Finding Jazz in the World Around Us

My sweet lady, Lisa, and I took a trip to Meijer Gardens earlier this week. Today, sifting through the photos I took as our tram ride wound along the curvy path through the world-class outdoor sculpture garden, and afterward as we strolled through the remarkable plantings in the children’s garden, I’m struck–as I often am–at how the elements of music are woven into the very fabric of our world.

Jazz is all around us. Form, space, unity, diversity, rhythm, dynamics, improvisation, color, texture, contrast, creativity–whether in music, nature, speech, literature, art, human relationships, or above all, our relationship with God, you’ll find the same qualities working together to create beauty and interest.

Consider the qualities of space and contrast. In a jazz solo, the notes you don’t play are as important as the ones you do. Too much clutter, too many notes in endless procession, ceases to communicate. As in writing and conversation, well-placed punctuation–held notes, brief pauses, and longer rests–helps to shape musical ideas and gives them breathing room. Yet the furious density of artfully placed double-time passages creates another form of color. Both space and density can be overdone; it’s the contrast between the two that helps raise a solo from the doldrums to vitality.

The massive red iron piece titled “Aria” is a great visual representation of the interrelationship between music and art. The piece has a rhythm to it, shape, space, contrast–all the aspects of a well-crafted jazz improvisation.

Aria: like a jazz solo cast in metal.

Aria: like a jazz solo cast in metal.

Here are a few more images from the sculpture garden and children’s garden that remind me of music and jazz.

What musical elements can you detect? Space? Sequence? Color? Dynamics?

What musical elements can you detect? Space? Sequence? Color? Dynamics?

This landscape sculpture creates unity out of contrast and serenity out of movement.

This landscape sculpture creates unity out of contrast and serenity out of movement.

If only I could play a solo as creative, spontaneous, and cohesive as this!

If only I could play a solo as creative, spontaneous, and cohesive as this!

Lisa: the beautiful song God has brought to my life!

Lisa: the beautiful song God has brought to my life!

Francesca and Friends at Grand Rapids Festival of the Arts

Next weekend the annual Grand Rapids Festival of the Arts will draw several hundred thousand people from Friday evening through Sunday afternoon. The festival, now over thirty years old, is one of West Michigan’s most popular springtime events–an amalgam of literature, art, dance, music, and ethnic food, with the operative word being variety.

On Saturday, June 6, I will be playing sax with Francesca and Friends on the Calder Stage from 3:15 to 4:00 p.m. If you follow this blog, then you’re familiar with Francesca Amari. She’s a stellar performer who covers the spectrum from jazz standards to pop to show tunes, and a lovely friend. It’s always a pleasure and privilege to share the stage with her as a side man, and it will be very cool to have the band featured on the festival’s main stage.

Obviously, I want to be in prime playing shape. I hope to spend some serious time this week practicing my horn after having been away from it for several weeks. A truly nasty bronchitis put me out of commission, and I’m still suffering from an irritating dry cough that feels as if a little gremlin were sitting inside me, tickling my lungs with a feather. The doc finally prescribed an inhaler for me Thursday to help me get past this thing, and I’ve spent some time getting reacquainted with my saxophone. Feels so good!

While time away from the woodshed unquestionably has a deleterious effect on one’s technique, I’ve found that it often frees up creativity. I don’t know why this is–I just know that it’s not a bad thing to take a break from my horn every now and then. I lose something, but I also gain something. And I’m not the only musician who has experienced this phenomenon.

Anyway, I’m back to my patterns, scales, licks, and interval studies. It’s nice to hit them afresh. What’s already there comes back quickly, and it has the advantage of feeling new.

But about the festival. Come on out and get an earful of Francesca and Friends, not to mention the many other sights, sounds, and savory tastes of Festival 2009. It’s a great way to spend a June afternoon in West Michigan.