solo transcriptions that cover a huge array of well-known saxophonists, this is as exhaustive a compendium of solos for memorization and study as you'll ever find. It's a terrific resource, and you owe yourself a visit. Once you've been there, I'm betting you'll return for more. I will, that's certain.

Jazz Sax Friday at The Seasonal Grille

With the advent of storm season, I've been so preoccupied with severe weather that I've let my jazz saxophone posts slide. But the jazz musician in me is still very much alive, and I'll be kicking out the jams this Friday evening in downtown Hastings. Did I mention that besides playing the sax, I've added vocals to my tool kit? Yes, I can sing! And having finally gathered the courage to do so, I'm finding that people like my voice. The Seasonal Grille is the venue. I've played there once before. It's a wonderful new restaurant, all ambience, featuring gourmet Italian food impeccably prepared by Justin Straube, the owner and head chef, at prices that are almost ridiculously affordable. Really, it's one of the best dining deals you'll find in these parts, and the setting is enhanced by a beautiful bar. I'll be playing there from 6:00–9:00 p.m. with West Michigan keyboard veteran Bob "Gus" VanStee, so you can pleasure not only your taste buds but your ears as well. I might add that Bob and I will be fitting into the larger tapestry of the annual Hastings Jazz Festival. It's a weekend of urban music in an unexpected and very cool small-town setting. I love how this modestly sized community halfway between Grand Rapids and Battle Creek has embraced the American art form known as jazz! Kudos to Justin for supporting the music at his restaurant. It's a perfect fit. The Seasonal Grille is the kind of place that's tailor made for live jazz. So ink this Friday into your planner. Here are the details:
The Seasonal Grille 150 W State St, Hastings, MI 49058 Friday, April 15 6:00–9:00 p.m. (269) 948-9222