Francesca and Friends at Grand Rapids Festival of the Arts

Next weekend the annual Grand Rapids Festival of the Arts will draw several hundred thousand people from Friday evening through Sunday afternoon. The festival, now over thirty years old, is one of West Michigan’s most popular springtime events–an amalgam of literature, art, dance, music, and ethnic food, with the operative word being variety.

On Saturday, June 6, I will be playing sax with Francesca and Friends on the Calder Stage from 3:15 to 4:00 p.m. If you follow this blog, then you’re familiar with Francesca Amari. She’s a stellar performer who covers the spectrum from jazz standards to pop to show tunes, and a lovely friend. It’s always a pleasure and privilege to share the stage with her as a side man, and it will be very cool to have the band featured on the festival’s main stage.

Obviously, I want to be in prime playing shape. I hope to spend some serious time this week practicing my horn after having been away from it for several weeks. A truly nasty bronchitis put me out of commission, and I’m still suffering from an irritating dry cough that feels as if a little gremlin were sitting inside me, tickling my lungs with a feather. The doc finally prescribed an inhaler for me Thursday to help me get past this thing, and I’ve spent some time getting reacquainted with my saxophone. Feels so good!

While time away from the woodshed unquestionably has a deleterious effect on one’s technique, I’ve found that it often frees up creativity. I don’t know why this is–I just know that it’s not a bad thing to take a break from my horn every now and then. I lose something, but I also gain something. And I’m not the only musician who has experienced this phenomenon.

Anyway, I’m back to my patterns, scales, licks, and interval studies. It’s nice to hit them afresh. What’s already there comes back quickly, and it has the advantage of feeling new.

But about the festival. Come on out and get an earful of Francesca and Friends, not to mention the many other sights, sounds, and savory tastes of Festival 2009. It’s a great way to spend a June afternoon in West Michigan.

The Bob Hartig Quartet Plays the Thornapple Jazz Festival

This past weekend I had the pleasure of fronting my own jazz quartet for two consecutive days as a part of the Thornapple Jazz Festival. Now in its sixth year, the festival has begun to expand its reach beyond Hastings to other, outlying communities in Barry County. This year included Delton and Middleville.

Thus, on Friday the lads and I took the stage at the MidVilla Inn on M-37 just north of Middleville. The turnout was modest, but not at all bad for a small town that isn’t known as a hotbed of jazz. As for a rhythm section, I couldn’t have asked for better players. Ric Troll is one of the tastiest drummers and all-around musicians I know, with tremendous musical sensitivity. Dave DeVos is a seasoned and solid bassist who, like me, has a relentless thirst to grow in the mastery of his instrument. And keyboard man Paul Lesinski is nothing short of fabulous, a player of great inventiveness and the technical excellence to pull off anything his fertile mind conceives.

Together, these guys are my musical dream team. They made it easy for me to pull off my allotted two sets with the kind of energy and spontaneity that are the soul of jazz. If all it takes is one bad player to make a good band sound lame, it’s also true that a great band can boot a decent soloist up to the next level. It takes a certain baseline of aptitude and experience for that to happen, but once you achieve that level, then players the caliber of Ric, Dave, and Paul can lift you out of the ordinary and inspire you to stretch, to push beyond your normal, self-imposed limits and explore new musical territory. That, at least, has been my experience as a jazz saxophonist.

I was very pleased with our performance at the Mid Villa, and again Saturday night at the Waldorf in downtown Hastings. The Waldorf is one of my favorite restaurants, with out-of-this world cooking and absolutely stellar, award-winning microbrews, and I’ve wanted to bring a straight-ahead jazz combo there for a long time. Mike, the owner, finally booked my quartet for the dinner crowd from 6:30-8:30, and we got our chance.

Our song list ran the spectrum from bebop to ballads to Latin to jazz/rock, and included such tunes as “Anthropology,” “Footprints,” “Triste,” “Stolen Moments,” “Have You Met Miss Jones?” and “Song for My Father.” We even played one of my own originals, a Latin-flavored ballad that I wrote several years ago called “Tracy” in honor of a love lost but fondly remembered.

It was a joy to participate in the Sixth Annual Thornapple Jazz Festival, and an honor to be invited by the event’s driving force and musical manager, my friend Joe LaJoye. Joe, if you happen to read this post, thank you! The guys and I had a blast. Maybe next time around you’ll be able to take a breather from all the responsibilities of “makin’ it happen” long enough to sit in with your trumpet for a tune or two, eh?