Archives for November 25, 2008

One of the most widely respected alternative voices in jazz has been that of alto saxophonist, violinist, and trumpeter Ornette Coleman. Eschewing the rigidity of popular song forms, Coleman has explored a freer format that allows for maximum expression of melodic ideas unhindered by harmonic constraints and standard-length phrases. His unorthodox, “harmolodic” approach fits under the avante-garde or free jazz umbrella. You don”t have to listen to Ornette long, though, to detect roots in the blues and a consistent use of organizational material such as motifs and sequences.\r\n\r\nI confess that when it comes to Coleman, I”m better off keeping my words few rather than betraying my ignorance. Instead, I offer this 1987 video of Coleman in Spain. His combo consists of long-time associates Don Cherry on pocket trumpet, Charlie Haden on bass, and Billy Higgins playing drums.\r\n\r\nOrnette”s style has been viewed as everything from jive to genius. He may or may not be your cup of tea, but he deserves a listen. There”s no question that the man has spent time on his horn. He has chops. He just has different chops that have arisen from, and led him in, a different direction. Is the result musical? Depends on what you like. Original? Unquestionably. Interesting? Hear for yourself, and decide whether you want to explore the Coleman sound more deeply.